
In our ongoing education partnership with Netflix we are excited to bring you a free "How to Write Comedy Scripts for Streaming Television" webinar, be sure to sign up here: https://bit.ly/3BUda9x
In our ongoing education partnership with Netflix we are excited to bring you a free "How to Write Comedy Scripts for Streaming Television" webinar, be sure to sign up here: https://bit.ly/3BUda9x
In our ongoing education partnership with Netflix we are excited to bring you a free "How to Write a TV Series to Budget" webinar, be sure to sign up here: https://bit.ly/32lb5pH
We just finished the final presentation for the webinar and you guys are going to love it!
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Hey, y'all! I'm Kay, the Community Manager here at Stage 32, chiming in from LA. I've never been so excited to talk budget in my life! LOL
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My first Novel; close to completion.
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Tuning in from Los Angeles - looking forward to learning more about how to write to a budget!
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Hi, I'm tuning in from Doncaster in the United Kingdom. Unfortunately I have to leave before 7pm UK time as I have another meeting, but hopefully I can play catch up tomorrow.
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I don't pay much attention to the chats. My mind shuts one thing off to do the other thing.
from the DC area
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QUESTION: What is a typical budget or range for Netflix, vs HBO, vs other studios? In other words, what's the best budget range should we be writing for?
Melanie Arden here from Toronto, Canada
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So many people from around the world - so cool! Be sure to click the RED PLUS sign over members' profile pictures in the comments to add them to your network!
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Tuning in from South Africa. This is fascinating.
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m from Brazil
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Welcome to all. Enjoy!
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I love the international audience on Stage 32. Welcome members old and new! We're glad to have you here from all corners of the globe.
Hello from lebanon
this power point Will be available for us later?
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Great! Let me give access to the automatic script breakdown tool to the community. Please PM and let's discuss!
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Writer/Producer in Washington, DC
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Watching from London, UK.
Hey
guys, how can i check if i turned off my cam? thank u
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YES - if you've registered for the webinar, then you will receive a link to the recording within 48 hours after it wraps. It should be emailed to you, but it will also be available for you on Stage 32 under "My Education".
Joining from London, UK.
Hello, I have a question: Is Netflix interested in TV Show Ideas without a Script of the pilot? I'm not a screenwriter, I'm a composer/sound designer based in LA. I think I have several good ideas for TV shows and I'm developing them in order to have a Pitch document of about 10 pages to present (thanks to Chris's webinar!) but I don't have a script for the pilot. Thanks in advance for your answer. Claudio
Hi from Cairo, Egypt!
Fantastic! Very informative!
Hello from Egypt.
What is Remuneration?
Manila, Philippines!!!
Hello, from Vienna - Austria :)
A lot of shows would benefit from a lot LESS shooting from every angle.
...Jeannette - You had me at "it takes a village and it takes forever" ! #truth
@aimeelink Renumeration is the money paid for services/somthing
So recording will be able for 48h for us to watch it? :)
desde Argentina
What she's saying about shooting the different set ups is so crucial to understand. Screenwriters have to understand what it takes to get what's on the page on the screen. "Coverage" as it's called can radically change the pace of the story and the production.
Hello from Amsterdam
Silicon Valley "BAY AREA"
@Sofija Jokovic - Yes, the recording will be available (typically) within 48 hours after the current live recording is completed.
Thanks @CherelynnBaker!
So true, @Laurie Ashbourne! I love what she's talking about - limiting the number of characters improves the writing, too!
WHAT ABOUT 3D ANIMATES SERIES!? HOPE U CAN TALK A LITTLE BIT ABOUT THIS...
Redondo Beach, CA
Hey there from Cape Town, South Africa! :)
I'm the master at writing characters in broken English haha (if they have an Italian accent even better)
"Keep these opposites alive". Love it!
Question: recent experience: identifying/describing ethnicity for characters is tricky, I find. You name precisely to add diversity but you can get pointed at for cultural appropriation... Do you have examples of what works for you?
Dallas, TX
Gaborone, Botswana
Dark Tide?
This is absolutely one the most interesting, clear, effective webinar I ever attended.
re: fantasy genre... so should we try to avoid this genre at all costs?
Madrid
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Palermo, Italy!
Hi all, I'm Jenni, based in Philly and Brooklyn :-)
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Nissan Stern, writer/producer Olhao, Portugal.
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Hereford England
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LOVE TIMELESS
Hello from Pittsburgh
Legends of Tomorrow constantly have their characters jump through time.
Nikki from Los Angeles
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Hello, from Nigeria
Hey, tuning in from Jamaica
Zürich
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Hi from Ulm Germany :) I am a Screenwriter and Director. Thank you for this webinar!
Using PROPS instead of dialogue is a major money saver and less editing too!
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Hello from Monterey, CA , this is Gregory Bonds
Marie-France Landry - This is a great topic for the Screenwriting Lounge! You can also ask Jeanette a question by posting in the Q&A on the webinar.
From my experience, there are a couple of things to consider when including a character's description. The first and foremost is - is their ethnicity es...
Expand commentMarie-France Landry - This is a great topic for the Screenwriting Lounge! You can also ask Jeanette a question by posting in the Q&A on the webinar.
From my experience, there are a couple of things to consider when including a character's description. The first and foremost is - is their ethnicity essential to their character? If not, then consider leaving it as "open ethnicity", which gives the producer/director the freedom to craft the cultural background of that character during casting. If you chose to include more information about a character's ethnicity, then consider having a reader review it who can speak to it and keep it in check. The worst thing you can do is include it as a caricature or stereotype. Give them goals, an authentic voice, and strengths/flaws, and you will have served them well.
