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Sarah Cornelius is an Actor, Screenwriting Coach, and Executive at Whitewater Films. She made her screen debut in the acclaimed short film LEAVE YOU IN ME. Her vulnerably raw work in the film garnered her Best Actress Award wins at the NYC PictureStart Film Festival and LA's Show Off Your Short Film Festival. She's guest starred on numerous television series and recently appeared in a supporting role in the Lifetime TV movie DESPERATE WIDOWS. On the producing side, Whitewater Films recently released their latest film, SMALL ENGINE REPAIR with Jon Bernthal, which was produced by Rick Rosenthal and developed by Sarah. Last year, they premiered their feature Thriller THE BOY BEHIND THE DOOR on the premium streaming platform SHUDDER. In 2019, they released STANDING UP, FALLING DOWN starring Billy Crystal & Ben Schwartz with first-time director Matt Ratner. Whitewater's film, THE LAST SHIFT premiered at Sundance 2020 with two time Oscar-nominee Richard Jenkins. In addition they produced FIRST GIRL I LOVED (Sundance winner), HALFWAY THERE (Sundance Episodic Showcase winner), SMALL ENGINE REPAIR (SXSW premiere). Full Bio »
Sarah Cornelius is an Actor, Screenwriting Coach, and Executive at Whitewater Films. She made her screen debut in the acclaimed short film LEAVE YOU IN ME. Her vulnerably raw work in the film garnered her Best Actress Award wins at the NYC PictureStart Film Festival and LA's Show Off Your Short Film Festival. She's guest starred on numerous television series and recently appeared in a supporting role in the Lifetime TV movie DESPERATE WIDOWS. On the producing side, Whitewater Films recently released their latest film, SMALL ENGINE REPAIR with Jon Bernthal, which was produced by Rick Rosenthal and developed by Sarah.
The Write Now Challenge
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"I really enjoyed this webcast last night, and got a lot out of it. Thank you so much Sarah, you are great! I loved the opportunity to look at the process from a different perspective, and keep on learning. And Amanda Toney huge shout out - it can't be easy to continually find new content, and new ways to present critical information for writers, yet you succeed time and again. NOTHING is stale here, and I love that and appreciate you very much for all you do for this community. Thank you!" - Tia P.
"So this was my FIRST webcast as a Writer's Room Member, and I thought it was a heck of a lotta fun. It was good to see familiar faces. Loved the approach with sides and discussing exposition writing vs. good dialogue. I look forward to popping in with all of you again!" - Joleene D.
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
A great story starts with great characters and every great character starts with a great introduction. We challenged you to create or rewrite a scene where a major character is introduced.
Based on the Breakdown Webcast by Writers' Room member Stephen Potts, write a pitch for a producer explaining the piece of IP you want to adapt and why.
We're back in the Writers' Room this afternoon for the Write Now Challenge Webcast: Your Goals for the Remainder of 2021 For this challenge, using the Breakdown Webcast: Goal Setting Worksheet as your guide, write down three screenwriting goals you have for the remainder of 2021.
For this challenge, members were asked to use The Breakdown Webcast: Writing Theme as a guide to look at one (or more) of their feature or television scripts and identify the themes. During the webcast, participants read their responses and discussed the ways in which they arrived at their themes. We also discussed ways in which they can do more to illuminate their themes.
Write a 1-3 page scene that you will actually be able to shoot within the rest of 2022. Make sure it is producible for a reasonable budget. Limit characters, locations, and action - but give us a compelling story in 3 pages!