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The story is set after the suspicious drug death of a teenager, when a by the book police officer conducts his own clandestine investigation to unravel a web of corruption that endangers his entire town.
SYNOPSIS:
KYLE MCALLISTER (35) works as a police officer in a quiet New England fishing town. His job often pulls him away from his loving wife, JULIA (early 30s). After investigating the death of his niece's friend, Kyle begins to uncover a crime ring that's distributing opioids to the local community. Unbeknownst to Kyle, his brother-in-law BEN HUTCHINS (33) and Ben's brother RYAN (35) use their fishing business as a cover for their drug operations, working in collaboration with STEVE PHILIPS (50s), an esteemed member of their town. Kyle reaches out to his connection MARCUS (39) who exposes the connection between the Hutchins's and Steve. Ben begins to withdraw from his drug-dealing ways due to his daughter's distress over her friend's death but Ryan greedily wants to continue their illicit business so he drugs his brother. In the hospital, Ben reveals to Kyle that there's going to be a large shipment of drugs handled that day on the Fourth of July. Kyle organizes a plan while Steve takes Julia hostage. Amidst the parade, Kyle chases down Ryan's truck in a climactic car chase. Meanwhile, Marcus rescues Julia and has Steve arrested. With the conspiracy behind him, Kyle can finally focus on his marriage and start a family with his wife.
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Roberto Vitale please elaborate on why the 2 stars. It might help me with fixing it. Thanks!
Although I just recently changed it so maybe I should put it back to the original logline.
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Lyter any feedback is greatly appreciated! Loglines are so hard to write. I have a similar angle to your screenplay. A cop discovers his fisherman brother in law is involved in a small scale drug ring. It's questions the cops loyalty to the department and his integrity.
Thanks Lyter, I appreciate that!
I'm also in the process of fixing this logline.
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Just a suggestion
When a small town, by-the-book police officer secretly investigates the overdose death of a family friend, he discovers a sinister crime ring that puts himself and his family in jeopardy.
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That's some run-on sentence. I ran out of breath reading it out loud.
Thanks. It's a work in progress.
David Clarke Lambertson Thanks for the constructive feedback. I will make some changes to my logline!
B A Mason feel free to make suggestions. I assume you know a better way to "say it" after making that comment.
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Sorry - Didn't mean to sound insulting. Simply trying to help.
My take: After the suspicious death of a teenager, a by-the-book policeman conducts his own investigation to unravel a web of corruption endangering his town.
B A Mason Hi Brad, I wasn't insulted. I just feel that when people comment it should be constructive, that's all. Log lines are so difficult so it helps to have someone make suggestions because they see it from a different perspective. Thank you for this!
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Hi Christine. I'm a bit late for this party. I love what the logline hints at, but I feel it needs a couple tweaks to get it into what I see as correct "loglinese" form. Here is how I would do it:
After the suspicious drug death of a teenager, a by-the-book police officer conducts his own unsanctioned investigation to get at the real truth—and soon begins to unravel a web of corruption that endangers his entire town.
Usually, the elements you need to have in a logline when possible are goal, obstacles, and stakes. Here, the goal is "to get at the real truth"; obstacles haven't really been dealt with; and the stakes are that there is "a web of corruption that endangers his entire town." I don't know the story of course, so I don't know the obstacles, but I bet that a strong logline could be made if a few words about the obstacles could be worked into it.
Hi A.C. thanks for this! It helps a lot and I'll definitely rework it. I like your suggestion and it does have all the key elements but is it too long? I'm wondering if it can be shortened or maybe it shouldn't be??
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I still want to read this screenplay, Christine!!! Sounds TERRIFIC!!!
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