Hey folks. Tom from Stage 32 here. I LOVE film scores. I love the sense memory it creates for me about the film that I watched. When Michael Keaton appeared as Batman in The Flash, it was really cool, but when the Danny Elfman score played while he was in the OG Batwing, it gave me chills. Great fil...
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Hey! Here's my CV!
Francis Poulenc (1899-1963) was a French composer and pianist, known for his versatility and distinctive style that fused modernity with neoclassical elements and popular music. Openly gay, Poulenc lived in a time when homosexuality was not widely accepted. Despite this, he was a devout Catholic, and his faith was reflected in works such as the "Gloria" and the "Stabat Mater." His music shows that true spirituality involves embracing all facets of oneself, finding in them a source of creativity and depth, which defines his artistic legacy.
I am looking for any kind of film to work in. If you want to take a look of some of my works text me.
Hi Gian. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like...
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Hello Gian -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you won...
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2 people like this
1 - Read the script
2 - Get some film even if it's not edited early
3 - Work with the director to get the TONE of the film
4 - Once we have some samples and ideas, create a Cue Sheet
5 - For each Cue, de...
Expand comment1 - Read the script
2 - Get some film even if it's not edited early
3 - Work with the director to get the TONE of the film
4 - Once we have some samples and ideas, create a Cue Sheet
5 - For each Cue, determine Length, Tone, Point of View, Tempo and Purpose
6 - Create each Cue sending samples to the director until we find something they like
7 - Mix down the instruments, and Master the Mix
8 - Upload and deliver the goods
1 person likes this
Bruce Bray - and make sure if it's an Indie movie to download a Cue sheet for the PRO's. There's a standard between BMI & ASCAP called RapidCue. (2016). I've heard Composers need to do this sometimes...
Expand commentBruce Bray - and make sure if it's an Indie movie to download a Cue sheet for the PRO's. There's a standard between BMI & ASCAP called RapidCue. (2016). I've heard Composers need to do this sometimes when the Production team does not send the Cue sheet to the PRO.
https://www.bmi.com/news/entry/bmi_and_ascap_announce_new_standardized_c...2 people like this
I've actually been extremely fortunate as the Producer's have always done this for me. Even the last Feature that I worked on, the director took the Temp Names I gave for each Cue and just used those....
Expand commentI've actually been extremely fortunate as the Producer's have always done this for me. Even the last Feature that I worked on, the director took the Temp Names I gave for each Cue and just used those. Funny, it wasn't that much of a requirement for the US, but it was for European Distribution.