00:00 STARTING THE EDITING PROCESS
3:30 USING TEMP SHOTS
4:55 TRIMMING
7:24 PROBLEM SOLVING
8:57 SOUND DESIGN
13:00 SCORING THE FILM
16:58 SOUND MIX
00:00 STARTING THE EDITING PROCESS
3:30 USING TEMP SHOTS
4:55 TRIMMING
7:24 PROBLEM SOLVING
8:57 SOUND DESIGN
13:00 SCORING THE FILM
16:58 SOUND MIX
2 people like this
I skipped to the scoring the film section.
It’s good - some stuff I know and a few good tips.
Yes - I agree Jazz is the more intellectual for corporate , using for corporate. Some scenes, though some scoring may work. / depending on the scene.
3 people like this
I followed Kerry Kennard and skipped to sound design (audio guy). It was fun to watch you all do your foley work. I usually use a sound library however when I do get a chance to do foley, it's always a fun process. Almost like being a kid again.
2 people like this
Cyrus Sales - do you use real Foley sounds, or any from Logic / ProTools libraries ? Logic has some really interesting sounds. You should check out the Drama piece I did in school - I used a lot of different ones in this video. It is on this profile and YouTube Film music playlist.
2 people like this
Kerry Kennard I haven't used ProTools library, I have used real foley sounds. I was also given (included in tuition maybe) a pretty extensive library my third semester of college for a post-production project. Truly a mix of techniques to accomplish the overall goal.