Isaiah Andrés Galarza: Director and screenwriter in Brea, California.

Agreed, david rountree has an amazingly class!

That sounds great! So the modus operandi of the scene study I was involved in was Writers would bring in their short scene, then cast Actors from among those who showed up, then the Directors would pull their little troupe aside and rehearse them and their scenes, then we would perform them later that evening on stage.

It was really intensive but it was a lot of fun and everyone had the ability to hone their craft.

Is that how David Roundtree works, bc I'm really looking to Direct myself, and view other Directors in action.

@Isaiah Galarza that sounds awesome.

I believe it takes approximately 10 days and maybe longer but you should get another email from the copyright office.

That's your processing number. It's tied to the order not the individual screenplay. You can copyright up to 10 scripts at one time and they will all be tied to that number. You need to wait until the actual copyright has been confirmed. This can take a while. When I did 8 screenplays at one time, it took like 4 or 5 months before I got the official notice of successful copyright.

It takes a while to receive the copyright in the mail. My most recent copyright application took four months. This is the government you're dealing with. Nothing happens fast.

Thank you Pamela... ❤️❤️❤️

Call sheets are really nothing more than the day's shooting 'inventory and work order' that began back in the early days of telephone service. Mary Pickford's phone number was 4168 (I think) - it's an outdated term that has been with us ever since. It's best to keep as simple as possible to avoid confusion during a shoot. Your creativity is better applied to your film. Your organizational skills are more suited to things like call sheets and script tagging. Keep it simple.

Many ADs have built their own template. Ask around, many will share. You really want to stay in standard 2-sided format with the different types of pertinent contacts, location, nearest hospital, crew parking, weather and sunrise/sunset info in the general parts of the sheet where they always are found...BTL is on the back. Something very new / different may be confusing or missing info. And never post talent's phone numbers, only crew. Some people still list Thomas Guide co-ordinates for location- not an awful idea if your nav goes out...assuming you have a Thomas Guide.

Welcome to the front of the camera! Good luck with everything :)

It's been an interesting journey so far

SWEET!! Where is it?

I believe it's in Hollywood -- feel free to reach out to Sean! He'll tell you everything!

Thanks for that, welcome to Lala Land, I hope to see your reel when you can!

Thanks! What event?

Did you sign anything yet? You may not be able to get imdb credit but you need to retain the right to publish them online so that any future Producers/employers may go to your website and listen. Usually this isn't a problem, and neither is claiming credit on your website (or demo) but don't expect them to splash your name on anything .

Thanks for the reply, Isaiah. I secured rights to publish the projects on my website, and do list myself as composer. I was just wondering if I can list these as "Credits" here on Stage32 (and in my resumé) or if that is reserved only for actual IMDB credits.

Does it have to be in your area? There are plenty of good groups around the world. I belong to two international groups and have only met one member face to face because he lives in my town but the rest are US and UK members. Regular catch ups and peer reviews are held via skype and they're very successful.

Hey man, how goes it? Are you still in Fullerton?

Have you tried Campaigns like Indiegogo