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Acting, Advice, Cinematography, Coffee & Content, Composing, Contests, Distribution, Featured, Filmmaking, Financing, Inspirational, Networking, Producing, Screenwriting, Success Stories, Tips, Trending,So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negoti…
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negoti…
As a composer for Film and Television, you are probably used to working on your own in your studio most of the time, basically with the sole exception of meetings and recording sessions. Among composers, we always joke about our professional life “in isolation”. Well, 4 years ago, Covid happened, and, as of today, the composer job is still almost 100% remote. This has changed the workflow in many ways, making us switch to new strategies to communicate, meet, share… He…
As a composer for Film and Television, you are probably used to working on your own in your studio most of the time, basically with the sole exception of meetings and recording sessions. Among composers, we always joke about our professional life “in isolation”. Well, 4 years ago, Covid happened, and, as of today, the composer job is still almost 100% remote. This has changed the workflow in many ways, making us switch to new strategies to communicate, meet, share… He…
When you decide to write music for Film and Television as a full-time job, you’ll soon realize that from that moment on it is not just about your music, but about the music business. There is so much to know and to learn about the process of negotiating a deal. I am going to share some of the experiences I have had so far, hoping that it will help you with your negotiations a little bit. When And Why: Signing An Agreement When you are offered a composer job, your first instinct i…
When you decide to write music for Film and Television as a full-time job, you’ll soon realize that from that moment on it is not just about your music, but about the music business. There is so much to know and to learn about the process of negotiating a deal. I am going to share some of the experiences I have had so far, hoping that it will help you with your negotiations a little bit. When And Why: Signing An Agreement When you are offered a composer job, your first instinct i…
Freelancing in the film industry, whatever your role, and as exciting as it can be, sometimes means navigating turbulent waters. So how do we stay put and not lose sight of our true North? I moved from Italy to Los Angeles in 2016, after a 21-year-long plan to follow my childhood dream of making music for the silver screen. Once in L.A., coming from a 9-to-5 day job, I soon realized how much I had to learn not only about Hollywood but also about how to stay healthy while freelancing. I…
Freelancing in the film industry, whatever your role, and as exciting as it can be, sometimes means navigating turbulent waters. So how do we stay put and not lose sight of our true North? I moved from Italy to Los Angeles in 2016, after a 21-year-long plan to follow my childhood dream of making music for the silver screen. Once in L.A., coming from a 9-to-5 day job, I soon realized how much I had to learn not only about Hollywood but also about how to stay healthy while freelancing. I…
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negoti…
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negoti…
When you decide to write music for Film and Television as a full time job, you’ll soon realize that from that moment on it is not just about your music, but about the music business. There is so much to know and to learn about the process of negotiating a deal. I am going to share some of the experience I have made so far, hoping that it will help you with your negotiations a little bit. When & Why: Signing an Agreement When you are offered a…
When you decide to write music for Film and Television as a full time job, you’ll soon realize that from that moment on it is not just about your music, but about the music business. There is so much to know and to learn about the process of negotiating a deal. I am going to share some of the experience I have made so far, hoping that it will help you with your negotiations a little bit. When & Why: Signing an Agreement When you are offered a…
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negoti…
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negoti…
As a composer for Film and Television you are probably used to working on your own in your studio most of the time, basically with the sole exception of meetings and recording sessions. Among composers we always joke about our professional life “in isolation”. Well, one year ago, Covid happened, and, as of today, the composer job is basically 100% remote. This has changed the work flow in many ways, making us switch to new strategies to communicate, meet, share… Here …
As a composer for Film and Television you are probably used to working on your own in your studio most of the time, basically with the sole exception of meetings and recording sessions. Among composers we always joke about our professional life “in isolation”. Well, one year ago, Covid happened, and, as of today, the composer job is basically 100% remote. This has changed the work flow in many ways, making us switch to new strategies to communicate, meet, share… Here …
When you decide to write music for Film and Television as a full time job, you’ll soon realize that from that moment on it is not just about your music, but about the music business. There is so much to know and to learn about the process of negotiating a deal. I am going to share some of the experience I have made so far, hoping that it will help you with your negotiations a little bit. When and Why: Signing an Agreement When you are offered a composer job, your first instinct i…
When you decide to write music for Film and Television as a full time job, you’ll soon realize that from that moment on it is not just about your music, but about the music business. There is so much to know and to learn about the process of negotiating a deal. I am going to share some of the experience I have made so far, hoping that it will help you with your negotiations a little bit. When and Why: Signing an Agreement When you are offered a composer job, your first instinct i…
You often read “how to deal with rejections” for actors and writers, but, when it comes to Composers for Film and Television, it looks like there is less literature, so I thought I’d give it a go myself. If you are pursuing a career in film scoring, no matter how long ago you started, I am sure you have experienced rejections. Why is that? Well, the first logical reason is… There are Many, Many Fish in the Sea By choosing to be a composer, you’ve chosen…
You often read “how to deal with rejections” for actors and writers, but, when it comes to Composers for Film and Television, it looks like there is less literature, so I thought I’d give it a go myself. If you are pursuing a career in film scoring, no matter how long ago you started, I am sure you have experienced rejections. Why is that? Well, the first logical reason is… There are Many, Many Fish in the Sea By choosing to be a composer, you’ve chosen…
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negot…
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negot…