Stage 32 Job Board Page 5
FROM THE EARTH TO THE MOON
Seeking art directors, producers, storyboard artists and 1 more in Toronto, Canada and Bangkok, Thailand
Seeking Art Director, Storyboard Artist, Producer and Financier for High-Concept Animated Short Film Logline: A Nazi moon base holds the key to a rewritten history, forcing a trapped soldier to escape not just a lunar prison, but the lies of his own planet. Project Description: I am seeking a passionate and visionary team to bring my award-caliber, high-concept animated short film, "FROM THE EARTH TO THE MOON," to life. This is a 13-minute sci-fi conspiracy thriller that blends the historical intrigue of Inglourious Basterds with the mind-bending scope of The X-Files. The script is complete and has undergone multiple developmental edits, resulting in a tight, character-driven narrative with a powerful and unforgettable twist. The story is set in a secret lunar base and follows two workers—one a disillusioned newcomer, the other a Moon-born insider—as they uncover truths that rewrite human history. Their plan to escape leads to a betrayal and a revelation that expands the conspiracy to an interplanetary scale. I’m looking for key collaborators to join the producer (myself) in this early stage. 1. DIRECTOR I’m seeking a director with a strong visual style and a passion for genre-bending storytelling (Sci-Fi/Thriller). You will be responsible for: * Defining the overall visual aesthetic and tone of the film. * Leading the creative team (Storyboard Artist, etc.). * Working with the producer to establish the pacing and emotional beats of the animatic. * A strong vision for translating the script's atmospheric tension and dramatic character moments into a compelling visual experience. 2. STORYBOARD ARTIST I'm looking for a talented storyboard artist to translate the script into a dynamic visual blueprint. Your role will involve: * Creating a full storyboard based on the final script and in collaboration with the director. * Establishing shot composition, camera movement, and pacing. * Helping to craft the visual flow that builds suspense and delivers the film's powerful climax. * Experience with animated projects is a significant plus. 3. FINANCIER / PRODUCER We are seeking a financier or a producer with financing capabilities who believes in the commercial and festival potential of high-concept animated shorts. This is an opportunity to attach your name to a project with a strong, marketable hook. The producer will be involved in: * Developing the funding strategy and budget. * Exploring grants, co-productions, and investor opportunities * Product placement. * Guiding the project through the production pipeline. What We Offer: * A polished, high-impact script with a proven "wow" factor. * A dedicated producer committed to seeing this project through to completion. * A collaborative environment where creative input is valued. * A project designed for the festival circuit with a clear path to attracting audience and industry attention. Project Status: * Script: Complete (9 pages/13 minutes) * Genre: Animated Short, Sci-Fi, Conspiracy Thriller, Alternate History * Lookbook/Mood Board: In development * Line-Item Budget ready Line-Item Budget How to Apply: Please DM me here on Stage 32 with the following: * For Directors & Storyboard Artists: A link to your portfolio/reel and a brief statement on why this concept resonates with you. * For Financiers/Producers: A brief overview of your experience and your interest in the project. * This short film is conceived as a proof-of-concept for a larger series. Let's build something incredible together. I look forward to connecting! All positions will be paid once a producer is secured and funding is in place. Serious collaborators only. Thank you for your understanding!
Multiple Pre-Production Roles | El Chapo-Leve
Seeking producers, executives, directors and 5 more in Los Angeles, California and New York City, New York
Fargoing Films is developing "Deadly Merchants," a limited series based on the true story of the first Chinese nationals ever designated as CPOTs (Consolidated Priority Organization Targets) by the DOJ — the same classification as Pablo Escobar and El Chapo. Only about 200 people in history have received this designation. The story follows Daniel Ceron, who orchestrated North America's largest fentanyl operation from inside prison, with a redemption arc that gives it crossover appeal to both true crime and faith-based audiences. Life rights secured. Series bible complete. Currently seeking: Development Producers Executive Producers Line Producers Co-Producers Production Coordinators Creative Executives Anyone experienced in packaging or creative financing Important — please read: This is an early-stage project with limited startup funds. I'm looking for partners who believe in the material and are open to creative deal structures — backend participation, deferred compensation, equity partnerships, or hybrid arrangements. If you're someone who sees the value in getting in early on a historically significant true story with built-in dual-market appeal, I want to hear from you. Not looking for handouts — looking for hungry, experienced collaborators who want to build something together. Open to conversations about what partnership could look like for you. Message me directly or drop a comment.
