Hey Annie. The reason alot of writers can fail is when that enthusiasm to learn and grow dies. Youur excitement is exactly what will push you to become a sucessful writer. Actionable feedback ( positive or negative ) gives you huge building blocks to get it right. You go for it. Keep it up, heck who knows ..in six months you will have had selections and wins. Have an awesome weekend.
The biggest thing to make sure you do is read all the details on the festivals you enter. I've found a few of them that require you to be present at the festival to be eligible for an award.
Annie, I'm excited for you...and I wish you all the VERY BEST! (And no, as far as I'm concerned, you didn't waste a single cent by entering your first screenwriting contest!)
I entered a few contests last year and received my first award as a semi-finalist for 2019 Summer BAFF. It certainly gave me a boost to keep working on screenwriting.
I'm there with Jill. I entered a bunch and the thrill of placing really motivates! I am not crazy! I may be good at this! You cannot get there without trying!
ALL screenwriting contests should be treated like the lottery. Some are worthless dollar scratch-offs, and others are the Powerball, but they are all essentially a waste of money. They should be "played" without the expectation of winning anything, and you should be prepared to lose any time/money invested. If you are one of the lucky fraction of a few to benefit from one, mazeltov.
Ha! That's the spirit! I hate contests just because they take forever to hear anything. And also the money. But hey, it's kind of a "write" of passage ;) So congrats and good luck!
Hey Annie Shaffer! Congratulations! This is a huge leap! And no matter what happens, you took an important step in getting your material out there so it is not a waste. Make sure to enter contests that are able to move your career forward. I have been excited by the fact that Stage 32 has launched careers with our contests. In fact, I have personally helped 3 writers get signed after winning contests. And one of those was just hired by StudioCanal to write a project.
I don't know. I've lost trust in screenwriting competitions. I sent one a few years ago to ISA and the comments that came back made me realize the reader must have been very very young. She didn't understand enough to read a "visual" screenplay. She was throwing out words like "structure" out there. I was angry about the money loss and sort of offended, since my forte is structure. Thanks for the list anyway, I'll be happy to check them out.
I hear what you're saying. I've received feedback from a few young 'uns that have little knowledge of the basic language. It is discouraging indeed but I try to keep hope alive.
For the people who say they don't enter contests I have a few questions: How do you get your work out there? How do you make money in screenwriting? I am fairly new and would like to eventually make a living on writing. I thought entering contests and winning was a stepping stone to becoming a working writer. What are the other avenues to becoming a working screenwriter?
Personal connections. Get on set as an intern, volunteer, a PA... whatever. Observe, learn, be active, be helpful and don't knock the light stands over. Folks will notice and when the time is right, pull out that brilliant script you just happen to have in your backpack. If you need to make a buck, you can always work as a staff writer on some series.
In the early days I found that they were a great source of confidence.
How do I get my work out?
I try to be as visible as possible. I blog, Vlog, forums and post my work on Script Revolution. People get to know who I am and what I write. So if they go and get a script of mine there will not be many surprises.
Everyone’s ideas of how to be seen is different.
The only advice I have is “You have to do it”.
People post things like “I need an agent to help with my career”. You have to get the ball rolling. Think of what you can do and do that.
It is a small world, believe it or not. Even help your local community theatre group could lead to something. I worked (in the intelligence industry) who did fight coordinating for a theatre on the weekends. He worked with a guy who ended up being a development execituve at Universal, I am in Australia.
Yes, Dan, you are so right. At the end the comments are only someone's opinion. When I was in Germany and was part of the Berlin Brandenburg Film Board, my job was to read screenplays that came in English, Spanish or Rumanian, and decide if to finance them or not. When not, I had to write why not. I know I spent hours writing something that people could actually use to make the screenplay better, to be able to sell them. I guess I expected something like that. Anyway, now I'm looking for a producer who knows their way internationally, because I've decided to direct my screenplay myself. Cross fingers!
I applied to a few contests and today was the first notification. I am a quarter-finalist! Yay! Fingers crossed to be a semi-finalist, but honestly I'm just excited to place at all.
Is absolutely the right thing to do. Congratulations!
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She who dares wins. :)
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Good for you. Do you check out Film Freeway for festivals?
The first contest I entered, I was sure that all I would get back was feedback. I placed top 25. If you put in the work, you have a chance.
Bill Albert No!, but now I will. thanks! I used moviebytes
Hey Annie. The reason alot of writers can fail is when that enthusiasm to learn and grow dies. Youur excitement is exactly what will push you to become a sucessful writer. Actionable feedback ( positive or negative ) gives you huge building blocks to get it right. You go for it. Keep it up, heck who knows ..in six months you will have had selections and wins. Have an awesome weekend.
Congrats on crossing that threshold. Win or lose, you've committed time and money to advancing your career. That's an important step.