Listening to this, I am reminded of a draft version of the Yellowjackets pilot that I read before watching the show. Mild spoilers: In this draft, there's an adult teacher character called Cat who has a sub-plot about her desperate and obvious attraction to the Assistant Coach Ben Scott. This charac...
Expand commentListening to this, I am reminded of a draft version of the Yellowjackets pilot that I read before watching the show. Mild spoilers: In this draft, there's an adult teacher character called Cat who has a sub-plot about her desperate and obvious attraction to the Assistant Coach Ben Scott. This character isn't in the show but now I realise was actually combined with the character, Misty. Perhaps it was to save time and reduce casting. Regardless, it works and now I understand why the decision was probably made. I thought that would be a useful example to share here!
Halo, from Indonesia
Folkestone, UK, originally from Moscow
Can we get the screen share a bit more zoomed in, please? It's a bit difficult to read. Thanks!
@dineshHolmes - thanks for that example, great contribution!
I watched from Ashton under Lyne, England (Just outside Manchester).
ignore my message, I figured it out lol
It's amazing even the smallest of things you forget about have such a huge impact on budget
Hey from Romania! ☺️
Totally agree D.L. Holmes and with Misty they hit the character jackpot!
Greetings from Barranquilla, Colombia.
Caldas da Rainha, Portugal
hello from Sydney - dawn is breaking
Hello from Istanbul.
Watching from Southern California!
Hi from Istanbul :)
Is there a magic number for # of characters in a show?
Hello from Saudi Arabia
greetings from Nairobi, Kenya
Hello from Istanbul/Turkey
Hello from Calgary, Canada
Hello from sunny Tucson Arizona
Argentina!
snack break ...grabbing tea and lemon streusel muffin - what are you snacking on?
Potomac, MD(formerly South Jersey)
Hello from Nashville, Tennessee
Ces Mb from the Philippines
Hello from Spain!
And from Dubai!
Hello from Russia, Moscow
Hello From Brazil
Hamburg, Germany
Hello from San Fernando Valley. https://rosshmartin.com https://linktr.ee/rosshmartin
I've met some great people from Stage 32! Yes, from all over the world...
Cirencester, UK what if I cant eliminate anyone as they all have a plot later in the 5 series or in the 2-3 linked features?
Hello from Nashville!
Hello everybody!! I'am from Mexico.
So great to be here today! Thank you for putting this together Amanda, Richard, Jeanette and Christopher. Perfect way to be inspired to jump into writing this week! Have an amazing creative week everyone! @JacquelineActor @TheAdmiredFilm
I'm So glad to be with you all :) " Riyadh - Saudi Arabia " :)
Greeting from Santa Monica, CA!
Hi, from Nigeria
Johnnie Jay in Chicago, Illinois, by way of New Orleans! I hope all of you are doing well!
Greetings everyone from Athens/Greece!
Lagos, Nigeria!
Dominican Republic!
hello from Victoria BC Canada
Where can I find free educational videos
Just to be sure, we have terrible weather and there is a very real possibility of black out. I can see the seminar tomorrow right?
@Violeta - Yes, the recording should be available within 48 hours. Stay safe, and I hope your electricity holds!
Hello from Hereford, England! A really fascinating webinar
@Violeta - Yes, the recording should be available within 48 hours. Stay safe, and I hope your electricity holds out!
Hello from Chicago
Guys drop your ig so we can add each other and get to know everyone ! Mine is: https://www.instagram.com/eddahmanizouhair/
Mrs Ross, are we going to have a certificate ?
Hey there, from Cape Town, South Africa!!
In Game of Thrones, actually, from season 4-6 there are several characters that originaly appears in the books but aren't present in the show because their main character arc or story were fused into other characters, for example Jeyne Poole's story from the books in the show was given to Sansa, bec...
Expand commentIn Game of Thrones, actually, from season 4-6 there are several characters that originaly appears in the books but aren't present in the show because their main character arc or story were fused into other characters, for example Jeyne Poole's story from the books in the show was given to Sansa, because Jeyne's character didn't even really "exist" in the show to that time and it was easier to give her story to another character (that was important to the plot) and erase her character
I have to say, this is really helping in character creation and development, an area where I have been having some difficulty in. Plus the added benefit of this helping keep costs to a minimum is incredible.
Thanks for providing examples that support the information and concepts.
I was a production and location manager for a good few years. It really helped me understand these issues when writing.
Hello everyone!!! As a screenwriter l have several scripts that I would like to work with Netflix. Maybe they will take me into account and give me the opportunity. Sorry for this.
@Mohamed ZE - I don't believe there is a certificate, no, since there is no test to confirm your retention. But I would suggest confirming with Kristin, our education coordinator at edu@stage32.com Great question!
I wonder if Jeanette enjoyed "Sense 8" because of their many locations?
@Mohamed ZE - I don't believe there is a certificate for this webinar, no, since there is no test to confirm your retention. But I would recommend reaching out to Kristin, our Education Coordinator, to confirm: edu@stage32.com Great question!
Re: locations: Alias was amazing. They had Sidney going around the world, but the entire series was filmed in the LA area! The locations scouts earned their money.
Such a great webinar! Tuning in from Ontario, Canada.