A SONG UNDERNEATH THE TREE - LF a Producer
Seeking producers in Lake Villa, Illinois
A SONG UNDERNEATH THE TREE(Genre: Psychological Drama)By: Irish Alvarez-Taflinger Log Line: When Olyvia’s family is terrorized by anonymous hackers who weaponize their lives online, she must fight slander, character defamation, intentional public humiliation, fractured trust, and leaving leaves the Christmas ornament as a chilling marker. Despite the chaos, a love triangle emerges with Billy (trouble) and Devin (support). Dream sequences and spirit guidance clarify the stakes and Olyvia’s screenplay as legacy: voice reclaimed. Tone/ Genre:Psychological drama with supernatural undertones — intimate family drama + tech-inflected suspense; lyrical, emotional, occasionally whimsical (music/sky motifs) with a hopeful finish. Synopsis:Olyvia is a young woman whose ordinary life is shattered after a wave of targeted hacks and smear campaigns expose intimate moments of her family with twisted narratives. Ridiculed and isolated, she chases proof while navigating fraught interactions with Billy (a confused neighbor with very bad friends) and Devin (a tender, conflicted love). Haunted by a mysterious woman who warns her of retribution, Olyvia gathers evidence, confronts betrayal, and ultimately chooses truth and family over silence — arriving at a cathartic reunion that transforms pain into resilience.
See You On The Hill - Looking for a Producer
Seeking producers in Lake Villa, Illinois
LOGLINE:When Gil, a young scalloped hammerhead shark, discovers a mysterious message in a bottle at Davidson Seamount, he and his shark friends embark on a sweeping ocean adventure across the Pacific to the heart of the Coral Triangle, where Gil hopes to find his true love before breeding season begins—only to uncover a deeper truth that could bring peace to their home and inspire protection of the seas. WHY IT MATTERS?:To educate the youth about marine life, including deep-sea creatures, the challenges they face, and the actions we can take to conserve and protect them. To introduce certain terminology to the next generation at an early age. SYNOPSIS:Friends of Sharks: Gil, a male scalloped hammerhead shark; Bubbles, a female scalloped hammerhead shark; Blue, a blue shark; Sal, a salmon shark; Mac, a short-fin mako shark; Fin, a long-fin mako shark; and Pearl, an oceanic white-tip shark, embarked on an adventure to help Gil discover his true love by journeying to the heart of the coral triangle before the breeding season begins. The film covers the widespread issues facing the oceanic world, not only in Davidson but also in the other seamounts featured in this movie. It emphasizes how Monterey Bay Aquarium Research Institute (MBARI) contributes to the protection of Davidson seamount and the deep-sea creatures that inhabit it. SHORT SUMMARY:In the vast oceans from Raja Ampat to Davidson Seamount, Gil and Bubbles—two sharks—discover a love tested by distance, doubt, and destiny. Along their journey, they meet quirky deep-sea creatures, dodge dangers, and sing their hearts out. Told with humor, romance, and family-friendly wonder, the story blends Attenborough-style narration with bedtime-story charm. The result is a musical ocean odyssey that leaves audiences longing for Part Two.
