https://www.youtube.com/watch?v=a6jCYvkWoFc No budget guerilla experimental Music Video
https://www.youtube.com/watch?v=a6jCYvkWoFc No budget guerilla experimental Music Video
I'm working on a short film for class and it will be about hackers. I need to show the computer screen. I'm unsure of what is the best way to go about this. Any suggestions? Thank you!
A great program like deflickr from ReVisionFX will perfectly handle the flickering. Just make sure the white balance on your camera will be just right so that the computer screen is white enough; because some screens tend to be bluish. Wish you luck!
Thank you all!!!
LCD (Liquid Crystal Display) computer screens generally don't flicker or roll at normal digital exposure speeds. Flat computer screens are usually LCDs or an LCD varient. If you're using a CRT (Cathod...
Expand commentLCD (Liquid Crystal Display) computer screens generally don't flicker or roll at normal digital exposure speeds. Flat computer screens are usually LCDs or an LCD varient. If you're using a CRT (Cathode Ray Tube) screen or other shutter speeds you may see rolling black bars or flicker in your image because the computer screen happened to be refreshing itself when your camera was making an exposure. This was a big problem before LCD screens. With CRT (Cathode Ray Tube) screens we had to analyze the the screen refresh rate, change the camera shutter angle to make sure it was open long enough, and literally synch the camera to the computer. It's a lot easier now. Expose for a normal exposure and set the computer's brightness level to a level where it looks good. And be sure to run a test with the camera and computer you plan to use.
Hi, Thanks for the amazing social networking platform. I felt the video player feature is bit heavy on network bandwidth and relies too much on the buffering. Can please check other options like HTML5. Please consider this as feedback and please don't mind if i am wrong with my words.
Thanks for the invite.Honored to be in your list.
Hey, Naophangba, thanks for connecting. All the best, Spike.
Thanks for your reply. I highly value your companionship.
Thanks for the invite. Honored to be in your list
Thanks for your valuable feedback on my work.Yes I would love to check you out on LinkedIn.Thanks again this site gives me insights into the film-making community worldwide,a chance to interact with t...
Expand commentThanks for your valuable feedback on my work.Yes I would love to check you out on LinkedIn.Thanks again this site gives me insights into the film-making community worldwide,a chance to interact with the pro and experienced. I am just a novice in my field and have been keenly aspiring to learn under someone's guidance.I just have learnt from the internet and I know its a tip of the iceberg. Thanks again.
Thanks for the invite.Honored to be in your list.
Thanks for the invite.Honored to be in your list.
Thanks for the invite. Honored to be in your list
Thanks for the invite. Honored to be in your list
This is my best shot in my first project as an assistant cinematographer for this local music video album.It was around 3-4pm IST in December and the winter evening sun had shone through the pine trees at 45 degrees to my right of the camera and I got the correct exposure everything was well balance.I didn't needed the ND filter.Used Sigma 70-300mm f4-5.6 DG MACRO on Nikon D3200 with custom flat picture profile. Graded it with magic bullet looks in premiere pro CC.
Hi Naophangba. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 325,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. L...
Expand postHi Naophangba. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 325,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
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Wow... Can you believe the price point per features being delivered on some of the lower priced UHD/4K systems announced in the last year now showing up in the wild? I am excited to try and upgrade from of our in-house primary XDcam cameras into some 4K. If I had my choice and budget wasn't an issue...
Expand postWow... Can you believe the price point per features being delivered on some of the lower priced UHD/4K systems announced in the last year now showing up in the wild? I am excited to try and upgrade from of our in-house primary XDcam cameras into some 4K. If I had my choice and budget wasn't an issue, I'd probably go with a Sony F55 and a swanky set of PL Primes and a couple of zooms. $200 grand anyone? Trying to keep our budget under 10% of that but still building a new kit (batts,sticks, etc) including some new EF compatible glass. Seriously considering: BM URSA, AJA Cion and Sony F7. I Need to see more reports from the field but hoping to shoot our next feature doc in 2015 partially in 4K (for repositioning mainly) for a 2K deliverable. Each design has its pros and cons. The codecs as well. As far as I can tell, the images have the potential to look fantastic on all of them. Curious what people's opinion is of the low end offerings this year? PLEASE: Try to have has some hands on with these cameras. I am more interested in a discussion about field experience than an argument about specs. Thanks!
Yes Hayward, BM uses "uncompressed" RAW which creates huge files. That's why RED, and other manufacturers, offer RAW compression to keep file sizes more reasonable. ProRes is a good option in terms of...
Expand commentYes Hayward, BM uses "uncompressed" RAW which creates huge files. That's why RED, and other manufacturers, offer RAW compression to keep file sizes more reasonable. ProRes is a good option in terms of quality vs. compression. However, without offering a Log profile, the dynamic range on BM is underwhelming. The current bar for dynamic range is 14 stops or close to it.
well that makes a lot more sense Randolph, thanks. In my opinion, BM still has some improvements left to go.
Check out a photo of our filmmakers, actors, writers and producers this past Monday March 9th, at Aramar Studio in my photo section. From left to right: Steven Dones, me, Eliza Agudelo, Chris Sparks,...
Expand commentCheck out a photo of our filmmakers, actors, writers and producers this past Monday March 9th, at Aramar Studio in my photo section. From left to right: Steven Dones, me, Eliza Agudelo, Chris Sparks, Georgina Okon and Julian Flynn. We're working on producing actor's reel scenes for Eliza and Georgina written by Steven Dones, Chris Sparks and Eliza. Julian, Steven and I will be acting in those scenes. I'll be posting thoseclips sometime in April.