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Acting, Advice, Cinematography, Coffee & Content, Composing, Contests, Distribution, Featured, Filmmaking, Financing, Inspirational, Networking, Producing, Screenwriting, Success Stories, Tips, Trending,Even if you're not in Hollywood, you can get a sense of the "business" by what professionals are talking about. What have Stage 32 members been talking about lately? The work. What work their doing, how to do the work, and getting back to the nitty gritty. It's exciting, but it's also a great time to show how much value you bring. Taking a few minutes to answer another's questions could be a great advantage to them and show what a fantastic asset you are! It's true, the lounges …
Good morning, Creative Army. I'm thrilled to announce yet another exclusive Stage 32 partnership, this time with one of the oldest and most respected brands in the industry, Variety and Variety Insight. Under the partnership, VBI’s flagship product, Variety Insight, will be the Official Entertainment Industry Database Partner of Stage 32 and Variety Insight members will receive a credit toward education courses on Stage 32. In return Stag…
There is a great feeling of satisfaction in seeing a film go through its various stages of completion and having it placed in your hands knowing that, through your efforts, the sonic landscape created will be able to convey the deeper emotions of what is being portrayed onscreen. Film Composers are in fact storytellers and our tools are sound.That being said there are a lot of steps that has to be covered before the Director trusts you with the work, vision and effort that it took to rea…
Hey, Stage 32 Collaborators! This week in the lounges, we've had a fantastic mix of requests for information and advice offered, of fun and engaging "getting to know you" questions, and straight-up requests for links. Even if you're dedicatedly one occupation (e.g. Screenwriter, Actor, Animator, etc.), I would highly recommend joining in conversations in adjacent roles. Screenwriters can pop over to the Acting Lounge or the Producing Lounge for insight into characters or pitchin…
You’ve heard the saying “Jack of all trades, master of none”? I’m going to start with something controversial, I hate that quote. This quote has been preached to me on many occasions throughout my career and I can imagine it will continue for the rest of my years. Why this quote? Because my creativity is hard to grasp, I do many things, and can do many things well, does this sound like you?. Your creativity doesn’t fit in the societal norms of occupation, …
So you landed a job as a composer for a Film. Congratulations! But now where do you start? I think a good point is to build a positive relationship with your Director. That could definitely contribute to the success of your gig. Like any other kind of human relationship, there are no rules to make it work and there is always room for improvement, but here you’ll find some tips and thoughts, based on my experience, that I think might be helpful. Let’s suppose you have negot…
These days there’s a pretty interesting battle raging between composers scoring films, and filmmakers using prerecorded tracks in their projects. Both can work, and either one can be cheaper, or easier to use. As a composer who makes tracks for music libraries, and scores films, I can give you some ideas about when and why you might use one versus the other. 1. Hiring a Composer Hiring a composer can be cheap or expensive, depending on their experience, busines…
Friends, family, project collaborators, social media connections—I’m sure your network is abundant. But in all likelihood, you’re missing out on a mastermind group—a creative support network of individuals who guide each other through professional challenges. Mastermind groups are well known in the business community, yet rarely used by filmmakers, writers, actors, and other artists. Personally, I think it’s time creatives start leveraging this idea for th…
First of all, they don’t come from other people’s movies! IN THE BEGINNING Let’s start at the top. Back when most of the really enduring film scores were written, directors were expected to have cross-training in a wide range of entertainment disciplines. Moreover, composers were expected to be masters of music theory. Today, the tight focus of a film school education on the tools we need to get working has eroded the vocabulary and habits that come with a classical p…
We’ve all heard the myth about the starving artist. This is the myth that artists need to suffer for their art if they want respect as an artist. This crazy myth has been around for over 150 years and unfortunately many artists today still believe it. The myth started in 19th century Paris with a group of artists who lived passionately for their art, but also lived in poverty. The artists were nicknamed “the water drinkers” because they couldn’t afford to drink wi…
Happy Wednesday Stage 32 Community! Last week, our fearless leader Richard "RB" Botto hosted one of his signature "Ask Me Anything" webinars focusing on the "new normal" that is the entertainment industry during COVID-19. We were beyond jazzed to virtually host thousands of Stage 32 members tuning in from every corner of the world, culminating in an invigorating two hours of inspirational and no-bs shop talk from RB. In this Ask Me Anything, RB answered questions …
No one likes to be manipulated—except when they do. And this is always true with entertainment and art. “Make me feel something” is the universal mandate for all content, across every genre, through all mediums. Music is a universal language that touches our deepest feelings to bring up powerful emotions. As in the very life of our bodies, its most basic elements are tension and release, just like breathing and heartbeats. No wonder it’s so powerful! …