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Stage 32's April 2025 Education: Learn from Hollywood Insiders & Level Up Your Creative Career!
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Stage 32 + Cannes Film Festival Marche du Film present a Free Webinar on How to Navigate Cannes!
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Stage 32 Certification Joins Forces with 2025 Made inLimpopo Film Hub Film Symposiums
Why Emotion Regulation In Acting Is Important
There is no shortage of acting techniques for the actor in training. From Stanislavsky and Chekov to Demidov and Meisner and Adler to Strasberg and everything in between. There is a shortage however on methods for safely accessing and regulating emotion in the process of using these acting techniques when developing a Character. The Traditional Traditional acting techniques have their own philosophies on how to access emotion. From Demidov’s “passively surrendering” …
Drawing The Boundaries Between Actor & Character
Drawing the Boundary Between Actor and Character: Prioritizing the Actor’s Mental Health in the Portrayal of Human Suffering & Emotional Distress Stanislavski talks about the many inspirations an actor draws from to create a character from himself. From the power of observation and different art forms to the actors’ own experiences of life to imagination itself. The only stipulation Stanislavski states is that the actor must not lose their own identity in the process of …
How to Support an Actor’s Well Being in Emotionally Distressing Roles
I’m an Actor Care Specialist I am not a therapist. My job is not to heal but to provide a safe and containing space to guide actors in creating solid boundaries between themselves and the characters they portray. I do this by expanding their self-awareness. The vehicle is the actor’s artistic expression. Without question their personal development is wrapped up inside that. If there is personal work to be done outside the work of character creation, I set the boundary and …
How to Draw the Boundary Between Actor and Character
Drawing the Boundary Between Actor and Character: Prioritizing the Actor’s Mental Health in the Portrayal of Human Suffering & Emotional Distress Stanislavski talks about the many inspirations an actor draws from to create a character from himself. From the power of observation and different art forms to the actors’ own experiences of life to imagination itself. The only stipulation Stanislavski states is that the actor must not lose their own identity in the proces…
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