The Stage 32 Videos: Film

This track is a lyrical celebration of love’s tenderness and emotional truth. Lolo Vandal uses Nca Ngomntu to reflect on the vulnerability that comes with loving deeply and the joy found in genuine connection. “Nca Ngomntu” is a poignant music video by Lolo Vandal that artfully combines expressive isiXhosa lyricism with Afro-Poetic Hip-Hop to reflect on the nuances of romantic affection and emotional depth.

“Madlanduna” by Lolo Vandal is a bold Afro-Poetic Hip-Hop anthem that confronts betrayal, loyalty, and emotional survival through sharp isiXhosa lyricism and raw visual storytelling. Madlanduna is a powerful music video by Lolo Vandal, blending poetic isiXhosa lyricism with raw urban visuals to explore themes of betrayal, loyalty, and emotional survival.

“Inyani” by Lolo Vandal is a raw and reflective Afro-Poetic Hip-Hop session that confronts truth, identity, and emotional vulnerability through powerful isiXhosa lyricism. “Inyani,” meaning The Truth, is a raw and intimate music session by Lolo Vandal that pairs poetic isiXhosa lyricism with minimalist production to evoke honesty, introspection, and cultural resonance. As part of his Afro-Poetic Hip-Hop movement, the track transforms rhythm into a powerful medium for healing, reflection, and resistance. Inyani is a lyrical meditation on truth-personal, cultural, and emotional. Lolo Vandal uses this session to speak openly about pain, survival, and the need for authenticity in a world full of masks.

Umnqwazi Wemfene (Session) is a dynamic and provocative music video by Lolo Vandal, featuring Ms Cosmo, that blends isiXhosa lyricism with trap-inspired beats and poetic storytelling. The title, which loosely translates to The Baboon’s Crown, is metaphorical; inviting reflection on identity, power, and the absurdities of status in modern society. The collaboration with Ms Cosmo adds a sharp, contemporary edge, bridging poetic depth with urban swagger.

“Mabaphinde Bacinge” by Lolo Vandal is a powerful Afro-Poetic Hip-Hop track delivered in isiXhosa, urging reflection, accountability, and cultural awakening through lyrical storytelling. Mabaphinde Bacinge (translated as Let Them Think Again) is a thought-provoking music video by Lolo Vandal, blending poetic isiXhosa lyricism with minimalist visuals to challenge societal norms and inspire introspection. The track is part of his Afro-Poetic Hip-Hop movement, where rhythm becomes a tool for resistance, healing, and cultural pride. This song is a lyrical call to rethink, reawaken, and reclaim. Lolo Vandal uses his verses to question power structures, challenge complacency, and honor the wisdom of elders.

“uMONGAMELI” by Lolo Vandal is a bold, trap-infused hip-hop track delivered in isiXhosa, exploring themes of power, ambition, and leadership through poetic introspection. uMONGAMELI (meaning The President) is a striking music video by Lolo Vandal, blending trap beats with Afro-Poetic Hip-Hop to reflect on the desire for influence, control, and societal impact. Delivered in isiXhosa, the song channels ambition through lyrical storytelling, positioning leadership as both aspiration and responsibility. Lolo Vandal uses uMONGAMELI to express a personal and symbolic yearning for presidential power; not for ego, but for transformation. Referencing figures like Ramaphosa, he imagines himself in a position to influence change, control outcomes, and uplift communities. The song is a cultural praise of rhythm in Africa, where leadership is not just political; it’s poetic, spiritual, and deeply rooted in identity.

Thanda Umntu is a soulful and introspective love song by Lolo Vandal, blending Afro-Poetic Hip-Hop with rich isiXhosa lyricism to explore the depth of human connection. Carried by emotional sincerity and cultural rhythm, the track honours love as a spiritual force rooted in African tradition. A gentle yet deliberate flow that mirrors the rhythm of love

Nyhan Nyhan is a soulful love song by Lolo Vandal, blending poetic isiXhosa lyricism with Afro-Poetic Hip-Hop to explore intimacy, emotional truth, and the rhythm of African affection. Carried by poetic intimacy and cultural resonance, the track is a heartfelt tribute to love as both personal and ancestral. Nyhan Nyhan is more than a romantic track; it’s a cultural praise of rhythm in Africa, showing how love and music intertwine as universal languages. Through gentle cadence and layered verses, Lolo Vandal reflects on connection, vulnerability, and the healing power of affection. The song honours love not just as emotion, but as a spiritual force rooted in African tradition.

INGQAWA is a visually grounded and sonically rich music video by Lolo Vandal, blending poetic isiXhosa lyricism with a minimalist township aesthetic. Rooted in Afro-Poetic Hip-Hop, the track honors cultural memory, resilience, and the rhythm of Africa. The word Ingqawa carries layered cultural meaning, symbolising resilience and ancestral continuity. Through meditative verses and deliberate cadence, Lolo Vandal reflects on identity, legacy, and emotional endurance. This is more than music it’s a cultural song that praises the rhythm in Africa, celebrating sound as the heartbeat of the continent.

“uZuka” by Lolo Vandal featuring Mpumie is a visually raw and emotionally charged music video that blends poetic defiance with soulful vocals, delivering a powerful anthem of cultural pride and resistance. uZuka is a declaration of strength and survival. The title evokes a sense of eruption or awakening; fitting for a track that speaks to the emergence of identity from struggle. Lolo Vandal’s verses are fierce and reflective, while Mpumie’s vocals add a layer of emotional depth and spiritual resonance. Together, they craft a narrative that honours the pain, pride, and perseverance of township life.

“Nation Address” is a politically charged and lyrically sharp music video by Lolo Vandal that delivers a raw, street-level critique of national issues through the lens of township life. This track reimagines the traditional “State of the Nation Address” as a grassroots declaration, where Lolo Vandal speaks directly to the people. The song critiques social inequality, political neglect, and the lived realities of marginalized communities. It’s a lyrical protest, grounded in personal experience and collective frustration.

“Sho” is a bold sonic snapshot of township life, where Lolo Vandal channels charisma, cadence, and cultural fire into a track that moves with swagger and speaks with conviction. The video pulses with street energy, pairing sharp visuals with a beat that’s both infectious and grounded in local rhythm. Lolo’s delivery is effortless yet commanding, weaving isiXhosa lyrics into a flow that feels both celebratory and defiant. Rather than relying on flashy effects, the video leans into authenticity; showcasing real spaces, real faces, and the raw confidence of an artist who knows exactly who he is. Sho isn’t just a song; it’s a vibe, a statement, and a rhythmic salute to self-assurance and everyday hustle.