Karina Wilson's Lounge Discussions

Hello! My name is Becky and I will be participating in this lab. I have studied under Ms. Wilson previously and look forward to continuing to learn from her! Excited to begin soon!

It’s a privilege to have you back

Excited for the lab to begin tomorrow :) Email edu@stage32.com with any questions regarding the lab!

Excited to have you back for the lab Becky!

See you guys on Monday, feel free to email me at edu@stage32.com for more info!

Thank you everyone for attending!

Incredible webinar, Karina Wilson!!! :D Really glad I was at this one! I plan on watching it again when it's on demand.

Glad you enjoyed it Maurice!

And your webinar comes at a great time because I'm outlining a monster spec script, Karina Wilson.

Email me at edu@stage32.com for more details!

I’m looking forward to meeting everyone

Andy Flennoy That's how you know you're doing it right! lol I sent mine last night, but I'm not thrilled with it. I probably should have re-done it today but I got caught up with other stuff. :-/

Jerrod D. Brito I guess that's what this lab is for, to improve are storyline over time.

Hi everybody, thank you again for your pitching feedback today, and I look forward to hanging out with you all here on Stage 32. Also, here is a link to that great interview with director Jennifer Reeder about her new movie, Perpetrator—cheers, Melanie

https://www.hollywoodreporter.com/movies/movie-news/berlin-hidden-gem-20...

It's been a pleasure learning with you all! I look forward to seeing your progress and rooting for you and your scripts! Keep in touch if you'd like:

https://www.stage32.com/Sharpspoon

jerrodbrito@gmail.com

@Jerrod It's been my pleasure as well. It was unfortunate for me to lose connection towards the end of the lab but I enjoyed the parts I participated before that.

Hi! I'm new to the platform but I already find this in my top priorities starting this year. I personally would love to see a brief look into the post-horror wave brought by directors like Ari Aster, Robert Eggers, and how they drift away from certain horror tropes or embrace them in a unique interpretation. I'm looking forward to your webinars! Happy New Year!!

Karina, I enjoyed reading your unique thinking. Your knowledge crosses the border of wisdom. The subtext contains the engine of drama. It's the gate for the hidden instinct to saturate action. After all, the tang is given to us to hide our thoughts and intentions. Thanks.

Thank you for highlighting your piece. When people have read my scripts in the past, I ask if they have spotted my subtext or motifs. Quite often I have to explain them, even when I thought I'd been blatant. I don't necessarily see that as a good endorsement of my writing, though.

Great topic to discuss! Some writers are afraid that readers may “miss it” but it is great to see when a writer weaves this into the narrative!

(Ewan, Karen has been quite for a year...? ) It's a great article.

For me, as a writer,

Text is film scripts, short scripts, and postcards,

Context is operation as a cinema art movement

and Subtext is a New Cinema.

There is also something called Over-text.

Thanks for sharing, Karina

I love this posting! Great advice!

Last week I was still writing stereotypical women until I read about this online contest where you had to write a log line into a screenplay where the main charecter had to be a woman. I wrote this action script with this female charecter who ended up killing all the bad guys in the script. It was a change of pace from the charecters I usually write but I think it actually helped me as a writer.