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NADIA (FRANCE)
By Egi David Perdana II

GENRE: Romance, Experimental
LOGLINE:

The story of the director who returns face to face with his past regrets with a girl he played on purpose with no regrets between reality and fantasy.

SYNOPSIS:

The film is shot in the style of an interview by the man when he is old with answers through monologues as well as the reading of poetry from several characters about Nadia and the man when he was young as well as some flash to cut back * not excessive, minimal but still full. Sometimes if not monologue or poetry, other characters besides Nadia and the man will be played by other people, so there are 2 character actors in this film, as readers of monologues and poetry and as characters in flash to cut back scenes. The director's role when he was old was only Sound (O.S) when interviewing the characters.

A semi-visualization of memories between facts and fantasies of a veteran director of his youth 3 months before he started his professional career in Hollywood and left his job as a theater director.

He communicates without ever meeting face to face via social media with an underage girl who is mentally manic, he plays with her without mercy.

Suddenly the girl makes him fall in love in the sense of truly love, but when the feeling grows, the girl forgets him from the friendship forever, bringing feelings of hatred and pain.

Feelings of longing, love and regret as well as feelings of guilt accompany the director's days throughout his life, of course, all occur in the semi-visualization of the pseudo past, which is shadowed and made effort not to fade away by him even at a glance.

Nathaniel Baker

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