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What are your thoughts about this? Why is the horror genre discriminated against, by the Oscars?
Is Coogler’s masterpiece Oscar worthy? With the deal he has with the studio, should he be worried about that?
“Writer Clark Collis — author of the recent book Screaming and Conjuring, an exhaustive accoun...
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Who else is thinking about using AI to make an entire film
It's been done already, at least twice, to no acclaim whatsoever. Anyone who thinks that AI generated content is commercially acceptable should do a deep dive into the term "AI Slop" across social med...
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I would not use it for an entire feature yet. To help accentuate a scene or shot, certainly, with proper training and time on it. I think in it's current form, I'd hold off a bit.
I use it for book promotion videos on my publications, its definitely improving and is something I'm looking into
Michael Wotorson learning the prompt is so hardddddd
"I’d rather die." – Guillermo del Toro
Just wanted to share my director's reel for some feedback. I've been working on the concept of transcendental film.
Very nice Evan Kimball. What area of the world to you live in? Might want to expand your profile a bit...in case somebody wants to get in touch with you...
Thanks Curt. I tend to be omniscient, as I travel a lot. I live in the Ozarks, and split my time with China often.
Hi Evan , We can talk ?
hey
hello
Have a favor to ask.
I am a final year film student, and I have an assignment to find a professional who has been working in film for at least 3 years to review my portfolio and provide feedback. I'm a director, so if I can find a director to look at my portfolio, that would be the best.
Would anybody be willing to do this?
Noah Mccay Add me here and include your email contact in the message. We can connect off site.
Hello, fellow filmmakers. I'm writing from Vietnam, where the independent film scene is vibrant and full of raw energy. However, like many emerging markets, we face a significant, structural challenge: access to funding. This isn't a complaint; it's the central creative problem that defines my pro...
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Phuc Quang Vu Dao Access to funding is the issue everywhere. And in all industries. Film is no different in that way. Independent filmmakers, to be successful, need to focus on that business and profe...
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Phuc Quang Vu Dao you are very welcome. Yes. Marketing, audience-building and distribution need to be worked on from the inception. If we wait till pre-production, it’s already too late.
I’ve been read...
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yes-it is about money and social media
Phuc Quang Vu Dao You are welcome, I appreciate your comment. NOTE that for some reason your comment is in the same color as the web page background (at least on my machine) - so it is visually invisi...
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Friends, I have a question for you about using AI in short films.
I recently wrote a short film script called “Dream Life.” It’s a surreal story about how people in big cities now live like robots — their days and nights blend together, every day feels exactly the same, and their dreams start merging...
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Thank you all so much. I honestly didn’t know this information, so I really appreciate it. Then, for now, this script will probably remain just a script, because making a film like this with CGI would...
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Or, this film could also be made as an anime.
Actually, I think the use of generative (or artificial) intelligence is now commonplace for these projects. It can have both pros and cons; I myself helped make a short film using AI (still in develop...
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I’ll give you an example. In my script there’s a scene where, early in the morning on the streets of New York, instead of cars, people’s beds are moving—they’re fully dressed, lying on their beds as t...
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Aleksandr Rozhnov you can see a similar thing by watching "True Cost / buy now" a Netflix documentary about fast fashion, there is a cool sequence similar. But having said that, try and text your own...
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I know that there was actually more time between when it was first mentioned, maybe as a joke, to when Netflix actually aired Space Force, but the timing was still remarkable. 5 months between the creation of the 6th military branch and the show about it. What goes into writing and creating and fili...
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Hi! This series was released a few years ago. I watched it, and it's very funny.
Being a filmmaker, we create worlds and create entertainment. WB Studios is filled with shows right now, I’ve been lucky to be on one of those. My director and I took this photo because we both love each time we get to come to the studios that have so much history and seeing the stages and who has p...
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Maurice Vaughan - yes! I am walking my invisible dog!!! thanks for “seeing” him!
How fun!! Great pic.
Haha You're welcome, Xochi Blymyer. Someone should make an invisible dog movie.
love the energy and poses. Happy Halloween!
hello
Ever been on a film set with hungry and thirsty cast and crew? Not a pretty site. The opposite is true when everyone is well fed and hydrated. A big portion of your budget will go to meals and craft service
Silent tension in forbidden love.
It’s not about showing the love itself —but everything they’re holding back.
Filmmakers:
What’s your favorite way to visually convey desire without dialogue?
Stillness, proximity, hands, breath, framing, light?
Sometimes silence says more than confession.
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You're right, Yanina Koroleva. I like to convey desire in scripts by a character's action, like having a character stare at the other character or having both characters watch each other at an event....
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Absolutely, Maurice.
The “almost” moments — the held glance, the quiet awareness — often say more than any declaration.
When the audience feels what isn’t said, that’s where cinema starts to breathe.
Stage 32’s founder and CEO, Richard “RB” Botto, shares some things in today’s blog that'll help you get ready for the American Film Market and have success there. It's a must-read blog!
Drop a comment in the blog if you’re attending AFM 2025.
www.stage32.com/blog/how-to-win-big-at-the-2025-american-...
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Looks like Netflix's next massive international hit might be coming from Poland! The streamer is doubling down on Polish originals like High Water and Heweliusz, which has led Netflix to see huge success!
This feels like a win for everyone tired of the same old settings. It's giving us a whole new wo...
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Sinners have been my quiet wish to get Oscars ever since I've watched it. Especially Micheal B Jordan, Coogler and Goransson should get a nominee.
As for why the horror genre is underrepresented in the...
Expand commentSinners have been my quiet wish to get Oscars ever since I've watched it. Especially Micheal B Jordan, Coogler and Goransson should get a nominee.
As for why the horror genre is underrepresented in the Academy, I suppose the answer is simple: horrors usually target gore for the sake of gore, and most awarded movies were thought-provoking. And I'm saying this as someone who's written a horror movie himself
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Maurice I sent you an urgent message -please help!
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I think Sinners and Weapons are both Oscar worthy. I don't generally watch movies in this category because I'm a scaredy cat. However, my son talked me into seeing both and I felt they were both amazingly done.
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Kenneth George :-()
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Geoff Hall Why is the horror genre discriminated against by the Academy? Well for one, the Academy is an industry awards owned by the major studios, in essence. As all industry awards, they primarily...
Expand commentGeoff Hall Why is the horror genre discriminated against by the Academy? Well for one, the Academy is an industry awards owned by the major studios, in essence. As all industry awards, they primarily congratulate commercial success among their peers (that's the function of an industry award), as well as films whose teams include their people or people they are inviting into the circle. Horror is traditionally an independent filmmaker phenomenon, so not often associated with that group. Aside from that - and I say this as a horror lover and writer - horror is often among the shlockiest of exploitation flicks, even today. So it has a well deserved, if inaccurate, reputation. Although recently there have been a number of major studio forays into the genre, so maybe that will change. As for Sinners, I haven't seen it, and whatever its traction at the Academy, there are reasons why a lot of Americans of both dominant cultures here aren't particularly enthusiastic about it, which I won't get into here, except to say that my partner saw it and told me not to bother unless I want to see another rehash of history dressed up in a quasi-horror metaphor.