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Dialogue is the central focus of most screenplays. It’s perhaps the clearest tool filmmakers have to convey information on plot and character to audiences, and unless you’re David Lynch of Shane Carruth, chances are you’re going to use a lot of it. In spite of this—or maybe even because of this—there is a great deal of bad dialogue in movies. Dialogue filled with clunky exposition and drastic tonal shifts that sounds nothing like a real human conversation. …