Wagwaan, earthlings from Stage32 — I’m C.J. Night. I’m not here for likes or to chase producers. I came to tear everything to shreds.
I’ve got five finished scripts in different formats — from kids’ animation to an ensemble post-9/11 drama.
Each stands on its own; each is a potential festival/streaming hit.
Does every creator think that about their own projects? I don’t think — I know.
The Lineup:
Babylon is Us — ensemble drama / dark satire / post-9/11 philosophy
A mosaic of New Yorkers — real and fictional — caught in the morning of 9/11, where faith, media, and fame blur into one global hallucination. “Babel” meets “Dr. Strangelove.”
Colors of Provence — poetic dramedy / road movie
A cheerful guy and his stray companion drift from France to the U.S., chasing the ghost of youth through fading landscapes, cheap wine, and the quiet ache of unfinished lives. “Lost in Translation” meets “Paris, Texas.”
Muffin vs Everyone - fantasy adventure / animation
Two kids fall into their father’s collapsing imagination and must navigate a surreal world ruled by a vengeful pastry and forgotten childhood dreams. “Gravity Falls” meets “Alice in Wonderland.”
Holy Wood — dark satire / meta-drama / mockumentary
A group of outcast artists set out to shoot the world’s first “anti-film” — a doomed attempt to expose the industry’s spiritual emptiness, only to be swallowed by the same machine they’re mocking. “The Disaster Artist” meets “Holy Mountain.”
Where the Storks Fly Away — anti-war drama / psychological allegory
A child in a war-torn land starts documenting chaos on a broken camera — until reality begins to answer back. “Come and See” reimagined for the media age.
https://drive.google.com/drive/folders/1zQ-Vf8yAEqXMjjLFjNtDy7ubdUWHb7Z1... - Files are view-only — reach out if you want to discuss adaptation or collab.
These five stories are different in tone, but share one thing — they all bleed, laugh, and ask what it still means to be human in the algorithm age.
Let’s bring the weird back.
#screenwriting #filmmaking #indie #darkcomedy #satire #animation #antiwar #CJNight
1 person likes this
Hi, Maurice! Definitely you have to mix it up a bit with the angle shots. In this case, the director had in mind regarding that shot that it would be a close up. In films, you’ll see close up shots on...
Expand commentHi, Maurice! Definitely you have to mix it up a bit with the angle shots. In this case, the director had in mind regarding that shot that it would be a close up. In films, you’ll see close up shots on specific objects that is an integral part of the film. Just saw that in Blood Simple by the Coen Brothers. If a close up is being used on an object, you know that it is serving as an important part of the film.
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Thanks, Sam. I enjoy the collaborative process with film directors because you are contributing something to the project. On another film I worked on, the director asked me to do a slew of storyboards...
Expand commentThanks, Sam. I enjoy the collaborative process with film directors because you are contributing something to the project. On another film I worked on, the director asked me to do a slew of storyboards because she needed help/assistance on composing the shots. She needed someone that had an ability to draw and visualize the scenes. Once I did it, completed the boards and sent them to her, she was very happy with my work. Sometimes, it’s troubleshooting the challenge and working it out. I always enjoy drawing/illustrating boards and concept art for directors and producers.
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The Coen Brothers are incredible directors, Rich Terdoslavich! I'll check out Blood Simple. Thanks.
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It was their first film. Neo noir. Highly recommend it.
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Thank you, everyone for liking my work.