Open Theatre Auditions - The Scarlet Pimperne
Seeking actors in Brixham, United Kingdom
OPEN THEATRE AUDITIONS: ALL ROLES: THE SCARLET PIMPERNEL/DEVON/ ANY GENDER OR ETHNICITY/ Download all audition information and sides at https://www.southdevonplayers.... - Roles open for actors aged 16 to the Skys the limit. - Most roles in our staging of this play are not bound by gender; we are looking for the strongest actor for each roles. - Any ethnicity/ experience level equally welcome. What we are looking for are great performance skills, pleasant friendly teamwork, and the desire to be an active part of a really excellent quality show. - The show is a period drama set in 1792-3, as a lively period drama. The show is suitable for all audiences . - if you cannot make auditions Jan 25th please contact us to arrange an audition over the two weeks before. - Actors should be based in, or have a base in, Devon because of attending rehearsals and performances. Sorry none of us who are regulars with the theatre team are in a financial or housing position to be able to put people up from further afield. - Our show teams are diverse in terms of age, experience, ethnicity and we usually have several neurodivergent team members - everyone coming on board should be willing to work as a part of a diverse group of people. - the show is profitshare for funding reasons. We cover rehearsal space/ costumes/ insurance etc by selling second hand bits on eBay and handmade jewellery in a couple of local shops. This is on an open book process where ticket sales reports and any venue costs are shown upfront for perusal, and the ticket profits are shared equally between each person in the show team. Sadly we cannot guarantee how much this is as it can very widely as is dependant on ticket sales . We constantly do our best to apply for funding to bring everyone up to equity rates but this cant be guaranteed and we don’t believe in promising what we can’t deliver. - ALL cast and crew also are given access to portfolio photos and show video, copies of any press or promotional content featuring themselves, references on request (after completion of their first show run with us), and anything else that we find we can offer. Our show credits are usually spotlight eligible, so we are very pleased to confirm your role via Spotlight's paperwork, if you need this credit towards registering on Spotlight. - and - in answer to a common question we get: nobody is ever charged anything to audition or perform with us.Do please drop us a line on southdevonplayers@gmail.com with any questions not answered here or in the downloadable audition resources. We strongly encourage that you look at our website and social media to see all about us, prior to auditioning. About The Scarlet Pimpernel: In 1792, at the height of the French Revolution, in Paris, aristocrats destined for the Guillotine, begin to be rescued, by a mysterious figure, who always eludes capture. This rescuer can never be found or identified, except by little slips of paper featuring the image of a small English flower. Meanwhile, in London, Sir Percy Blakeney; who is widely known to be the leader of London fashion, and a carefree, whimsical fop, marries Marguerite, a beautiful, intelligent French actress and friend of the revolutionary government in France, while Citizen Chauvelin, an agent of the French government, arrives in London, seeking the identity of the mysterious Scarlet Pimpernel. An engaging drama of disguise, adventure, and conspiracy set between London and Paris, during the height of the French Revolution in 1792. Combining drama and humour, this is a production of pure escapism and suspense. Download audition details and sides at https://www.southdevonplayers....
Actress for Streaming Series - "Hybrid" (S1)
Seeking actors in Mexico City, Mexico
Job Posting: Lead Actress for Fantasy Streaming Series “HYBRID” (Season 1) Production Company: Essex EntertainmentLocation: Mexico City (On-site; all travel and accommodation expenses covered)Project Duration: Season 1 (with intention to extend through 5 seasons)Languages Required: English & SpanishType: Contract Role – Lead Antagonist Role: MILINKA Age Range (Character): 28 years oldCasting Range: 25–35 yearsHeight: 1.65–1.75 mEthnicity: CaucasianAccent: Spanish (Spain)Character Type: Villain / Main AntagonistAppearance: Very attractive, elegant, slim, and visually strikingStyle: Dresses in an elegant, seductive, and commanding fashionTravel: Must be able to travel and work in Mexico City (all expenses paid by Essex Entertainment) Character Description MILINKA is a 515-year-old vampire confined within the body of a stunning young woman. She is powerful, cruel, sophisticated, and deeply intimidating. As the primary antagonist of HYBRID, she drives the darker forces of the series’ mythology. Her elegance contrasts with her vicious nature, allowing her to move through the world with an unsettling mix of beauty, intelligence, and predatory intent. About the Project HYBRID is a high-end fantasy series blending magical elements, supernatural lore, and cinematic world-building. Season 1 will film in Mexico City, with a long-term plan for five seasons. Essex Entertainment is assembling an international cast and crew to bring this world to life, with Season 1 establishing the emotional, visual, and narrative foundation of the franchise. Responsibilities Perform the lead villain role of MILINKA across Season 1, with potential continuation through future seasons.Collaborate closely with the director, producers, and writers to develop the character’s physicality, tone, presence, and emotional layers.Participate in wardrobe