QUESTION: For the water shots that Jeanette is talking about, could special effects be an option if rewriting the scene changes the story's plot? When do you consider special effects when the budget is concerned?
As a Writer I'm always free using many places on my books but I guess studios would like to kill me for that if they're scripts!
Can you define which items are above the line vs. below the line?
I can't help but find this so useful for my tv series I wrote and have been sitting on. It's definitely inspiring me to go back and reflect through it all, and prepare for draft 2
Really grateful to Stage32 and Netflix for these webinars, thank you to all involved. What Jeanette is saying might seem obvious yet this is the first time I'm being forced to think about all these different elements. Especially that point about reducing driving scenes unless it's supporting the character or story! Never thought about it in this way before. It's 1:18AM over in Sri Lanka but super glad I'm staying up to watch this
I am new here and I like the discussion on tv series script writing. I am venturing into script writing, if anyone can give me some tips on this or direct me to someone who is willing to mentor.
Awesome webinar! I’m Teleah Moore from Maryland!
I have a sci-fi that cross dimensions. Most of the episodes have one location but our first episode has four locations, and e believe two locations can be shoot on set, and there is about 10 characters in this first episode as well as we are setting up the world and characters that will be seen in o...
Expand commentI have a sci-fi that cross dimensions. Most of the episodes have one location but our first episode has four locations, and e believe two locations can be shoot on set, and there is about 10 characters in this first episode as well as we are setting up the world and characters that will be seen in other episodes outside of the main characters (not every episode for supporting characters). I guess my questions is does this sound like too much financially for one episode? By the way this is the four revision we made in cutting locations and characters.
Hi from planet Earth!
Another point about that PULP FICTION scene: it also sets up the potential consequences that John Travolta's character faces when he later takes his boss' wife on a date and she later OD's on his heroin stash.
Seriously, everyone on this site needs to watch this webinar. Absolutely ESSENTIAL information whether it's for a film or TV for Netflix or not. If you don't watch this FREE webinar you are seriously doing yourself a disservice. Totally glad that Stage 32 offered this! Thank to Jeanette!
The webinar is awesome!! I’m Kenny from Los Angeles, CA. Great to be here!
Hi from Bulacan, Philippines!
Hi everyone from Albuquerque, New Mexico!
Noel Thompson I was just going to type the same thing. This is hands down a must see for every screenwriter. A masterclass in what it takes to get a script produced. I will point everyone I mentor to this link.
"Sleeps with anyone that walks." Great character description!
Excellent information - so happy to be a new member of Stage 32!
I am currently so inspired. Jeanette, we might need to talk security for South Africa soon.
Still watching from Puerto Rico
Felix from Austria - great content today
I personally have to leave the live feed for working reasons but I want to say that I love the great effort and detail Jaeanette B. Milio in preparing and executing her presentation and webinar. Great quality, engagement, love for what she does and know. Excellent Stage 32. As a writer I believe tha...
Expand commentI personally have to leave the live feed for working reasons but I want to say that I love the great effort and detail Jaeanette B. Milio in preparing and executing her presentation and webinar. Great quality, engagement, love for what she does and know. Excellent Stage 32. As a writer I believe that this Works when production happens are something to take in consideration as a writer. Negotiate , be creative. Wonder if as a writer if you write for budget, that may limit your projects scale and scope.
Amanda Toney Lookit all those open tabs!
HI everyone. Atlanta GA here :-)
Loving this webinar. Hello from Malta.
The slides with the excel break down process is BEYOND helpful!
Thank you so much for this! Vanessa from Kent, England
Also, if you're interested in joining the Writer's Room, DEFINITELY drop Jason an email! I have to e...
Expand commentJust to make sure y'all got it - Jason Mirch, our Director of Script Services, is a fantastic resource for writers and producers. Feel free to drop him an email about your project: J.Mirch@stage32.com
Also, if you're interested in joining the Writer's Room, DEFINITELY drop Jason an email! I have to echo Amanda's sentiments - the Writer's Room is THE BEST resource for screenwriters! With regular events hosted each week, it keeps writers engaged and accountable - Wednesday Webcasts, Pitch Practice Sessions, monthly table reads, The Coverage Report, and countless Writer's Cafes to keep you writing! Just the best of the best. Oh... and now offering OPEN WRITING ASSIGNMENTS!
Bula from Fiji
I personally am learning a lot with your seminar today, I have had an idea for a game and have been struggling on how to write the story.
As a script writer whose starting off and wants to bring scripts to life. Where would be best to look for a agent? Or can we send off scripts without one?
Thank you! Love this and the last Netflix Webinar last year. These are really helping me with the series I'm trying to sell!
I don't see the links from Amanda
Vielen Dank Jeanette. This has been very interesting so far. Just curious if you know what specific budget concessions were made for THE BOYS? It’s been a while since I watched it, but it seems to break all the great advice you’ve been giving i.e. it has a HUGE cast, multiple locations, animals, children and of course is very VFX and stunt heavy.
Question for Jeanette: Will a producer typically pass on a script after the first read based on its budget? In other words, will they typically give you a chance to make changes before passing?
someone taking notes/screenshots to share? =)
I just lost all of mine =(
Love to see all these questions for Jeanette - keep them coming!
Is it better to study film and screenwriting, or get writing irregardless to gain experience before sending scripts around?
@adrienneswan
Is India considered cheaper to shoot in or the other way around? Once you have a distributer lined up does it make more sense to work with a production company there?
