Happy Thursday, Stage 32 Community!
At Stage 32, we know your script is more than just a document; it’s your calling card, your passion project, and potentially, your big break. But once your script is polished, where do you go from there?
That’s where Stage 32 Pitch Sessions come in. Whether you’re seeking representation or trying to sell your script to a production company, these sessions give you a real shot to be heard by top-tier professionals actively looking for material. Through Stage 32, you can pitch your script directly to managers, agents, and producers who are working at the highest levels of the business. You get honest, professional feedback, and when the chemistry is right, your career could change overnight.
Over the years, hundreds of writers have moved forward with script requests, signed with reps, landed development deals, and even had their projects produced. One shining example? Sean Farley’s new movie NEIGHBORHOOD WATCH is hitting theaters later this month on April 25, 2025—and it all started right here at Stage 32. After booking a Feature Script Read + 30 Minute Talk with Manager/Producer Chris Bellant of Vision Entertainment, Chris was so impressed with Sean’s script that he signed him as a client and came on board as a producer. Now, their shared vision is about to debut on the big screen with Jack Quaid, Jeffrey Dean Morgan, and Malin Akerman leading the cast.
And that’s just one story. Just last week alone, Stage 32 facilitated 75 Script Requests and 37 Meeting Requests from top producers and companies like Orenda Entertainment, Ufland Productions, Night Drive Management, Zoic Pictures, Lord Miller, and more. That’s momentum you can’t afford to ignore.
Let’s be honest: getting your script in front of the right eyes can feel like a mystery. You’ve written a feature screenplay or a TV pilot that you believe is ready for the market… but how do you actually know it’s ready? And more importantly, how do you get real feedback that helps elevate your work before you step into a high-stakes meeting?
That’s exactly where Stage 32 Pitch Sessions come in. Whether you’re preparing to find (or switch) representation, or you’re planning to go out with a script to production companies, studios, or buyers, these sessions give you the chance to get your pitch in front of an executive who can provide constructive, professional insight on the spot.
Stage 32 has built long-standing relationships with more than 1,000 working executives—development execs, literary managers, agents, and producers—who want to discover new talent, hear fresh ideas, and support up-and-coming writers.
Let’s walk through the experience so you know exactly what to expect.
When you book a live pitch session, you can choose to pitch via Skype or phone—whatever you’re most comfortable with. You’ll have 8 minutes total with the executive. Most writers use 5–6 minutes to pitch and save 2–3 minutes for feedback or questions. These moments are gold. Not only do you get to practice delivering your pitch in a professional setting, but you’re also building a real relationship with someone who could change your career trajectory.
Prefer not to pitch live? No worries. You can also submit a written pitch, a 1- to 2-page document outlining your project. This option is perfect if you feel stronger expressing your ideas on the page or if time zones and schedules make a live session tricky. Written pitches receive the same level of attention and feedback, and they’ve led to just as many script requests and follow-up meetings as live pitches.
Still unsure which format to choose? Our team is always here to help. Email writerhelp@stage32.com, and we can walk you through your options—or even send you a sample pitch for reference.
These five tips are your cheat sheet to making the most of every Pitch Session:
Oh, and please don’t ask if they want to read the script. If they’re interested, they’ll let Stage 32 know, and we’ll handle the next steps. And never reach out to the executive directly outside of the platform. Trust the process. We’re here to protect both your reputation and your opportunities.
Rachel is a Creative Producer and Manager with relationships at Apple, Hulu, Netflix, Disney, Sony Animation, Warner Bros, and more. She co-created Z FRAME and worked on AMEND: THE FIGHT FOR AMERICA, PROMISING YOUNG WOMAN, and VENOM. Rachel’s specialty lies in meaningful, genre-forward content with a focus on diversity, environmental consciousness, and mental health.
An Emmy-nominated producer, Kate is currently producing THE BURNING SEASON with NAOMI WATTS and SOPHIA LILLIS. Formerly VP of Development at Occupant Entertainment, Kate has worked with Showtime, MTV, Facebook, and U2, and her clients have written for STAR TREK: PICARD, GENIUS, and APPLE’S PUPPY PLACE. She requested 9 scripts and a meeting from her last pitch session!
As Co-Founder of Kronicle Media, Korin has produced ROOTS, BEING MARY JANE, and the award-winning UNTHINKABLY GOOD THINGS. She’s developing shows for Peacock, Netflix, and Lifetime, including the MERRY LIDDLE CHRISTMAS franchise. Formerly at CAA, Warner Bros TV, and Will Packer Productions, her track record proves she knows how to launch and sustain hits.