design, movement coaching, and accent consistency sessions as needed.Be available for travel, rehearsals, costume fittings, and full shooting schedule in Mexico City.Contribute to promotional activities if required by production. Requirements Professional acting experience in film, television, or high-end streaming productions.Fluent in English and Spanish (mandatory).Ability to perform with a Spanish (Spain) accent.Strong screen presence; ability to portray elegance, dominance, and villainy convincingly.Comfort working in a fantasy setting with supernatural elements.Availability to live or stay in Mexico City during production (all expenses paid).Height between 1.65–1.75 m.Willingness to collaborate within an international, fast-paced creative environment. Preferred Qualifications Experience portraying villains, supernatural roles, or characters requiring strong physical control or stylized movement.Familiarity with fantasy, action, or supernatural genres.Experience working with multilingual productions. How to Apply Please submit: Acting reel (links only; no downloads).CV or filmography.Headshots (current).A brief statement on your approach to embodying MILINKA and your experience with fantasy or antagonistic roles. Send all materials to: essexentertainment@pm.me Subject line: Actress Application – MILINKA (HYBRID)
Director for Streaming Series (Season 1)
Seeking directors, production designers and art directors in Mexico City, Mexico and Vancouver, Canada
Job Posting: Director for Streaming Series “HYBRID” (Season 1) Production Company: Essex Entertainment LLCLocation: Mexico City (On-site, all travel and accommodation expenses covered)Project Dates: March – OctoberLanguages Required: English & SpanishType: Contract – Season 1 (with potential for future seasons) About the Project Essex Entertainment is seeking an accomplished Film Director for HYBRID, a high-end fantasy series currently in development for streaming distribution. The world of HYBRID blends grounded human drama with magical, creature-driven elements, presented with a sophisticated visual style and atmospheric tone inspired by “Fantastic Beasts: The Crimes of Grindelwald.” Season 1 will establish the core mythology, character arcs, and cinematic identity of the series, requiring a director capable of world-building, emotional storytelling, and large-scale visual execution. Role Overview The Director will define the narrative and visual language of the first season. This includes guiding performances, shaping the fantasy elements with realism and depth, and collaborating with creative leads to ensure a cohesive, cinematic experience across all episodes. Key Responsibilities Establish and execute the fantasy-driven visual style and tone inspired by Fantastic Beasts: The Crimes of Grindelwald.Direct all Season 1 episodes on location in Mexico City (March–July) and Canada for Post-production (August-October).Collaborate closely with producers, writers, and department heads to develop the world, characters, magical elements, and overall narrative structure.Guide cast performances and oversee blocking, staging, and camera language.Work in partnership with cinematography, production design, VFX, creature/character design, wardrobe, and post-production teams to ensure a seamless fantasy aesthetic.Participate in pre-production development, including lookbooks, shot lists, and visual planning.Provide creative oversight during post-production rounds (editing, color, VFX, and sound design). Requirements Experience directing fantasy, sci-fi, or visually ambitious narrative projects (episodic or feature).Strong bilingual communication skills in English and Spanish (required).Ability to travel and reside in Mexico City and Vancouver for the entire production and post-production schedule(all travel and housing fully covered by Essex Entertainment).Demonstrated experience working with VFX-heavy productions.Strong mastery of cinematic world-building and character-focused storytelling.Ability to lead large international crews in fast-paced environments. Preferred Qualifications Previous work on fantasy or creature-driven genres.Experience with multi-episode arcs for streaming platforms.Strong creative sensibility aligned with atmospheric, magic-realist, or dark-fantasy storytelling.Familiarity with both North American and Latin American production ecosystems. How to Apply Please submit: Director’s reel (links only).CV or filmography.A brief statement on your creative approach to fantasy storytelling and why you’re a strong fit for HYBRID.Optional: lookbooks, visual references, or previous fantasy-worldbuilding materials. Send all materials to: essexentertainment@pm.me Subject line: Director Application – HYBRID
Sexual orientation and heterosexuality
Seeking producers in Nairobi, Kenya
Fantasy
Writer Offering Script Only
Seeking crew in Los Angeles, California
Offering: Horror Screenlife/Found-Footage Script — Looking for producers/directors interested in new material Hey everyone! I’m a writer and I’ve finished a full 13-episode horror mini-series script called THE FOOTAGE.It’s a screenlife / found-footage psychological horror story told through vlogs, CCTV, laptop POV, and phone recordings. Starts light, turns unsettling fast, then goes full psychological spiral. I’m NOT acting in it, not directing, not filming — I’m only looking for:• Producers• Directors• Small teams• Indie creatorswho are searching for ready-to-use horror scripts. If you’re looking for a fresh, tense, character-driven horror concept with a simple production style (phones + laptops), feel free to reach out. I’m open to conversations, notes, and seeing where it goes.