HI Jeanette. My team and I are working on two series (one is dramatic, the other is a comedy) that we'd like to pitch to Netflix. Can you give me an idea of the budget range that Netflix prefers? i.e. budget per one-hour episode as well as a half-hour episode. Thanks so much for this amazing webinar!
I am so thankful to have found this community!
Tell me what do you think about, I think the level of the script of the TV show is getting better from the last 10/15 years otherwise the level of the script of the movies is getting worse. Am I wrong?
@Camila F - The slides should be available with the recording. Plus, you can rewatch to take notes!
Today has been beneficial.
Re: Creatures: the alien in Predator is on screen for 8 minutes!
What if You want to show a lot of colourful locations in a series to set up a style with it? Like beautiful sunsets in Amalfi for a wedding planer series where wedding locations are important for the series? Or fashionably cafes in Paris for a fashion related TV series ?
I have a friend who has a full mocap xsens kit for vfx and has done work for bbc
I have the impression that Jeanette speaks Spanish. That's great.
In creating cgi, there are also the cost of sound designs
QUESTION: How or where in the spec script do you explain to the producer that you know the main location very well (a small town) and you know the whole community will support the shooting of all the episodes? Also, the main Canadian location saves a US company 25% due to the currency difference, and there are other incentives from the provincial government. ~ Thank you for this informative seminar, Jeanette.
I worked with animatronic dolphins on Steve Zissou movie - Cinecittà
Jeanette, for your projects, do you search for PAs or crew on Stage32 too?
No explosions like Bond
Ooooh, y'all - I have been on a lot of sets with SFX make-up, like wounds and blood, and I have to say, THIS IS A SPECTACULAR NOTE! Knowing whether or not you HAVE TO see the impact, or the result of the impact, or keep it off-screen really helps to gauge supplies and added efforts by those on set!
Great webinar. thank you Stage 32. Gives me ideas for the next script.
As I listen I keep thinking about Wolf Like Me and i can imagine exactly the decisions you describe: ie, early in the pilot seeing the car crash in detail is key....
Really good webinar, so much useful information!
This is my first webinar here on stage32. I love this. Thank u for the opportunity. Hugs from Chile.
Still tuning in from NYC, USA. I am a new member of Stage 32! I've been developing (slowly) a script since November and I wonder/worry everyday of what next steps I can take. I'm an actor, dancer and choreographer with only short story, poetry and sketch comedy writing experience. This will be my fi...
Expand commentStill tuning in from NYC, USA. I am a new member of Stage 32! I've been developing (slowly) a script since November and I wonder/worry everyday of what next steps I can take. I'm an actor, dancer and choreographer with only short story, poetry and sketch comedy writing experience. This will be my first script for a TV series idea and I'm extremely very newbie/baby with this part of the industry. Finding out about Stage 32 and specifically, this webinar as been a true God-send. Universal timing. Thank you Amanda, Jeanette and RB!
Great Webinar. Lots of amazing information! Thanks!
Thank you Jeanette. Very informative and inspirational.
Jeanette, where do you think is the best place to live in Germany for a Writer/Producer? Berlin or Köln?
From Dublin, Ireland. Tuning in from Berlin, Germany.
Thanks so much for this really informative webinar!
Yes>>>Masterclass!
Thank you so much Jeanette. Learnt a lot today.
Thanks for providing this much needed information to us all. I have learned so much today! Thank you!
CUESTION: Is there any difference in offer out product to netflix in my country o doing it in another?
Great seminar, thank you so much Stage32 and thank you Jeanette!!!!
Thank you very much! Awesome Masterclass!
how about war scenes, crowd scenes and historic scenes? Is it ever okay to insert archival footage instead of recreating those scenes? I am talking about a narrative film, or tv series, not a documentary?
really great
QUESTION: How does it work now with series and music, many shows use a song per episode, as clip at the end... Known songs in nice versions (acoustic or so) Are those, arrangements with music producers and the production company? Can the writer propose such songs and the producer sees how on earth to handle fees ... Thats a thing we don't have the possibility here in Colombia, thats why I ask...
Thank you so much for the webinar. It has certainly taught me a lot and really brought me into the mindset of bringing more to life. You're right, our time is now and I look forwards to seizing the moment.
thats perfect
I have the impression that Netflix and other streamers create greater exposure for international production in English-speaking markets. Never before was so much non-English-language content available to audiences in the US and the UK. Danke für dieses informative Webinar, Jeanette.
QUESTION: I'm writing a series on my national/local language (already shot the pilot), should I pitch it to my local Netflix "ambassador" (if there is one in my country) or should I go straight to the main Netflix producers?
How did it work in shows like "Squid Game" or "Money Heist"?Also, would a moodboard help on the pitch or would be just "spam" ?
thank you for the informative class
Jeanette Thanks a lot for being so clear specific and encouraging. Maja, Vancouver
For those of you who are new to Stage 32, our Lounges are forum-based rooms for discussions on different topics within the entertainment industry. The intention is for each exchange to help us all improve our craft or our understanding of the business. We like keeping things positive and constructiv...
Expand commentFor those of you who are new to Stage 32, our Lounges are forum-based rooms for discussions on different topics within the entertainment industry. The intention is for each exchange to help us all improve our craft or our understanding of the business. We like keeping things positive and constructive!
