Hello, I had just got my feedback from the exec, and it is my Biggest W so far, I have been considered for both my project and as a writer! One of the things of the feedback is that she saw that there is past tense in my screenplay which I do know NOT to do, but I looked up resources on Perfect Pres...
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Hey, All!
After spending 5 full days in bed where all I could do was sleep and watch movies or shows when my congestion pressure headaches and fatigue allowed, I'm dying to know what everyone's feel-good watches are!
When I don't feel well, I have a few go-to staples. I like to watch movies like The...
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I really enjoyed the Lost in Space series, Billy Kwack! Its a fun watch and I adore Parker Posey in anything.
Oh -- and the original Time Bandits with Sean Connery. Sweet and a bit mind-bending, as it should be.
Pamela Jaye Smith - Time Bandits rocks!! John Cleese does a great turn. Such a fun movie!
More for the FBI Film festival— the minimum watchlist. 100% agree Cabin in the Woods, The Autopsy of Jane Doe, Evil Dead (one and two) Cabin Fever, and Ginger Snaps!
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Not that I am expert by any means, but I get the impression writing in an active tense works better than a passive tense. As a comparable to your sentence: 'Someone/something pulls Henchman Five from...
Expand commentNot that I am expert by any means, but I get the impression writing in an active tense works better than a passive tense. As a comparable to your sentence: 'Someone/something pulls Henchman Five from the forklift'. I used to write sentences in a similar way. When I started my (ongoing) screenwriting journey I soon found out I had a habit of writing in the present progressive - knocked that on the head. I also got out of the habit of using adverbs because I realised they don't enhance the verb in the sentence. I would guess from your sample sentence that it would be implicit in the scene no noise was made if you removed 'silently'. Does Henchman Five survive? Could become the scriptwriters' version of the red shirts in 'Star Trek', anyone introduced as Henchman Five is a goner!
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My comment would be about the passive form of that sentence. Who is pulling Henchman five from the Forklift? "Henchmen two pulls Henchman five from the forklift" would be the active, present tense of...
Expand commentMy comment would be about the passive form of that sentence. Who is pulling Henchman five from the Forklift? "Henchmen two pulls Henchman five from the forklift" would be the active, present tense of the action. Ask yourself who is the camera filming during this action? Avoid the passive format (like the plague,)
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Justin — well, first off, big-, BIG-time kudos and congrats! Well-done, sir!
I personally have never heard of the "perfect present tense". I think, Justin, you mean the "present perfect tense" — for ex...
Expand commentJustin — well, first off, big-, BIG-time kudos and congrats! Well-done, sir!
I personally have never heard of the "perfect present tense". I think, Justin, you mean the "present perfect tense" — for example, "I have gone into the kitchen twice today." (but today's not done yet; I may go in a third time) as opposed to "I went into the kitchen yesterday." (yesterday is done and gone).
"Henchman Five is silently pulled from the forklift." That sentence is indeed in the present tense, but it is in the PASSIVE voice (the formula for which in the English Verb System is: [the appropriate form of the verb "be"] & [the perfect passive participle of the verb in question]).
Clearly, you're not violating the rule of writing a screenplay in the present tense. Personally, I eschew the passive voice as weak and unengaging. Consider the following:
"Henchman Five is silently pulled from the forklift."
"Tom silently yanks Henchman Five from the forklift."
Which one is more engaging and grabs you as a reader more? I argue that the second one does. We always want our attention and focus to be on our protagonist. At the end of the day, who really cares about Henchman Five? If we were meant to care about him, he'd have a name.
With characters like "Henchman Five", I like to give them a name and face, to add punch to my scripts that ALL the characters are flesh-and-blood human beings, no matter how throwaway. I would do something like this with the above:
"Tom sneaks up on Boris (22), handsome except for the scar down his cheek, "Russian Army" tattooed on his forearm, Tom yanks the young man from the forklift, knocks him unconscious with the butt of his rifle."
I know this is much longer (could you only possibly imagine if I had written the "John Wick" screenplay?!?), but I write all my stuff very heavy on character, so this seems natural to me.
Again, Justin, congrats. I hope you found at least my explanation of the grammar above of some help.
Keep writing!
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thank you guys so much for you comments and advice! I’ve taken them into consideration and will use everyone’s comments to construct my fourth draft!
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Hi Dan/Justin: You guys are thinking like writers, not SCREENwriters. You are the camera's POV! You don't want to direct the movie from the page, that's not your job. But the director, the editor, the...
Expand commentHi Dan/Justin: You guys are thinking like writers, not SCREENwriters. You are the camera's POV! You don't want to direct the movie from the page, that's not your job. But the director, the editor, the cinematographer, the casting director wants to know what the elements will be in front of the CAMERA. Henchmen 5 is there, a forklift is there: is someone driving the forklift? Is someone sliding the henchman off one of the tines of the forklift? If it's not important to you, the creator, how henchman 5 got on or off the forklift (silent or not) why is it important to see? Your job is to visualize the events, to show the reader (or production team) what is happening in the scene and who is making it happen.