Filmmaking / Directing

The place to discuss, share content and offer advice and tips on all things filmmaking and the craft of directing. From pre-production to on set practices to navigating the industry and beyond, this is your forum

Peter D. Marshall
The Director and the Story

QUOTE: “The director has to have the ability to understand script structure, analyze its progression, recognize its potholes, build colourful and dimensional characters and help to create pungent dialogue.” Robert Wise

There are many phases of a Director's prep on any film or TV show - from location...

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Maurice Vaughan

This is a must, must-read post, Peter D. Marshall! I agree. The most important part of a director's job is understanding the script. I worked with a director who wanted to see a short outline and unde...

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Charmane Wedderburn

Peter, “If it doesn’t work in the script, it won’t work on set” never stops being true. Every strong directing choice I admire starts with deep respect for story and character on the page.

Maurice Vaughan

This is a must-read article, Don Zorbas! Thanks for sharing it. I think vertical storytelling is going to get bigger this year. It's a great medium for indie filmmakers! Short episodes, doesn't cost a...

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Don Zorbas

Maurice Vaughan thank you and I completely agree.

Maurice Vaughan

You're welcome, Don Zorbas. I'm outlining my first vertical series. I took a webinar on here called Understanding Vertical Storytelling "Verticals" 101. I recommend it! www.stage32.com/education/produ...

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Sam Rivera
Last Dance in Park City

Sundance leaving Park City feels huge after reading this. Hearing from huge directors like Ryan Coogler and Rian Johnson about how it literally made their careers just shows how special the festival was. It wasn't just a launchpad; it was this real artistic community that you can't really replicate....

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Sundance Filmmakers on How the Festival Changed Their Lives and Careers: "There's No Place Like It"
Sundance Filmmakers on How the Festival Changed Their Lives and Careers: "There's No Place Like It"
Seventeen filmmakers who took their projects to the snow-packed hills of Park City, Utah, open up on how it felt to bask in the glow of Sundance's light and what happened for them in the years that followed.
Education & Collaboration Without Borders: Inside the WIFTI x Stage 32 Partnership

Stage 32 partnered with Women in Film & Television International (WIFTI), and the WIFTI Summit is happening next month in Ireland!

Find out more in this article and today’s blog.

www.stage32.com/blog/education-collaboration-...

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Women in Film and Television Int'l, Stage 32 Unveil Education Partnership at Cannes
Women in Film and Television Int'l, Stage 32 Unveil Education Partnership at Cannes
"As filmmaking expands globally, driven by untapped talent and a surge in tax incentives, this partnership addresses vital skill gaps for women."
Sagar Srivastava
Filming at a dumpyard. - for National Geographic project, 2017

Back in 2017, I got a National Geographic project with an American photographer, Randy Olson. I was tasked with guiding him to locations across Mumbai that showed both the scale of plastic waste and the places where plastic was being manufactured and repurposed. We travelled through the city, shooti...

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Maurice Vaughan

Congratulations, Sagar Srivastava! Incredible photos and cause! I think we need more movies and shows about ocean pollution and plastics in the oceans. I'm going to outline a script about the horrors...

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Sagar Srivastava

I assisted him only in Mumbai, while he continued his journey in Bangladesh, Philippines and Mexico I guess. But if you need any kind of help with respect to research based on Indian stories, do let me know. Would be happy to help.

Maurice Vaughan

Ok, thanks for the offer, Sagar Srivastava!

Peter D. Marshall
Directors and Actors Also Need a “Suspension of Disbelief”

Film directors and actors also need to have a suspension of disbelief in their work to ensure that the film's world is believable and the characters relatable, so that audiences are fully immersed in the story and willing to accept the fictional reality being presented.

Filmmakers rely on creating a...

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Maurice Vaughan

"Effective use of suspense, plot twists, and dramatic elements relies on the audience’s willingness to suspend their disbelief. This is essential for keeping viewers engaged throughout the film." You'...

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Maurice Vaughan

You're right, James Woodland. I've thought about making storyboards to help me outline my scripts.

Jack Binder

For complex scenes, stunts, challenging blocking or conveying the concept of a shot to the crew, they are extremely helpful and can make a production more efficient.

Sam Rivera
Read on the Filmmaking of 'The Mastermind'

You can now read an excerpt from MUBI's companion to ‘The Mastermind’. I very much enjoyed 'The Mastermind' and thought the filmmaking was somewhat so casually thrilling in its action. It's a great insight on her filmmaking process of the film.

Read about it here! https://www.indiewire.com/features/c...

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Read an Excerpt from the Official MUBI Companion to 'The Mastermind'
Read an Excerpt from the Official MUBI Companion to 'The Mastermind'
Director Kelly Reichardt and many of the makers of the film reflect on 'The Mastermind' in this new MUBI companion book.
Maurice Vaughan

Thanks for sharing the excerpt, Sam Rivera! I'm looking forward to seeing The Mastermind! One of the things that stood out in the excerpt is "Making a movie set in 1970 allows Reichardt to pay homage...

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Pat Alexander
Director Joachim Trier Tours the Home From “Sentimental Value”

Director Joachim Trier brings us to Oslo, the location where he shot the dragestil house in 'Sentimental Value.' Learn about Joachim's journey of finding the house with the right windows and axes, using visual language to engage the audience, and so much more.

(https://www.youtube.com/watch?v=rBDX7_w...

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Maurice Vaughan

Thanks for sharing this video, Pat Alexander. I like to look at pictures and videos online (like virtual house tours) to get ideas for story locations for my scripts, and the pictures and videos help...

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Pat Alexander

Yeah Maurice Vaughan this was a fun one. I've literally never seen a director do a house tour of the main shooting location after the fact, so I thought it was a unique look into the filmmaking proces...

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Peter D. Marshall
Audience Suspension of Disbelief

In drama, "suspension of disbelief" refers to the audience's willingness to accept the reality of a fictional movie world and emotionally engage with its characters despite implausibilities or fantastical elements. This “open-minded understanding” allows viewers to connect with the story and the cha...

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David Taylor

Long article. Interesting. The suspension of disbelief happens when the audience is credibly presented with sufficient information to enable the world, character or circumstance to be accepted as a platform to enable the story to be told without absurd or technical distractions.

Maurice Vaughan

Must-read post for filmmakers and writers, Peter D. Marshall! Thanks. Suspension of disbelief is easier for me if I’m watching a Fantasy, Sci-Fi, or Horror film. It’s harder when it’s a Drama, Mystery...

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YESHWANTH K.
At What Stage Should Music Enter a TV Series?

Hi everyone,

I’m a composer and sound designer currently focusing on episodic scoring for TV and OTT series, particularly projects where music plays a strong narrative role rather than just background support.

I’d love to hear from directors and filmmakers here, at what stage of a TV series do you usu...

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