So, if you want to start a new conversation about the craft of Screenwriting, definitely check out the Screenwriting Lounge: https://www.stage32.com/lounge/screenwriting
If you'd like to discuss more about scheduling and budgeting, definitely check out the Producing Lounge: https://www.stage32.com/lounge/producing
If you'd like to network and meet more like-minded creatives across the world, introduce yourself in the Introduce Yourself Lounge: https://www.stage32.com/lounge/introduce_yourself
Keep in mind that these lounges are like the VIP Filmmaker's Lounges at Film Festivals, so this is where you can meet the people doing the work, get advice on anything you're working on, and/or give back to those who may need advice. We're a very supportive and encouraging community! I think you'd also enjoy my blog post on how to get the most out of the Stage32 Community:
https://www.stage32.com/blog/SocialSaturday-Mining-for-Gold-in-the-Stage...
Enjoy exploring the lounges, and don't forget to comment and respond to others’ posts, too! It's the best way to really connect! And, of course, feel free to reach out at any time. Cheers!
Thank you - really enjoyable & informative✌
I am an amateur writer how do I get my idea to Netflix how can I pitch my idea to studios
Pakistan
Thanks for the webinar! What is the market for female lead, 30-min romcom pilots at the moment? Mine is set in LA.
QUESTION: Do you take on projects at the concept level or do you want to see a script every time?
Jeanette, thanks SO much for all of the valuable information and your experience shared during this webinar. This has been must helpful to me as a writer. Thank you! Thank you ! Thank you! :)
This was a very useful nuts and bolts session. Thank you so much!
U send it to this website sabet
Another great, amazing webinar. Thank you, Jeanette!
QUESTION: If we're located in other countries, is there any point in sending our scripts to a producer based in the US, or should we be contacting local producers?
The link on "How to Pitch to Netflix": https://www.youtube.com/watch?v=QR84dbq4txw
QUESTION: Is there a recommended number of characters for a series?
Jean-Marc Vallee - who sadly passed away recently - used to say that the first thing he always had to fight for was money for music. When, if at all, do producers bend to the creative demands of the filmmakers? (Smiley face.) (I hail from Cape Town, South Africa.)
Does Netflix coordinate co-production agreements between two countries, eg. Canada and Australia?
super amazing. the time is now! I started writing fantasy & sci-fi movies last year but lost the motivation( thinking the budget was beyond me) because I've never seen anything done like that here in Lagos Nigeria but the last message on the slide got to me. Thank you!
Is there special software to buy for movies to create the special spreadsheets displayed in the webinar?
Question: The revenue share model seems to be becoming very popular. As a writer, if I don't plan on selling my show, what elements should I have that would make it valuable to a streamer or broadcaster? In other words, if the budget for my show is $25 million, what would I need to have so that a streamer or broadcaster might want to enter into a deal that is mutually beneficial.
Great information! Thank you!
Question : How do you select a director? ..
Thanks for all the information Jeanette! QUESTION: What about brands and product placement? Is it a good idea to include specific brands in your script hoping that you can have an alliance with that brand or gain its interest to sponsor your production?
Should we also consider in the writing process COVID protocoles for the creation of our scripts ?
Yep - cheaper to shoot on a live location, but you have less control over the variables. More expensive to shoot in a studio, but you can control a lot of the variables that can disturb your ability to make your days. Great question, and thank you for the answers, Jeanette!
How did the German writers - the ones you dragged kicking and screaming to the US - respond to writing in a 'Hollywood' style? Were there fears that they would lose their authentic German-ness, for want of a better term? (Smiley face.) (Here in South Africa we at one stage in our history got to see a whole lot of German series.)
Talk about a lot of people, you in their Robert, Frank!
I see some shows (yesterday I saw OA_S2 did that) having alternative big budgets episodes vs much lower-budget episodes: good strategy? how to get away with that? Should we say it in our pitches? (so grateful for all of what you guys do for us, thanks)
Hello from New Jersey!
How do I make sure, that my idea is not shared and used without my knowledge? As well how do I approach a producer? Is it a case of calling and making an appointment for a presentation.
Question: When several locations are necessary, is it usually practical to shoot all scenes for multiple episodes during one time at the location if seasonal aspects are not important?
I'm from Cape Town, South Africa, where parts of 'Dark Tide' was shot. (And my apologies for your security issues.) But considering your inflated security bill, what still made it worth your while to film in countries like SA where you assume you can stretch a US dollar? (Although I'm assuming the animatronic shark never came here as that was filmed in Pinewood Studios in the UK.)
the last one remind me Dark, great idea, time travel in German
Thank You for the great webinar
QUESTION: When is it the right time to right "in detail". I have a 200 page bible I'm getting the sense no one will read and a 5 page pitch. Should the bilbe come after an idea pitch is accepted or before to understand the full scope?
Follow up question re locations - what are your top 5 countries with production incentives. (say if we’re looking at ten different ideas, trying to decide what to write first.)
Thanks - that was a very interesting webinar.
Thank you so much , guys !
free gift :3
This is so totally inclusive! I've worked on a lot of sets and this hits every point a writer and a filmmaker needs to know.
Good afternoon from Oklahoma, USA. Finally got logged into the webinar. I'll be sure to rewatch the recording.
Is the free month for this month only, or can you start it later?
Thank you Amanda
Where is that link, Amanda?
Open Writing Assignments are the BEST new feature of the Writer's Room! No more guessing if the company is looking for your kind of script. Now you can submit because you KNOW they are! Definitely check out the Stage 32 Writer's Room! If you didn't get your link, you can email Jason Mirch: J.Mirch@stage32.com
@Nicholas G - You can start your free month whenever you'd like!
