"If you’re a director who has become too attached to the temp score, you’re essentially falling in love with something you can’t have. While it may feel impossible to let go, but it is possible. Let’s look at some ways you can break up with your temp score and move on.
In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss:
Why you shouldn’t use temp scores from other movies
Collaborating with composers early on
The benefit of switching up scores in the edit
How directors fall in love with what they see in the edit
How the score is almost like a character within a scene
The dangers of placeholders
Getting attached to character names
NAB - why you should go
Blackmagic cameras - affordable, efficient, and high-quality
The Blackmagic camera phone app on Apple and Android
Shooting with cinema lenses versus still photo lenses"
https://nofilmschool.com/temp-score-breakup
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Actually, ... No. :~). I'm def. more music creative. I did play drums with an Elvis Impersonator in Nashville, TN and we played this song. The 6/8 feel was def. a challenge then, though can do it well...
Expand commentActually, ... No. :~). I'm def. more music creative. I did play drums with an Elvis Impersonator in Nashville, TN and we played this song. The 6/8 feel was def. a challenge then, though can do it well today. It's more like the same pulse from the original tempo, though I think it's a bit slower during the 6/8 section. Good luck with your scripts and composing chops.
K. Kennard