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THE PROBLEM Starting in 2002, for the past 20 years to the present, during the evenings and weekends, I have been feverishly writing, adapting, and pitching a number of feature picture screenplays with no success in getting the projects greenlit or optioned neither by buyers, agents nor producers. Meanwhile, all this time my day job has been in relatively non-creative realm of high-tech. Does this story sound familiar? Every writer/filmmaker I've run into experiences a closed and i…