Hi! Tel Aviv, Israel. Thank you! I learned a lot. Originally I come from Serbia and recently Netflix bought for the first time Serbian movie called Bad Blood. So exited and motivated to develop my story that I've been writing with my team. Would love to hear more about possibilities for coproduction. Thanks a lot!
I can't seem to type the word WOW any bigger on here... so I will just say it again, WOW!!
This was amazing. Thank you so very much!
@Christoph - on the webinar, if you click on the CHAT at the bottom, it will bring up the Chat Box, and the link to the Writer's Room free month is in the chat.
This was amazing . Thank you all so much for this webinar
Are we able to do a free month if we are already a member?
Thank you both for share with us you knowledge and expertise
Jeanette, thank you so much for this fabulous workshop! If you're writing for a character with an accent, should you write the dialogue phonetically so it sounds like what they are actually saying or should you put a bracket next to the dialogue saying (spoken in Hungarian accent)?
Oh, I love that, Jeanette! "Be okay with the "Okay Deal" to get you to the next best deal". Love it!
Thank you so much Jeanette for this great webinar! And thanks Amanda and Stage 32 for all that you do.
Thank you so much for your closing words, Jeanette. And for an amazing session; so much food for thought.
This was wonderful - I learned so much. Thank you :)
Thank you very much for the webinar! It was very cool!
Loved the advise :)
Thank you once again for this fantastic webinar! I'm looking forward to connecting with other creatives who attended the webinar, follow me and I will follow back :)
First thank you for your time and sharing of info. After watching Sean Bean's new series TIME produced by BBC Studios which was only three episodes, so I'm wondering if there is a minimum for the number of episodes that would be needed by a broadcaster?
I'm not sure about that, @Erica Land, but it couldn't hurt to ask. Jason would be the one who would know: J.Mirch@stage32.com
Hi Jeanette. I’m busy with a novel and I’m in my final stages of writing. My goal is to have it converted into a series. The story is similar to Acrimony with a bit of a South African local flavour. Government does give money for locally produced movies. There are some scenes that might need to be shot in Europe but I’d like to connect with you so we can see if this is something that might be of interest to you.
Thank you soooooooo much! So informative and helpful.
Good question, Nikki! I'd like to know the answer to that, too!
Thanks, Jeanette, Amanda, and Stage 32 for a great webinar!
Sensational presentation, Jeanette.
Thanks Jeanette , Chris and Stage32!
wonderful webinar! Great to see a woman in a position of power. Thank you Jeanette for valuable advice.
Christopher, Thank you!
Thank you! Great seminar - again!
Is there any benefit in hiding what a pitch is about? Like pretending an 'educational' marketplace is a 'social media platform'?
To anyone that wants to join the free month of the Stage 32 Writers' Room, click here: www.stage32.com/plan-vip
Hi Everyone. Thank you for the Webinar; from South Africa
Great advice about taking a "no" as a learning opportunity.
So agree great webinar and seeing women in these positions of power. Thank you Jeanette for sharing your knowledge.
@Amy Maki I don't think the fantasy genre has to be avoided, it just needs to be a little more savvy. I'm thinking of Ladyhawke: very few special effects (even though "magic" is involved) and the climax of the story occurs without any visual effects, giving so much more weight to the scene.
Thank you for the wonderful presentation Jeanette! I really admire you work, and I cannot wait to check out the extra content that will come with the presentation's recording!
Hi Kathi! Good to see you. I get different answers from different people on this, so am curious to hear what Jeanette says is her preference.
The opening to my TV pilot has a flight of dragons. This is scene is integral to showing who the character. I am quite sure that a producer will see this scene and think of costs. Is there a way to allay their fears. Should I have an idea of how the scene could be shot? It is the only scene with dragons.
Hello everyone, my name is Jeff Sturm; I am a scriptwriter and creator of 7376 films. I want to share my website and email address with everyone if anyone wants to network. I have links to my social media on my website. My email address is Info@7376films.com; looking forward to networking with every...
Expand commentHello everyone, my name is Jeff Sturm; I am a scriptwriter and creator of 7376 films. I want to share my website and email address with everyone if anyone wants to network. I have links to my social media on my website. My email address is Info@7376films.com; looking forward to networking with everyone. My website is https://www.7376films.com
my website is https://www.7376films.com
It was wonderful "wunderbar" .. helpful & informative :)
I recommend this webinar to the writers & also to the producers ..
Thank you STAGE 32 also thank you "Danke Schon" Jeanette B. Milio
" Das ist super gemacht" :) ...
See you all next time .. :)
Really great presentation! Can't wait for it to be available on-demand, so I can rewatch and really take note on some things.
Hi everyone, it was an absolute pleasure to do the seminar this morning. I’m glad you guys enjoy it. I will now make my way through the questions and answer them as soon as possible of course. :)
@MartinReese -Not to worry. You will not scare away a producer with a scene of fighting dragons, if the scene does what you say and is important to your concept. You could ( don’t have to) check in with a VFX company and see what they would charge to put the scene together. May be interesting to find out what it costs entail.
Buenos Aires, Argentina, living there.
Thanks, Jeanette. Actually the dragons aren't fighting they're just flying overhead like birds (a flight of dragons is equivalent to a flock of birds) But I get what you're saying. I do know a couple of VFX folks. It might be helpful to at least have an idea of how it impacts the budget.
@jeanette Thank you so much for the opportunity and for the warm welcome :)
was it only a one day thing?