Best of luck!
Fingers crossed for you, Annie. Good luck.
The biggest thing to make sure you do is read all the details on the festivals you enter. I've found a few of them that require you to be present at the festival to be eligible for an award.
They are great fun. Getting notes (if they are offered) is always interesting. I hope you do well.
Wish you the best luck :)
Good luck to you
Annie, I'm excited for you...and I wish you all the VERY BEST! (And no, as far as I'm concerned, you didn't waste a single cent by entering your first screenwriting contest!)
1 person likes this
I entered a few contests last year and received my first award as a semi-finalist for 2019 Summer BAFF. It certainly gave me a boost to keep working on screenwriting.
Best of luck!! Hey, there is a huge chance that you will be awarded... but that's the spirit!!
I'm there with Jill. I entered a bunch and the thrill of placing really motivates! I am not crazy! I may be good at this! You cannot get there without trying!
2 people like this
ALL screenwriting contests should be treated like the lottery. Some are worthless dollar scratch-offs, and others are the Powerball, but they are all essentially a waste of money. They should be "played" without the expectation of winning anything, and you should be prepared to lose any time/money invested. If you are one of the lucky fraction of a few to benefit from one, mazeltov.
1 person likes this
Good luck, post updates on your progress
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Ha! That's the spirit! I hate contests just because they take forever to hear anything. And also the money. But hey, it's kind of a "write" of passage ;) So congrats and good luck!
Very exciting!
That's wonderful I wish you the best of luck. Win or lose if you get feedback that is a win-win either way.
There are so many contests. Does anyone have the top ten best contests to enter?
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Hey Annie Shaffer! Congratulations! This is a huge leap! And no matter what happens, you took an important step in getting your material out there so it is not a waste. Make sure to enter contests that are able to move your career forward. I have been excited by the fact that Stage 32 has launched careers with our contests. In fact, I have personally helped 3 writers get signed after winning contests. And one of those was just hired by StudioCanal to write a project.
3 people like this
I don't know. I've lost trust in screenwriting competitions. I sent one a few years ago to ISA and the comments that came back made me realize the reader must have been very very young. She didn't understand enough to read a "visual" screenplay. She was throwing out words like "structure" out there. I was angry about the money loss and sort of offended, since my forte is structure. Thanks for the list anyway, I'll be happy to check them out.
1 person likes this
I hear what you're saying. I've received feedback from a few young 'uns that have little knowledge of the basic language. It is discouraging indeed but I try to keep hope alive.
1 person likes this
For the people who say they don't enter contests I have a few questions: How do you get your work out there? How do you make money in screenwriting? I am fairly new and would like to eventually make a living on writing. I thought entering contests and winning was a stepping stone to becoming a working writer. What are the other avenues to becoming a working screenwriter?
1 person likes this
Personal connections. Get on set as an intern, volunteer, a PA... whatever. Observe, learn, be active, be helpful and don't knock the light stands over. Folks will notice and when the time is right, pull out that brilliant script you just happen to have in your backpack. If you need to make a buck, you can always work as a staff writer on some series.
2 people like this
In the early days I found that they were a great source of confidence.
How do I get my work out?
I try to be as visible as possible. I blog, Vlog, forums and post my work on Script Revolution. People get to know who I am and what I write. So if they go and get a script of mine there will not be many surprises.
Everyone’s ideas of how to be seen is different.
The only advice I have is “You have to do it”.
People post things like “I need an agent to help with my career”. You have to get the ball rolling. Think of what you can do and do that.
It is a small world, believe it or not. Even help your local community theatre group could lead to something. I worked (in the intelligence industry) who did fight coordinating for a theatre on the weekends. He worked with a guy who ended up being a development execituve at Universal, I am in Australia.
2 people like this
Yes, Dan, you are so right. At the end the comments are only someone's opinion. When I was in Germany and was part of the Berlin Brandenburg Film Board, my job was to read screenplays that came in English, Spanish or Rumanian, and decide if to finance them or not. When not, I had to write why not. I know I spent hours writing something that people could actually use to make the screenplay better, to be able to sell them. I guess I expected something like that. Anyway, now I'm looking for a producer who knows their way internationally, because I've decided to direct my screenplay myself. Cross fingers!
3 people like this
Nothing ventured, nothing gained. Even if nothing happens, you can say you tried. :)
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I applied to a few contests and today was the first notification. I am a quarter-finalist! Yay! Fingers crossed to be a semi-finalist, but honestly I'm just excited to place at all.
Congratulations, Annie. It feels good to get the recognition. Good luck moving forward.
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Good luck and have fun.
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"Faith is taking the first step even when you don't see the whole staircase."
Martin Luther King, Jr....CONGRATS AND WRITE ON!