I can’t believe I graduated college two years ago, it feels like it’s been forever. I’ve spent the bulk of my two years applying to different gigs, sending out pitches, entering competitions, and trying to make some money in the film industry (not retail).
When I was applying to gigs, I began wondering what’s the right rate to charge with my experience on set. How much should I sell a script for? What should I charge a client to write a script? I had so many questions that I wished my colleagues prepared me for. I tried finding answers on the Internet, but everything varied depending on different situations.
When I finally got hired for a feature film as a script supervisor, I entered the set with a small day rate and no travel pay, thinking that was the best rate I could ever get with my limited experience only working on shorts and student films. I spoke with a few people involved with the production and crewmembers that have been in other productions prior and found out I undervalued my work.
After my conversations with them, I’ve gathered some information that I’ll share with you today.
Crew/Production:
Writing:
This is the most important information for both:
So I hope this helps some of you out there and feel free to share your experiences with me below!
About Emi:
Emi Sano graduated from the Rochester Institute of Technology with a fine arts degree in Film and Animation and an emphasis in screenwriting. She has worked on a few short films as a script supervisor and is in the process of working on her first feature film. When she isn’t on set, she is writing screenplays for both film and television. Emi has placed as an honorable mention and semi-finalist in a couple screenplay competitions. She likes to watch as many movies and shows as she can to hone both her screenwriting and script supervising skills. To escape from the world of film, Emi likes to watch live sports, read, sing at the top of her lungs, and go sightseeing.
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Blog Post by Emi Sano, posted on Tuesday, June 21st, 2016
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