@FahadAldajani - impressed by your German language skills. I'm glad you enjoyed the presentation. @JamesRussel: The projects sounds amazing. Cast should be excited to play these roles. Are you able to (maybe talk to your investors to back) make proper pay-or-play offers? That is likely going to be n...
Expand comment@FahadAldajani - impressed by your German language skills. I'm glad you enjoyed the presentation. @JamesRussel: The projects sounds amazing. Cast should be excited to play these roles. Are you able to (maybe talk to your investors to back) make proper pay-or-play offers? That is likely going to be needed. Also, is the director someone agent/cast respond positively to? Just some thoughts as to the packaging process. @ThembelaniDondolo, I believe you sent me your project, and I'd be happy to email you my thoughts on that. @AndrewM.A.Spear - great question. I would say it depends on the buyer and the concept. I have no one answer for you on this one (sorry), @NikilaNikkiCole - GREAT question. I am happy to share how I personally would want to read it (and this may not apply to other producers / buyers) in a script: I would want you to write the dialog for this character in (broken / incorrect) English and make a note in the description that the character speaks with an accent. more to come....
@CindyHammel - my personal favorites (most ideal for me - again other producers may have other opinions about this) include German, Belgian, UK, South Africa, Spain, Canada, Australia, and Malta (and Puerto Rico, New Mexico, Georgia .. in the U.S.). @MiguelGomez - a 200 page bible is a lot. WOW. Not...
Expand comment@CindyHammel - my personal favorites (most ideal for me - again other producers may have other opinions about this) include German, Belgian, UK, South Africa, Spain, Canada, Australia, and Malta (and Puerto Rico, New Mexico, Georgia .. in the U.S.). @MiguelGomez - a 200 page bible is a lot. WOW. Not sure that is needed. I work on Bibles that are much shorter 20 - 30 pages, but of course they very much depend on the concept and how deep you want to dive into the characters, the world and the seasons. To me Pitch_decks are shorter (max 10 - 15 pages). However, I personally prep pitch decks and Bibles with my potential buyer in mind. Again, that's my personal opinion and my way of handling this, and it's not an answer that fits everyone, or every project. @MorganMorris - glad to hear you know of "Dark Tide". Yes - the animatronics and a lot of the special and visual effects related shoots were done in the Pinewood Studios. The film was an official UK / SA Co-production, so we needed to shoot in both areas. No worries on the security stuff, it's the same in other areas/countries too, and we producers just deal with it. It didn't scare us off because we loved shooting in beautiful Cape Town, with its amazing and high-caliber professionals. Totally recommend it. Currency is a thing no matter where you shoot. I normally prevent currency exchange risks by locking in the currency with the banks. More to come....
@BelindaA.Allen - Great question and I assume you are referring to "block-shooting". I personally encourage it, because it can save a lot of time and money to shoot all the season scenes in one location, then shoot the next block of season scenes in the next location and so forth. That said, you nee...
Expand comment@BelindaA.Allen - Great question and I assume you are referring to "block-shooting". I personally encourage it, because it can save a lot of time and money to shoot all the season scenes in one location, then shoot the next block of season scenes in the next location and so forth. That said, you need all the seasons scripts written in advance to do this, and it's a little like shooting a really long movie if you will, when it comes to the shooting schedule. My personal take on this (and I can only share that and can't speak for other producers / distributors), is that I like to spend time in prep, make sure the scripts are ready and as good as they can be, and I can schedule the shoot, like I would with my features. However, sometimes - subject to the concept and maybe actors availabilities - that's not possible, and one has to shoot episode by episode, which is not the end of the world either. Often it's a matter of the preference of the production, the distributor, the actors, the concept ... and what happen in real time.
@PierreVanSchalkwyk - it would be bad form (and potentially illegal) to shop your project around without your written authorization. I can't speak for everyone, but in my experience, most professional producers would discuss an option with you first, before sharing your idea with anyone. @ElyjahMerc...
Expand comment@PierreVanSchalkwyk - it would be bad form (and potentially illegal) to shop your project around without your written authorization. I can't speak for everyone, but in my experience, most professional producers would discuss an option with you first, before sharing your idea with anyone. @ElyjahMercurio - Great and complex question, which truly depends on a lot of factors including and not limited to (in nor particular order) the concept of the series, the buyer / distributor, the writer, the showrunner, cast, the development process, the packaging process, the cast, the director, and sooooo much more. QUEENS GAMBIT took 30 years (if I recall correctly - I may be off here) to get made. I personally allow 1-3 years to get a project off the ground and during that time I create the bible, the pilot, package the showrunner, director and lead cast, create my finance plan (and secure all related elements), start talking to potential distribution partners in the US and abroad, etc. Once I secure a distribution partner, I start the writers' room process, develop season one, then prep the season, etc. all of which can take anywhere from 6-18 months, depending on the concept, showrunner, and the distributor. The shoot itself can be anywhere from 6 - 12 months depending on all the elements listed here, and the post-production (which I often start while still shooting, depending on the concept and my shooting schedule) depends on how VFX, the (amount of) editors, and can be anywhere from 6 - 12 months, depending on the amount of episodes and the various approval steps with the director, showrunner and buyer. In short - not an easy question to answer, because there are VERY many variables. More to come....
@Jorge Ortiz - I personally love including brands in my shows (that's a part of my finance plan in fact and helps me reduce the risk for my investors), but one has to be careful in not "plastering" brands all over the screen, because it could hinder international distribution, due to local TV (and o...
