Hi Winston. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
- To send invites to your fellow creatives, please click here.
- For any questions on how to utilize the site, please check our HELP and GETTING STARTED sections.
- Also, I host a FREE webinar every month where I go over site features and answer user questions. You can view them here.
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Thank you Karen, this is a surprisingly good primer on some aspects of framing. Pay attention to the stated content even if the images do not exacty illustrate the concepts being presented. There are...
Expand commentThank you Karen, this is a surprisingly good primer on some aspects of framing. Pay attention to the stated content even if the images do not exacty illustrate the concepts being presented. There are a couple of very questionable things in there but a few “fillum-skool” professors seem to think they apply. If they don’t jump out at you don’t lose any sleep over them. The “performance art” presentation can be forgiven because of the content.
Very worth watching.
There are many things about beauty, composition is only one. We are surrounded by scads of reference material for beauty, so the best approach is to learn from your own reaction. Ask yourself “why” you like something, which details and components work together to make an images attractive, be analytical. Do the opposite of “I don’t know what is good but I know what I like”. That is a statement that you cannot make should you wish to create images, This same level of image analysis must be strictly applied to your own work for you to maintain quality and grow.
Hey, Andrew Sobkovich ! So glad you enjoyed it!
In response to, "Do the opposite of “I don’t know what is good but I know what I like”. That is a statement that you cannot make should you wish to crea...
Expand commentHey, Andrew Sobkovich ! So glad you enjoyed it!
In response to, "Do the opposite of “I don’t know what is good but I know what I like”. That is a statement that you cannot make should you wish to create images, This same level of image analysis must be strictly applied to your own work for you to maintain quality and grow." TOTALLY! I'm a hyperanalytic person, which became apparent both in my film theory classes taking them, and finally in teaching IB Film, but it's another thing entirely to employ it as the creator yourself. One must keep it in check when creating and then unleash it when reflecting. A fine balance! Thanks for the response!
I'd love for you to start a conversation about your own creative journey - will you start a post in the Cinematography Lounge? https://www.stage32.com/lounge/cinematography
Karen, in the midst of a discussion there is hardly a need for the “@“ symbol. In this case I saw and understood the posting. Responded appropriately.
When teaching cinematography, the most important t...
Expand commentKaren, in the midst of a discussion there is hardly a need for the “@“ symbol. In this case I saw and understood the posting. Responded appropriately.
When teaching cinematography, the most important thing I try to get across is trying to get people to see. First to see what is there then to see what could be there. Once accomplished in both, good images become quite obvious.