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Anna Henry Jan'26 Historical Fiction Lab

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Pitch Jennifer Patterson (Saturday, December 6th 2025)

Jennifer Patterson

Credits include: THE WALKING DEAD, THE BONDSMAN, SHOGUN

3 virtual meeting spots left Written spots sold out
10:30
Sat, Dec 6

Paramount/CBS Studios

Jennifer Patterson, Works with Blumhouse Television, Valhalla Entertainment, Echo Lake. Jennifer specializes in all genres of Feature Film and TV scripts.

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Pitch Tiffany Boyle (Sunday, December 7th 2025)

Tiffany Boyle

Credits include: What Lies Ahead, Burning Kentucky, Ashes in the Snow, Stuck in Love, Free Samples

Virtual meeting spots sold out · Written spots sold out
SESSIONS SOLD OUT!
6:00 PM PST
Sun, Dec 7

Ramo Law

Tiffany Boyle, President of Packaging & Sales. Tiffany Specializes in All Genres and Formats with budgets of $30M or less.

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Pitch Colleen Marshall (Saturday, December 13th 2025)

Colleen Marshall

Credits include: THE BACHELORS, starring Academy Award winner J.K. Simmons, UNBROKEN: PATH TO REDEMPTION, Amazon/MGM, Universal/1440, Michael B. Jordan's OUTLIER SOCIETY

7 virtual meeting spots left
9:30
Sat, Dec 13

Four Leaf Productions (Works with Amazon/MGM, Netflix, Universal/1440)

Colleen Marshall, Producer. Colleen specializes in all genres of Feature Film and TV scripts and is currently reading  Rom-Coms, Comedies, Sports, Family, and Adventure stories.

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Pitch Eileen Cope (Sunday, December 14th 2025)

Eileen Cope

Credits include: Queen of the Air, Operation Underworld

9:00
Sun, Dec 14

Mark Creative Management

Eileen Cope, Literary Manager. Eileen specializes in all genres of feature film and limited series scripts, books and is currently reading narrative nonfiction, drama, historical, mystery, comedy, thriller, biographies and biopics. 

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Pitch Jennifer Patterson (Saturday, December 20th 2025)

Jennifer Patterson

Credits include: THE WALKING DEAD, THE BONDSMAN, SHOGUN

10:30
Sat, Dec 20

Paramount/CBS Studios

Jennifer Patterson, Works with Blumhouse Television, Valhalla Entertainment, Echo Lake. Jennifer specializes in all genres of Feature Film and TV scripts.

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Pitch Jason Piette (Saturday, December 20th 2025)

Jason Piette

Credits include: The Merchant Of Venice, Head In The Clouds, Perfect Creatures​, I Melt With You

2:30
Sat, Dec 20

Founder, Disrupting Influence (BAFTA-Winning Producer)

Jason Piette. Jason specializes in most genres of Feature Film and TV scripts and is currently reading Drama, Thriller, Rom Com, Horror and Action.

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Pitch Katharina Suckale (Sunday, December 21st 2025)
8:00
Sun, Dec 21

Bombay Berlin Film Production

Katharina Suckale, Veteran Producer, Creator of Indian Series BETWEEN OUR WORLDS (Disney +). Katharina specializes in all genres of Feature Film and TV scripts and is currently reading Romantic Comedy, Comedy, Thriller, Crime, Detective, Historical films, Alternative Reality, Science Fiction, Fantasy, and Fairy Tale.

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Pitch Jim Young (Saturday, December 27th 2025)

Jim Young

Credits include: The Catcher Was a Spy (IFC Films), The Man Who Knew Infinity (IFC Films), The Words (CBS Films), Lovelace

Virtual meeting spots sold out
6:00 PM PST
Sat, Dec 27

Animus Films

Jim Young, Award-Winning Producer (Sundance, TIFF, Tribeca & More). Jim specializes in Feature Films and TV scripts and is currently reading Drama, Biopic, True Story, and Thriller.

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Pitch Jon Hersh (Saturday, December 27th 2025)

Jon Hersh

Credits include: This is Africa, Felix, Runt

Virtual meeting spots sold out
6:00 PM PST
Sat, Dec 27

Night Drive Management

Jon Hersh, Literary Manager. Jon specializes in all genres of Feature Film and TV scripts.

