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A Drive To Produce

The bug for cinema and filmmaking hit me hard in the summer of 1970. On that hot July day I sneaked through the back door of the local theatre and ensconced myself into a rickety folding seat not more than 15 yards from the screen. The purpose of my stealthy activity was two-fold: first, I wanted to escape the oppressive heat outside and the theatre was an iceberg in the midst of a desert; second, and perhaps of greater importance, I could not just but a ticket and walk in as the show on…

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