How does Publicity/Marketing come into play with a fundraiser? It's often said to "market your campaign" to maximize reach. But how do you approach marketing a fundraiser? For context it's for a webseries. Target goal is $30K.
How does Publicity/Marketing come into play with a fundraiser? It's often said to "market your campaign" to maximize reach. But how do you approach marketing a fundraiser? For context it's for a webseries. Target goal is $30K.
What are the top three things a crowdfunding campaign should address? Would love to hear feedback both from campaign creators and backers.
Look through the eyes of your market, what top three things do they want?
Hey, Lauren McKean and Christopher Phillips, our IG is live! Would love to know what everybody thinks!...
Expand commentHey, Lauren McKean and Christopher Phillips, our IG is live! Would love to know what everybody thinks!
Stage 32 Resources https://blog.kitsplit.com/the-ultimate-film-grant-list%e2%80%8a-%e2%80%8... if you are looking for grants....
Expand commentStage 32 Resources https://blog.kitsplit.com/the-ultimate-film-grant-list%e2%80%8a-%e2%80%8... if you are looking for grants.
Free resources for Filmmakers & Digital Creatives at: http://www.emg-mediamaker.com
This is slanted towards 'small, Indie Film' but I cant believe the positive feedback I've gotten on this article, so I'll share it here: https://www.emg-mediamaker.com/article-why-filmmakers-need-to-know-marke......
Expand postThis is slanted towards 'small, Indie Film' but I cant believe the positive feedback I've gotten on this article, so I'll share it here: https://www.emg-mediamaker.com/article-why-filmmakers-need-to-know-marke...
Great article. Really helped keep me sober today.
What is your take on utilizing a line -producer? I understand they assist in giving your script a dollar figure amount per page. I have someone interested in providing this service but they have recently graduated and frankly have not been in the industry long enough in my opinion. Thoughts?
Rome, people gotta start somewhere. I think you should use this person. Someone who has just graduated will be hungry to do a great job. You've never used a Line Producer before so you you will learn something, too. Win-Win!
I wouldn't hire a line producer who hasn't been an AD & UPM a lot, like for a few years at least. If anything, offer an AD or UPM a line producing gig at a cut rate. Line Producer needs to know everything & have experience.
Both of you guys are sound in your rationale and I appreciate the feedback.
'Rise Above' Short inspirational running film, shot in Lanikai, Hawaii. Runner- Jessica Parsell. Prod/Dir- Michael P. Ford, Evolution Media Group, Pacific. G...
Rise Above. New short shot in Hawaii. I'll cut a shorter 30 & 60 second spot out of this long version. https://www.youtube.com/watch?v=clsbwxkt_1Y
Uh, what are you trying to show or do? A woman jogs from a city to a mountain top? There is no story.
Rise Above. New short shot in Hawaii. I'll cut a shorter 30 & 60 second spot out of this long version. https://www.youtube.com/watch?v=clsbwxkt_1Y
Hi friends, I hope I´m right here... ;-) I just finished creating a factsheet about my upcoming filmstory for Cannes but in aspect of different cultural guidelines in filmmaking I´m confused and so I would like to ask you, if you know a link or article or anyone from US who can tell me what exactly...
Expand postHi friends, I hope I´m right here... ;-) I just finished creating a factsheet about my upcoming filmstory for Cannes but in aspect of different cultural guidelines in filmmaking I´m confused and so I would like to ask you, if you know a link or article or anyone from US who can tell me what exactly does a US-Producer or potencial native scriptauthor needs to know about the filmidea in service of getting partners attached to the project? I mean, is there anything required next to Logline, Summary and Synopsis? Do they want to read a few pages from the treatment to get an idea of the tone, do they need more backgroundinformations about the true facts the story is based on? How about target-audiences? Do I really need to explain a Pro something about the genre targets? I guess, especially the US-Pros are way better informed about their box office numbers as I am here in Europe but however, if you have an tipps or guidelines for me in service of understanding the international filmmarket, please help me out, in hope other non-Americans have similar problems of understanding the US-filmmarket, so this discussion will attract many people in service of a better intercultural understanding.. Thank you! Best regards from Germany Anika
Hi Eric, thank you for your kind informations and no, I wasn´t aware stage 32 is also having a webinar about packaging a project. Great, I plan to follow more webinars here anyway in future, so this special one will be a great help as well. THANK YOU!
Anika, The best help I can give you is to look on Facebook for a group called "The Inside Pitch". It is full of working Hollywood Writers & Development people who are very active in the industry & all have produced work. Its the best resource I know of for Pitching & Development.
Really? That's cool. Thanks, will follow your idea.
Hi Michael, Thanks for connecting. I'm a screenwriter from Colorado with a penchant for writing lead roles for strong, smart women and minorities. I have some examples on my Stage 32 Profile page (see Loglines), spanning genres and budgets. Cheers, Tom
Major updates to our FREE Music & Audio resources... Check them out! http://www.emg-mediamaker.com/free-music-resource.php
Major updates to our FREE Music & Audio resources... Check them out! http://www.emg-mediamaker.com/free-music-resource.php
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What is your project about, who are the topic or genre fans? Identify their discussion groups and organizations and get friendly.
Thank you all!
Your welcome! Good luck with your fundraising efforts!