This is "Dreadlocks off: Animation" by on Vimeo, the home for high quality videos and the people who love them.
This is "Dreadlocks off: Animation" by on Vimeo, the home for high quality videos and the people who love them.
The ocean is a wonderful place to discover... Enjoy, don't disturb and let it be amazing. All footage filmed with GoPro in Great Barrier Reef (Australia) and Gili Islands (Bali, Indonesia). Follow us in www.facebook.com/motionleaks Camera: Laura Sánchez & Andrea Pérez Postproduction: Cosmoderna Music: "Runaway Heart" by Seastock
Video editing and postproduction: from documentaries to corporative video, including music videos and events. www.cosmoderna.com
Hi Andrea. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like...
Expand postHi Andrea. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
Please take a moment to follow and like our other social media accounts.
Hello Andrea -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you w...
Expand postHello Andrea -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you won't find anywhere else on producing, directing, financing, writing, packaging, acting and more.
Our Next Level Education has a 97% satisfaction rate and averages 4.5 out of 5 stars. Plus, we've had the honor to be called "LinkedIn meets Lynda.com for film, television and theater creatives" by Forbes Magazine.
I encourage you to take the next step to continue learning and expanding your career by clicking here, or clicking "education" on your top menu bar.
I'm grateful you've joined the Stage 32 community. Please let me know if you have any questions!
Amanda
I have a short film I am working on editing. This was initially cut to be a very short (60 sec) contest and much of the actor's phenom acting was cut out to fit into the time specs. I now have the ability to edit a longer "extended version" and can use the majority of the length of each clip. The pr...
Expand postI have a short film I am working on editing. This was initially cut to be a very short (60 sec) contest and much of the actor's phenom acting was cut out to fit into the time specs. I now have the ability to edit a longer "extended version" and can use the majority of the length of each clip. The problem is there were never any major inserts or reaction shots taken. One clip in particular is where the actor basically paces around the room, with occasional outbursts. The outbursts are what I'd like to keep, but without something to cut away to, if I cut everything out it's very jumpy and jerky. That's how the short 60-second piece was edited, and it WORKED, but I would like to avoide that this time around, if possible. What is everyone's thought on the "fast-forward" effect for a long scene like that, where the "slow" parts are sped up? Any other concepts or ideas for retaining this long action shot without anything to visually break up the scene? Thanks!
Try something like a speed blur effect while he's walking...or double images...
It might be helpful to ask questions such as 'Why am I doing the longer film?', 'What do I want the viewer to think, feel, take away?', 'Is there any statement, theme, or message for the longer versio...
Expand commentIt might be helpful to ask questions such as 'Why am I doing the longer film?', 'What do I want the viewer to think, feel, take away?', 'Is there any statement, theme, or message for the longer version?' If you have an answer to any of these, it might lead you to some particular ideas about how to handle the material which you want to integrate into the longer film.
We use cookies to ensure that we give you the best experience on our website. By using this site, you are accepting our cookie policy