WORLDWIDE CASTING CALL FOR PRODUCERS
Seeking producers in Los Angeles, California, Manila, Philippines, London, England and 2 more
INVESTORS & FUNDERS WANTED — Full-Length Film Project Opportunity We are opening investment and partnership slots for our upcoming feature film Bad at Hellos, Worse at Goodbyes, and we’re inviting individuals, enthusiasts, studios, producers, investors, brands, and organizations who believe in powerful, meaningful storytelling to join us as part of the producing team. This project offers equity-based participation, clear crediting tiers, and revenue share directly aligned with your contribution. IMDb Link: https://www.imdb.com/title/tt3... FUNDING BRACKETS & CREDITING STRUCTURE Percentage based on the estimated budget of $500,000 USD Your contribution percentage = your revenue percentage. Executive Producer — 25% and above • Executive Producer credit • Revenue share aligned with bracket • Name in opening & closing credits • Included in major promotions & festival materials Producer — 11% to 24% • Producer credit • Revenue share aligned with bracket • Listed in closing credits & select promotions • Included in key production updates Co-Producer — 5% to 10% • Co-Producer credit • Revenue share aligned with bracket • Listed in end credits • Periodic production updates and acknowledgements AVAILABLE MATERIALS (Upon Request) ● Film Dossier If you're interested in supporting independent cinema and becoming part of this project, email us at makaiaproductions@gmail.com Let’s bring life to something meaningful—together.
Colourist
Seeking colorists in Toronto, Canada
I’m looking for a colorist to collaborate with on my short film, roughly 20 minutes in length. It’s a psychological thriller and will be submitted to multiple film festivals. Does anyone know where’s the best place to find them. The film is fully shot and in post. I’m currently over budget, but I’m willing to put a couple hundred dollars toward a solid color grade. I’m hoping to work with someone who wants to collaborate, bring their visual taste to the project, and add a strong piece to their reel. Or if anything does anyone know where I could find potential colourists?
Volunteer Staff Writer – Black Vine Network
Seeking screenwriters in Washington, D. C.
Location: Remote (East Coast / EST preferred) Type: Volunteer / Unpaid Commitment: Evenings & Weekends (flexible) About Us Black Vine Network (BVN) is an independent creative collective developing original scripted and unscripted projects. We’re building a writers’ room where passionate storytellers can collaborate, grow, and develop content with future production and pitching in mind. While this is currently an unpaid, volunteer-based opportunity, all participants will receive credited recognition on projects (including IMDb listings) and the chance to be part of a growing creative network. Check us out here! What You’ll Do Collaborate with the writers’ room to develop original concepts, pitches, and scriptsContribute to story development, treatments, and dialogue writingParticipate in virtual evening & weekend sessions (EST time zone)Optional: Join in-person collaboration sessions on the East Coast (when opportunities arise) What You’ll Gain IMDb credit on BVN projectsHands-on experience in a writers’ room structureOpportunities to join production days and learn the on-set processCreative mentorship and peer feedbackA supportive space to build your portfolio and sharpen your voiceNetworking opportunities with other emerging creatives Requirements Must be a creative writer or have a strong interest in creative writing (screenwriting, fiction, or similar background preferred)Based on the East Coast (EST preferred) or willing to work on an EST-aligned scheduleComfortable with remote collaboration tools (Zoom, Google Docs, ClickUp, etc.)Available most evenings and weekendsOpen to feedback and collaborative storytellingNo prior professional experience required — we welcome emerging voices Important Note This is a volunteer opportunity only. There is no pay, stipend, or employment relationship at this time. All team members, including leadership, are currently contributing on a volunteer basis as BVN develops its slate of projects. As BVN continues to grow and secure partnerships and funding, there may be opportunities for paid positions or contracted work in the future. Any such opportunities will be discussed transparently with the team when they arise. How to Apply Send us: A short introduction about yourself (your background, interests, and what stories excite you)A brief writing sample (5–10 pages of script OR 1–2 pages of prose) Email: hiimjaemii@gmail.com & info@blackvinenetwork.com Subject line: “BVN Writers’ Room Application – [Your Name]”
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