The Stage 32 Videos: Film

The is an Intercut scene from my script "Charlie". Ivan asks Papa Mike about Charlie in this scene, the intercut is of Charlie at Ivans junkyard, killing his...

Stabat Onusta Aestas Directed, edited and performed by AFAN Alessandro Fantini Featured in the international collective documentary "A Living tree means a living planet" directed by Khalid Mokadmine Co-produced by Gery Lynn Matthews "A living tree means a living planet" is a collective international documentary conceived and directed by Khalid Mokadmine, a young filmmaker from Rabat. In April he reached me out online inviting me to contribute with a one minute video to his ongoing project about the relationship between humans and trees. He had already invited several filmmakers from all over the world, each one representing a different country by telling a different visual story, and he still wasn't able to find a director from Italy available to shoot his own segment. As soon as he discovered I'm also a painter, he proposed me to figure out a way to feature one of my painting in my video. Trees have provided humans with the primary means of survival, therefore I thought it was essential to show how they can still be a precious "motherly" source of life for my own creations and (hopefully) the spirit of the humans inhabiting my country.

Edited by: Ida Thomasdotter (2019) Footage by: NASA, Videvo & Beachfront (http://www.beachfrontbroll.com) Music by: Javier Suarez (Jahzzar) & Kai Engel Anti-music by: Julie Lica Excerpt from poem "Whatever 'fine' means" written by Ida Thomasdotter (C) 2019

[ Turn on the caption ] Synopsis: a young staff coming to work in the afternoon, his friend warning him to be careful because in the evening the office will be quiet because many employees have finished their work. his friend says " Take care in the evening the office will be more crowded and you must go " Director/Writer/Cameramen/Editor: Dean Mhm Cast: Hanef Yude Febre #shortfilm #deadline #horror

Award-winning filmmaker Anton Evangelista travels from the Bronx to Perugia, Italy, in presenting "il Signor Jackson" a unique American story of Edward Jackson, raised in a predominantly Italian-American neighborhood in the Bronx of the 1950's, to becoming an educator in the NY City Public School System and prominent cultural figure of Italian biculturalism and bilingualism. Camera Operator (Bronx): Hakhi Alakhun

This is a video introduction to Michigan Movie Media 2.0.

This is "Zoom from space into earth and to the waters in front of Detroit's cityscape in this video reveal for Michigan Movie Media 2.0" by David…

Shot with standard G VARIO f/3.5 - 5.6/14 - 42 and shoulder mounted matte box in Garden Home in Portland OR. Added color correction and letterbox for 'cinema...

The debate on the demolition of urban renewal of old buildings continues with blind mourning; we continue to lose the architectural landscape (memory and life experience) with only the scenes/sets of historical streets. What remains and is seen is only a hollow and nostalgic aesthetic form, and often does not see the true historical context of the local texture. Those that disappear and cannot be seen, of course, do not mean that they do not exist, and they are far clearer than the illusion of seeing. The lens will lead us into these buildings, reminding ourselves that it is not a traveler or a viewer, but a key element in the photo frame. Trying to put you and me in the middle (not looking at the building but entering) the real beauty of the relationship will come to life, and all the dialogue will make sense. By examining these conflict-ridden and controversial buildings; visible or invisible, I try to identify everyday violence and the possibility of liberation of imprisonment from our perceptions.