A powerhouse literary agent, Davina represents clients across NBC, Netflix, Amazon, Apple TV+, Showtime, Paramount+, and Lifetime with credits like SELMA, SPIES IN DISGUISE, and THE BOOK OF TRUTH. She’s been featured in Variety for her impact as one of the industry’s top rising agents.
Andrew’s clients have worked with Netflix, Hulu, ABC, FOX, and Universal, and have been featured in Deadline and The Hollywood Reporter. He sold NEVER TOO OLD TO DIE to Amazon Studios starring SYLVESTER STALLONE, and helped develop VACATION FRIENDS—Hulu’s biggest original comedy debut.
Alex’s clients have staffed on shows like TOONING OUT THE NEWS (Paramount+), WITH LOVE (Amazon Prime), and WALKER (CW). He’s involved in the upcoming BUMBLE biopic and the feature FINEST KIND. His well-rounded roster spans both talent and literary sides across the U.S. and Canada.
Mitchell reps clients on projects for Apple, Hulu, FOX, Showtime, Nickelodeon, and HBO Max, including WAR IS OVER!, RIVERDALE, and PHYSICAL. Formerly at Marvel Entertainment and Gramercy Park, Mitchell specializes in bringing undeniable storytellers to the forefront.
If you’re ready to start pitching, click here to book your next Pitch Session!
Have questions or need help preparing your pitch? Reach out anytime to writerhelp@stage32.com. We’re here to support you every step of the way!
What’s the one part of pitching that you find the most challenging—or the most exciting? Share your thoughts in the comments, and let’s learn from each other’s experiences!
Got an idea for a post? Or have you collaborated with Stage 32 members to create a project? We'd love to hear about it. Email Ashley at blog@stage32.com and let's get your post published!
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Blog Post by Ashley Renee Smith, posted on Thursday, April 3rd, 2025
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I have written a few pitches, but always self-doubting myself, that they are not good enought!
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Thank you, Ashley
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What will be the format when skype goes away next month?
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That’s a great question Laurie. I thought the same. Thanks for asking.
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Hey, Laurie and Sandra! We're actively working on it and will update everyone as soon as we have further details.
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Thank youuu Ashley :))
I love to do pitch sessions. I have never participated in a Written Pitch because I prefer to interact directly with the producer. Each virtual pitch serves as a valuable learning experience for me. Thank you, Ashley, for explaining so well, and this is an amazing opportunity for us. I only will be...
Expand postI love to do pitch sessions. I have never participated in a Written Pitch because I prefer to interact directly with the producer. Each virtual pitch serves as a valuable learning experience for me. Thank you, Ashley, for explaining so well, and this is an amazing opportunity for us. I only will be back to Pitch Session in May; until then, I have work to do. Congratulations on the wonderful professionals list.
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Hey, Ashley. I’ve done a few written Pitch Sessions, and they helped me make my pitches better. One challenge I have when pitching live is I ramble and repeat myself sometimes.
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Hey Maurice! I totally hear you, that’s such a common challenge, and I really appreciate you being honest about it. Practicing verbal pitches is absolutely the best way to refine those communication s...
Expand commentHey Maurice! I totally hear you, that’s such a common challenge, and I really appreciate you being honest about it. Practicing verbal pitches is absolutely the best way to refine those communication skills and get more comfortable over time. Being able to speak about yourself and your project with confidence and clarity is such an important skill as you move forward in your career. Whether it’s an in-person meeting, a Zoom with a potential rep, or even a phone call with a producer or financier, you’ll need to be able to clearly convey your story and your voice. It’s definitely not easy, but I promise that practice truly makes a difference. I’ve always struggled with talking way too fast when my nerves kick in, especially in front of groups. When I was learning to pitch, I’d actually stand in front of my bathroom mirror and set a timer on my phone. Watching myself while I practiced helped me slow down, catch where I was rushing or repeating, and get more comfortable faking a sense of calm until it became more natural. You’re already doing the work, and it shows. Keep at it, you’re absolutely on the right track!
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Thanks for the advice, Ashley! It'll help. Your "Keep it focused" tip in the blog will help too. Thanks for writing the blog! I'm looking forward to doing another Pitch Session!
Love it!
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Exciting times for screenwriters on Stage32, Ashley. Thanks for posting!
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