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Pitch Laura Notarianni (Sunday, December 28th 2025)

Laura Notarianni

Credits include: ORPHAN BLACK (BBC America), KILLJOYS (SyFy), and THE NEXT STEP (CBBC)

Virtual meeting spots sold out
6:00 PM PST
Sun, Dec 28

Worked with Untitled Entertainment, BBC America, SyFy, Lifetime, Hallmark

Laura Notarianni, Producer. Laura specializes in all genres of Feature Film and TV Pilots and is currently reading Drama, Comedy, Thriller, Action, Sci-Fi, True Story, Biopic, Faith, and Holiday.

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Pitch Sarah J. Cornelius (Saturday, January 3rd 2026)

Sarah J. Cornelius

Credits include: Transparent, Mean Creek, Punching the Clown, Afternoon Delight

10:00
Sat, Jan 3

Whitewater Films

Sarah J. Cornelius, Creative & Production Executive. Sarah specializes in all genres of Feature Film and TV scripts.

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Pitch Laura Notarianni (Sunday, January 4th 2026)

Laura Notarianni

Credits include: ORPHAN BLACK (BBC America), KILLJOYS (SyFy), and THE NEXT STEP (CBBC)

8:00
Sun, Jan 4

Worked with Untitled Entertainment, BBC America, SyFy, Lifetime, Hallmark

Laura Notarianni, Producer. Laura specializes in all genres of Feature Film and TV Pilots and is currently reading Drama, Comedy, Thriller, Action, Sci-Fi, True Story, Biopic, Faith, and Holiday.

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Pitch Iain Lawrence (Sunday, January 4th 2026)
10:00
Sun, Jan 4

BFI Network, BBC, Carnival, RSA, Company Pictures & Channel 4

Iain Lawrence, Creative Development Executive. Iain specializes in all genres of Feature Film and TV scripts.

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Pitch Eileen Cope (Saturday, January 10th 2026)

Eileen Cope

Credits include: Queen of the Air, Operation Underworld

9:00
Sat, Jan 10

Mark Creative Management

Eileen Cope, Literary Manager. Eileen specializes in all genres of feature film scripts and books and is currently reading drama, thriller, biopics and sci-fi.

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Pitch Jon Hersh (Wednesday, January 28th 2026)

Jon Hersh

Credits include: This is Africa, Felix, Runt

10:00
Wed, Jan 28

Night Drive Management

Jon Hersh, Literary Manager. Jon specializes in all genres of Feature Film and TV scripts.

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Wanted to share some thoughts for the other writers out there. I currently have three different scripts I'm pitching and over the past six months have purchased a LOT of coverage from a variety of the services out there. I won't mention any specific companies as I'm not here to bad mouth them, but suffice it to say that every service I've used has been a well known name._To my point. Coverage is only good if there is relevant and actionable feedback, with a justification for why the reader feels how they do about a script. I've received coverage where the reader couldn't get my character names right. I've received coverage where the reader got the setting wrong. Like, really wrong. Like the script is set in Texas and they wrote that I shouldn't have chosen Ohio. I'm not kidding._I've received coverage from a couple of readers who were blatantly personally biased against the story and that's all they could focus on. I've also received coverage where it was obvious that the reader, at best, skimmed the script or at worst didn't even finish reading it. I've received coverage that was glowing, though painfully vague, then gotten to the bottom to find that the reader recommends a PASS. Huh? If you're passing, then why is there not one single critique of anything in your comments? I'vereceived multiple coverages that appear as though the reader threw them together in ten minutes. BTW, any coverage readers out there... If you're going to critique a writer's comma placement, of all things, you might want to proofread your own feedback for typos and poor grammar. Regardless, if I wanted a proofread of my script, I would have selected that particular service. The common thread here is that the feedback was useless and a waste of my money. Well, I did get rid of a couple of commas, so there's that. Throughout all of this, only one service has consistently provided coverage that I felt was worth every penny I paid, and that is Stage32. NOT because I always agree with the readers, but because they have stated their case clearly and offered suggestions and insights on how to improve. That allows me to learn and grow as a writer. THAT'S what coverage should be and an example of a true professional reader. So, kudos to Stage32 Script Services! You've assembled an impressive team of readers who actually care about helping writers improve their craft. No, I'm not being compensated in any way for saying this, nor am I affiliated with Stage32 or related to anyone who works there.
Dirk Patton
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