"When we connect to people with our emotions we generally want two things: To be understood and/or to have the other person feel the same way that we feel. In order to have these things happen, first we must deeply feel the emotion and second, the emotion needs to be expressed in a strong and compelling way.
This is exactly what has to happen in an audition. You need to walk into the room with a feeling of joy for being there and excitement that you get to share your work and yourself. If this is what is naturally being expressed, that is what the people in the room will connect to and they’ll have an immediate, positive response to you. This works both ways, as I’m sure you know. If you don’t feel connected to the material and don’t feel confident that your audition will be a strong and interesting representation of what you have to offer the role, you’ll connect with doubt and anxiety. When it’s time to work, and this goes for taped auditions as well, you need to reach out to the people watching and connect to them with the honestly felt emotions you’ve brought to the piece, expressed with power and heart.
"Expressed" is a keyword here. Remember, film and TV auditioning and acting is not so much about creating something outside of you as it is about expressing what is already inside you. The people in the room want pure emotion, honestly expressed and in a taped audition the camera demands no less. Any showing, selling, or creating outside of the self puts a wall of effort in front of you and makes it impossible for you to make the true connections that make the auditioners feel what you want them to feel. But when your connection is eye to eye, face to face, and emotion to emotion, they know they’ve met the actor who can make the audience take notice and really feel.
To connect through the eyes, body energy, facial expressions, and emotions is to so thoroughly wrap yourself around a role that you cannot be separated from it."
- Craig Wallace is the creator and award-winning teacher of the Wallace Audition Technique
#actor #expression #technique #emotion #audition
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Ashley Renee Smith, I couldn't agree more with you. It's not right, when an actor makes another actor's life on set difficult and comments on their performance. They are not the director and have to r...
Expand commentAshley Renee Smith, I couldn't agree more with you. It's not right, when an actor makes another actor's life on set difficult and comments on their performance. They are not the director and have to remember that the other actor was hired for a purpose, namely that they are right for the role and can do an amazing job.
4 people like this
Excellent point, Brigitte. If it's not your vision, it's not your place to criticize. // One of the most supportive actors I ever worked on a shoot with was Lily Tomlin. Joel Schumacher directed her i...
Expand commentExcellent point, Brigitte. If it's not your vision, it's not your place to criticize. // One of the most supportive actors I ever worked on a shoot with was Lily Tomlin. Joel Schumacher directed her in "The Incredible Shrinking Woman". She was a joy for all from cast to crew. And I've just started watching "Grace and Frankie" again. They must have all had such fun on those film sets. // Thanks, Tom, for bringing this up.
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I LOVE Lily Tomlin, Pamela Jaye Smith! What a neat experience!
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It so was, Ashley. And how fabulous that she's still out there going strong, entertaining and often enlightening us, yes?
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Exactly Brigitte I agree wit h you.Those actors make themselves important on set than they are, in my openion, they have inferiority of complex. They want to be on the midle point. The want to be considerate than others.