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An entrepreneur agonizes over family murder-suicides in his childhood neighborhood, seemingly caused by social media abuse, and takes action to force high-tech moguls to change their platforms and attitudes, with unexpected consequences.
SYNOPSIS:
An entrepreneur agonizes over family murder-suicides in his childhood neighborhood, seemingly caused by social media abuse, and takes action to force high-tech moguls to change their platforms and attitudes, with unexpected consequences.
With Good Intent is a gripping blend of emotional depth, personal transformation, and social justice, set against the gritty backdrop of a suburb in Yonkers — the childhood neighborhood of Gordon Willows.
Gordon is a wealthy trader disillusioned with his fortune and lifestyle. He is determined to address the deep-seated issues of poverty, crime, and educational inequality in his old patch. The catalyst for his journey is the latest tragic family murder-suicide, which prompts him to launch the Save Yonkers Campaign, aimed at offering immediate relief to those in need. That was followed by SchoolSpark, a bold initiative designed to overhaul the education system.
He teams up with his childhood friend Randy, an Iraq veteran, and Nassim, a tech-savvy electronics engineer, who bring their practical skills and determination to the campaign. The two reform movements — one focused on urgent community aid for the poor and the other on long-term enduring change — are propelled by daring public stunts and media attention, keeping the narrative tense and engaging.
While the novel’s emotional core lies in Gordon's internal struggles and complex relationships — particularly with his ex-wife Jessica and Randy, it also ramps up in intensity as it nears its conclusion. As the Save Yonkers Campaign and the SchoolSpark campaign face mounting opposition, the stakes grow higher, leading to dramatic moments of action that bring the tension to a head.
These action sequences, while intense, underscore the personal sacrifices Gordon makes, showing the true cost of fighting for a better future. They are not gratuitous but rather serve to underline the weight of Gordon’s journey. His story, both inspiring and tragic, culminates in a way that will resonate with audiences who appreciate narratives of transformation and the struggle to make a meaningful impact.
With Good Intent will appeal to audiences who enjoy character-driven stories and are drawn to themes of social justice, personal growth, and redemption. The novel’s exploration of the complexities of human relationships — set against a backdrop of intense social issues, will particularly resonate with women and audiences who appreciate nuanced, introspective narratives.
The latter part of the novel takes a more action-packed turn, but this is balanced within the context of Gordon’s emotional and moral journey, ensuring that the account remains thoughtful and engaging. It’s a narrative that speaks to the transformative power of one individual’s quest to change the world — and the personal sacrifices that come with it, no matter the cost.
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Hey Charles, this may read a little better: "A reclusive entrepreneur agonizes over a spate of family’s financial collapse and suicides, due to their kid's incessant hi-tech demands, so he pressures technology Barons to reform their greed-driven business practices and eradicate the social malaise."
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Thank you Graham Mulvein. I indeed welcome alternative suggestions rather than ratings. They are far more beneficial. Ratings are better applied to the finished movies. Back to the Logline, the story is about nationwide malaise “over a spate of families’ financial collapse and suicides due to kids' incessant hi-tech demands," but one could adapt your Logline too. In supplying alternatives, I would also appreciate noting where fundamental elements have gone missing i.e. protagonist, inciting incident, the action and the stake. I do that if I can myself, but it's very time consuming, I have to admit. But that’s where the fun is and everybody can learn.
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That's great Charles, just don',t get wrapped up in too many words. Trick is to keep it as tight verbally and short as you can.
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Charles V Abela I think Graham means a logLINE is that, ONE LINE. It's often hard to put a script into a synopsis and that into a logline, but it's an invaluable part of pitching.
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