Whether you’re an editor, sound editor, Foley artist, compositor, VFX specialist or work in any profession related to the post-production process, this is the place to discuss, share content and offer tips and advice on your chosen craft of the business in general
Post-production is where your project truly becomes what audiences experience—and yet it’s one of the most misunderstood and underestimated phases of filmmaking. Whether you’re creating a short, a feature, or a series, nothing reaches the screen without thoughtful post-production planning and execut...
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For the third straight week, Avatar: Fire and Ash is leading the box office, fueling hopes for a strong Hollywood rebound in 2026. Has anyone seen it yet? If so, what did you like about it (without spoiling it for those who haven't seen it)?
Read more here: https://www.nbcnews.com/news/us-news/avata...
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Hello everyone!
I am Li, a director from China. I just made my first feature film. Now I have a rough cut. I would love to have some feedback from the audience. Please let me know if you are interested in it and giving some feedback. Thanks!
Ruqing Li Do you have a link or somewhere we can watch and leave feedback?
Cyrus Sales Yes! Will send it to you by message.
Li, i’d love to take a look.
Garry Bowcott Hi Garry. Sure will send it through messages. Thanks.
Hey, Post-Pros!
If you are interested in how visual effects can enhance performance rather than overpower it, this is a must-watch. In this episode of Behind the Screen, the VFX team behind Avatar: Fire and Ash breaks down how performance-capture technology continues to evolve, allowing for deeper em...
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I can put more characters, big locations, etc. in my low-budget scripts now because I know they can be done cheaper with the CGI today, Ashley Renee Smith. Sometimes....
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With 2026 around the corner, I’ve been reflecting on post-production and how consistency really shapes outcomes. Last year reinforced how much smoother projects run when communication, workflow, and expectations are set early—and revisited often. Small habits added up more than big pushes.
As you mov...
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There are many options available for doing compositing. Nuke is the main software used for feature film, and larger studios, and After Effects for motion graphics and many indie productions. For those who want to learn Nuke, but are on a budget, Natron is a Nuke clone, although not as polished.
But...
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Patrik Gyltefors Always enjoy watching your videos. If I could add for future videos. I'm getting back into film so some of the terms and wording or foreign. It would help me as a new person if you ex...
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Cyrus Sales, thank you for your valuable feedback. It is easy to forget that the viewer might not be familiar with the terminology, so I'll try to improve on that part. Translating the above to audio...
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Patrik Gyltefors Thank you for going further into detail and explaining everything. Makes way more sense now.
Hey Post-Pro Lounge,
I wanted to share a really clear, approachable breakdown of a topic that comes up a lot in 3D, VFX, animation, and virtual production workflows:
The video explains the difference between ray tracing and path tracing in simple...
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Hey everyone,
I know this group focuses heavily on Post Production, but I’ve come across a handful of great audio people here—and I thought this episode would really resonate.
I recently listened to an interview with Chris Welcker, CAS, an Emmy-winning Production Sound Mixer whose credits are wild: Si...
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Thank you
Lyna Solibieda You're welcome!
Hey everyone,
It’s been a while since I posted here. I’ve been studying Nuke, Roto, and basic compositing recently, and I’m working on rebuilding my workflow and portfolio for my brand 7stcut.
Right now I’m focusing on:
– Clean roto work
– Basic compositing & integration
– Learning more about advanced no...
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Thanks for reaching out! It's awesome to connect with someone who's working with both Nuke and Houdini. I’m currently diving deep into Nuke myself and focusing on building a solid com...
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Cyrus Sales Thanks for the warm welcome! I really appreciate your thoughts on building consistency in Nuke and compositing. It’s something I’m actively working on. I’d love to connect and share ideas...
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Mohamed Karbia Great to meet you! Thanks for the kind words and support. It’s always exciting to connect with fellow artists from around the world. Best of luck on your journey too, and feel free to r...
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Behnam Hojati Absolutely, I'll be reaching out to my Network at the top of the year to get reconnected with everyone. Catch up on '25 and see where everyone is headed in '26. Look forward to connectin...
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In horror films, Visual Effects (VFX) are key to creating unforgettable, terrifying experiences. Here's how VFX elevates the horror genre:
1️⃣ Atmosphere Building: VFX enhances eerie environments, creating tension through lighting, fog, and shadows. Think of the chilling scenes in "The Conjuring."
2️⃣...
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The Thing, Behnam Hojati. The VFX made it even scarier and creepier. The prequel wasn't as scary and creepy to me.
Behnam Hojati agreed. VFX can make or break the scare factor in horror. For me, The Conjuring really stands out; the subtle VFX in the shadows and ghostly movements made the tension almost unbearable...
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The Walt Disney Co. just announced a $1 billion equity investment into OpenAI — and they’re opening the doors for creators to generate videos featuring Disney’s copyrighted characters directly inside Sora.
For anyone working in animation, VFX, storytelling, or content creation… this is huge. We’re of...
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Cyrus Sales We are having this discussion here:
https://www.stage32.com/lounge/producing/Disney-does-1b-deal-with-openai......
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Shadow Dragu-Mihai, Esq., Ipg Thanks for sharing. I like seeing that multiple lounges are engaged in this conversation. I saw the animation lounge talking about it a few days ago. I'll direct more peo...
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Warner Bros. Discovery’s board has unanimously recommended that shareholders reject Paramount’s tender offer, stating it does not provide sufficient value and carries significant uncertainty. The company is standing by its current strategic direction.
What do you think this signals for the future of...
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Cyrus Sales It was anticipated that Paramount would have to raise the buy out by $5B or more before shareholders would accept it... maybe that's what might happen. On the other hand, I have heard rumo...
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Shadow Dragu-Mihai, Esq., Ipg Yeah, that tracks—$5B is a hefty jump, but sometimes these bids need a big swing to get shareholder approval. Apple stepping in would definitely shake things up and add a...
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So excited for tomorrow :)
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Please put all questions for the live q + a below or email edu@stage32.com
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If you can't attend live, you will receive the recording + handout to keep forever after the webinar
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Email edu@stage32.com with any questions: whether for Ashley, about the webinar, accessing the Zoom, etc!
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Happy New Year, Stage 32 Education team. I am very excited to moderate today's webinar. Can't wait.