Hi my dear pro friends! first of all, Thank you!
Discuss, share content, offer tips and advice on hardware, software, style, strategies, process, work-flow and the business of scoring a film, video or theater production
Hi my dear pro friends! first of all, Thank you!
"An interview with Harry Gregson-Williams, composer of the music for films like The Chronicles of Narnia, Kingdom of Heaven, The Last Duel, the Shrek films, The Equalizer, and most recently Gladiator 2. We discuss his work alongside legendary directors like Ridley Scott and Tony Scott, coming up in...
Expand postThank you dear Maurice Vaughan for your detailed comment and I'm agree with you.
Stephen Folker H , I think it's very worth to save "Sometimes less really is more" in my mind forever
Kerry Kennard You had listen to a lot of Traditional Barq., Classical and Romantic music in your Undergrad studies. how much is great!
You're welcome, Shahriar Vaghfrahmani.
Stage 32 is having an exclusive FREE virtual summit where top producers, film and television production executives, and film commissioners converge to discuss the state of film & TV production and how you can take advantage of the current landscape wherever you are in the world. There will even be a...
Expand postHi!
Here's my interpretation of a chase scene from "Westworld".
Thoughts? Suggestions?
Thanks in advance! :)
Many thanks Linwood Bell and Maurice Vaughan !
Indeed it was fun, and the original music put there was Wagner, so quite challenging...
Expand commentYou're welcome, Alessandro Sicardi.
This is awesome, Alessandro Sicardi! Great job! It’s a great scene and your version works really well.
Alessandro Sicardi The winning entry was a crack up wasn't it? The 8 bit stuff. People really went nuts on it. Caught us all off guard. So nice that Spitfire will give us footage like this to play aro...
Expand commentThanks Ashley Renee Smith <3
Right Linwood Bell these are very nice chances to mess around with cliches...
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Check out this great video sharing Chord Progression Tricks- how to make smooth transition between the chords in a progression & how to add coloration to the chords to give them more flavor and impact.
What do you think of these tricks? Do you have any of your own to add in the comments below?
https:/...
Expand postI think this is great advice! Instead of calling them 'tricks,' I'd view them as key tools and techniques, much like those found in the tradition of Bach Chorales. He articulated it really well!
Linwood Bell did you not like that expression?
Hello Stage 32 community,
I'm excited to share a piece of music I composed specifically for one of the most emotional scenes in The Green Mile. This scene holds a special place in the hearts of many, and I aimed to create music that amplifies its emotional depth and humanity.
Your music is beautiful! But I feel it is too busy for a scene like this. The music should be more minimalistic, and I would never use chimes for such a dark and dismal scene. Less is more here, and should be darker, less orchestration.
Shahriar Vaghfrahmani I think it would be great since you are asking for feedback is to respond to peoples feedback, because people take the time out of their lives to offer constructive criticism tha...
Expand commentI agree with Kevin Gamble , seems too busy throughout. At the :07 those bright bells need to be not so bright- like the other areas with similar sounds.
In this scene - it’s all underscore, so not many moving lines. There is more activity near the end of the piece. Sometimes the lightness heightens the emotional part created by the actors; it does dep...
Expand commentyour comments made me do better since now....
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I think this will likely continue to erode the art of composing and its business. What are your thoughts, pro and con?
Expand postYea exactly, I’m working on my Masters Degreeon Film Comp and Orchestration, and the more I hear this stuff the I wonder if it’s actually a good investment anymore.
So we open accounts here: https://sora.com
Here is some of my work on a true crime/supernatural documentary.
What is your favorite genre to work in? I love working in this kind of genre of film, because it opens up more doors to be creative.
If you have any questions of anything you hear, let me know and I'd love to discuss my approach, plugins, etc.
Take a look at my process for scoring one of the most epic scenes from Wonder Woman! I’ve used Cubase to sync music with visuals and bring this iconic sequence to life.
In this video, I’m sharing the intricate process of composing music for the "We Are Live In Time" series trailer using Cubase. It’s a blend of art and technology as the visuals and music sync to create an impactful trailer.
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I like your music, Shahriar Vaghfrahmani! It feels like a Fantasy Adventure type song, so I think it fits the picture of the door/forest more than the island picture. I think there's too much going on...
Expand commentI like your music, Shahriar Vaghfrahmani! It feels like a Fantasy Adventure type song, so I think it fits the picture of the door/forest more than the island picture. I think there's too much going on in the music from 02:06 to 02:27.