Bradford Wellington Collins's Lounge Discussions

I really like this...

I have been a storyboard artist for many years. Here are a few notes for the first two pages. Script indicated heavy rain, the visual has none. Panel 1-2 is a jump cut. The BGs are similar so the characters will appear to pop on. Panel 2 + 3 is also a jump cut because you cross the 180 degree line. Then panel 3 + 4, you jump the line again. Another jump cut. Visually, the images are very rendered and 'lit' but staging, shot angles and editing are not very good. I am confident that AI will learn and in the near future, there will be little need for a human artist. Sad.

I'm terrible with AI. I can never get it to make anything that looks even close to what I want.

John Eng, I have to disagree with you. AI is a tool., like a hammer or a saw. Yes, specialized tools can make the work easier, but until any of them attain sentience, they cannot replace us. I use AI as an editing tool and still have to pay rapt attention to keep my dystopian fiction from reading like an accounting report. AI plays to the lowest common denominator. It has to. Anything beyond that requires nuance.

For fun, I have fed some of my stuff into AI video creation programs. I have learned that you have to program in people of color, or they will not exist. Anything that requires a nonhuman character may as well be a lump of clay. Creation of static images, as shown here, can still, as you noted, miss key elements in the description.

Long story short, your job is safe, but you might want to raise your rates to eliminate those who falsely equate what you do with a YouTube video they scanned.

If I may ask..which ai software did you use?

You're welcome, Shiva Shekari.

Its a directors and producers interpertation of the screenplay. What technology is available, how much is the budget, is there sufficient (below) the line crew near set/location to operate, what are the risks and costs involved in postproduction and on set combined. There are many things to consider, budgetwise and style. Also it might sometimes be very liberating to choose for classic ways of shooting and some crew (like dop hoyte van hoytema) like to stick to celluloid instead of digital - which generally speaking both works fine. To me it all sort of depends on your type of project en style-concept/interpertation.

Ultra useful tool, I just used it to brief the audience and the antagonist, on vedic astrology, 30 sec of graphics, conveying chapters worth of concepts. (also how I made coaching HOF, visual instruction over conventional, Happy Hunting :)

Bradford Wellington Collins Thanks for sharing your experience! It’s great to see how modern tools and techniques, like using graphics and visual instruction, can effectively convey complex concepts. Integrating these methods with classic storytelling principles can create a compelling and innovative narrative.

In my approach, I also focus on balancing classic standards with new technologies. By preserving core storytelling elements while leveraging modern tools, we can enhance the audience's experience and make our stories more impactful. Combining traditional methods with innovations allows us to respect the heritage of filmmaking while embracing new possibilities.

Happy Hunting

Willem Elzenga Thank you for your insights! Balancing a director's and producer's interpretation of a screenplay involves several critical factors:

1. Technology: Choose technology that aligns with your project's needs. Digital offers flexibility and ease of post-production, while film provides a distinct aesthetic.
2. Budget: Align your budget with your technology and crew requirements. Higher budgets allow for more advanced equipment and experienced personnel, while lower budgets may require creative solutions.
3. Crew: Ensure you have a skilled crew available near your set. Their expertise and proximity can significantly impact both cost and efficiency.
4. Post-Production Risks and Costs: Consider potential costs and risks in post-production, including editing, color grading, and sound design. Both digital and film workflows have their own sets of challenges and expenses.
5. Style and Concept: Ultimately, your project's style and concept should guide your choices. Sometimes, sticking to classic methods can enhance the project's authenticity and appeal, while modern technologies can provide practical benefits.

My main question on all the loglines is "why". Add the motivation.

maybe we need to motivate the audience to watch. Intriguing, interesting stories.

Number 6, that could be a fun idea, it could be a spin on Tremors.