THE STAGE 32 LOGLINES

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DEAD BY NEXT WEEK
By P J Bruce

GENRE: Action
LOGLINE:

A take on a Tarantino Western, set against the backdrop of a gold mine being re-opened in present-day California.  But when Townsfolk try to re-open the mine, they face off against the murderous Wilson sisters, who have sworn to wrest ownership back after it was taken from their family in the 1990's.

SYNOPSIS:

DEAD BY NEXT WEEK makes for a fun read, vacillating between the sort of staid, stilted comedy found in a Coen Brothers movie (or a Tarantino film) with genuinely exciting action.

The Wilson family (previous owners of the gold mine that was wrested from them in the 1990's) are easy to get behind and, actually you end up rooting for them quite a bit of the movie (but the same is true of a Tarantino movie, as well).

This story is about quirky, yet delightful Townsfolk working together in order to save their town from certain demise.

The strong emotional core is about redemption and teamwork - striving toward a common goal.

There are lots of funny scenes, particularly between Chantel 35, strong, determined, a new age hippie, and Michael, 39, sexy, black & damaged, who seem to bumble their way through most of this. After a failed marriage and negativity from her father, Chantel transitions from a shy wallflower into an assertive, give 'em shit entrepreneur. Eventually there's a romance between Chantel and Michael.

This screenplay takes a really funny, contemporary angle into a Western, drawing on the real fact that gold has suddenly become desirable again.

In a humorous, uplifting final scene, in order to save the gold nuggets from the Wilson family, the Townsfolk must hide the nuggets up their butts!!!

(based on a true story - a former Canadian Royal Canadian Mint employee steals $190,000 of gold by sticking it up his rectum)

https://www.cbc.ca/news/canada...

Tasha Lewis 2

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Ashley Renée Smith

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Ashley Renée Smith

P J Bruce your logline offers a modern twist on a Western with strong genre flavor and a clear central conflict. The premise of a gold mine reopening in present-day California sets the stage for contemporary social and historical tensions, while the Wilson sisters’ fight to reclaim their family’s legacy brings emotional weight and potential for compelling anti-heroes. Referencing a “Tarantino Western” gives a solid tone cue, though you could further sharpen the hook by specifying the stakes of the standoff or hinting at the characters’ tactics: brutal justice, cunning legal warfare, or all-out bloodshed?

P J Bruce

Sincere thanks to both Tasha Lewis and a special thanks to Ashley Renee Smith!!! I very much appreciate your input and ideas!! It sure does help a fellow screenwriter!! Cheers, Patricia

Abdusamad Shafiev

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Grant “Wiggy” Wiggins

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