Expand comment@Jorge Ortiz - I personally love including brands in my shows (that's a part of my finance plan in fact and helps me reduce the risk for my investors), but one has to be careful in not "plastering" brands all over the screen, because it could hinder international distribution, due to local TV (and other distributor's) regulations. My personal advice would be to be tasteful with including brands, use them specifically (and only) to support characters traits and use them organically in support of the story. @Lisa Amitai - I would not say that's the case, especially not after watching "Loudermilk" on Prime ... with 12 characters in the AA Group, which is seen in very episode. However, I would only use as many characters as you absolutely need to support the show concept, and drive the drama, conflict and seasonal story and character arcs. To your other question, I would say that if you have a great concept and are located in another country, there is no reason not to send it to a US producer, if it's something you feel should be made in the US, or in co-production with a US producer, because you belive it has global appeal. More to come...
@Denise Crisci - it depends on what it is. We are currently working on a concept that is based on a book series, and we are starting from scratch - so to speak. That said, ideally, I'd like to see a bible and pilot script, and thoughts on show runners, when something is sent to me. @Amita Sarin - it...
Expand comment@Denise Crisci - it depends on what it is. We are currently working on a concept that is based on a book series, and we are starting from scratch - so to speak. That said, ideally, I'd like to see a bible and pilot script, and thoughts on show runners, when something is sent to me. @Amita Sarin - it very much depends on your story concept, the style of the show and the distributor. Not a one-goes-for-all answer I can give you without knowing more specifics. @Matteo Mascanzoni... You are asking someone who is born and raised (and loves) Koeln.... LOL. Not sure I can give you the most objective answer on this, but I would say Berlin, Koeln and Munich are the best places to consider when working in the industry in Germany. And yes, we work with Stage32 members :). @Bruce Bishop - if I'm the producer you'd talk to then I would want to know everything (right away) about the place you would suggest, if it has incentives, low production cost options, strong team base, and is one I can get my actors to... Can't speak for other producers, though. @Katharina Mag.art.Kahler - yes - if supports the concept or character - like in "Killing Eve" - that can work., as long as the buyer agrees with that (potentially expensive) approach. @Giancarlo Spinelli -I totally agree with you in that series have gotten so much better, so much more diverse, and much more interesting. Films look a little pale at times, in comparison. I'm watching many of the Academy Award nominations because I'm voting, and I must say, that I have not been impressed in recent years. Just my personal opinion, of course. More to come....
@Melanie Arden - I would say that is a Chris question :). @Val Chidiac - I would say it's a personal preference, and I can share that as a producer I benefitted from studying screenplay writing. @Mark Morris - given this seminar was geared toward writers, I focused on that -for the most part - and d...
Expand comment@Melanie Arden - I would say that is a Chris question :). @Val Chidiac - I would say it's a personal preference, and I can share that as a producer I benefitted from studying screenplay writing. @Mark Morris - given this seminar was geared toward writers, I focused on that -for the most part - and didn't talk much about producer stuff :). But since you asked - yes, multiple cameras is something the producer and director decide when thinking about optimizing the shoot and reducing the schedule. @Lauren Cristadoro - this producer -being me - is likely not going to immediately pass on a great script that appears to be expensive, because I will take the time to adjust it to meet my budget needs if the concept is truly unique and impressive. @Darren Nash - from the looks of it, I don't believe THE BOYS is a show where budget concessions played a big role. If I'm correct, THE BOYS is a studio project, based on Superhero IP's the studio owns, controls, and would likely want to capitalize on through various revenue areas. @Lauren Crossley - it does help to have an agent or manager. However, I read scripts that come directly from writers (but I'm selective). I can't speak for other producers / buyers. @Angel Williams - not really (at least not to me initially) , but it very much depends on your show, concept, story, character traits, etc. @Trisha Burke - To sum it up simply, Above The Line is mainly Talent, Producers, Rights related costs, Below the Line is mainly Crew, Equipment, Location, Permits, etc. related costs. More to come....
@Amy Mäki - I would consider "Game Of Thrones" fantasy - it worked well I'd say. I don't think fantasy is a genre to avoid. I do think it can help if its based on an existing IP, but a strong concept can also be of interest to a buyer. @Victoria A.C.Quin-Harkin - if all your characters are essential for the story and concept, and they do not have similar / overlapping traits, then you don't eliminate any.
Just watching the On Demand replay, from Bristol, UK.
In North Carolina!
Marcos, the Brazilian guy.
Hi Felix. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like...
Expand postHi Felix. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
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Hello Felix -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you wo...
Expand postHello Felix -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you won't find anywhere else on producing, directing, financing, writing, packaging, acting and more.
Our Next Level Education has a 97% satisfaction rate and averages 4.5 out of 5 stars. Plus, we've had the honor to be called "LinkedIn meets Lynda.com for film, television and theater creatives" by Forbes Magazine.
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Amanda
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Amanda Toney yes so excited, I just signed up for this today!
Writers! This FREE webinar in this series is COMING UP ON MONDAY !!
February 28, 10am PST absolutely amazing opportunity to learn us some comedy skills and probably have some laughs! (3-hour epic!)
Looking forward to it, thanks so much Amand...
Expand commentAmanda Toney yes so excited, I just signed up for this today!
Writers! This FREE webinar in this series is COMING UP ON MONDAY !!
February 28, 10am PST absolutely amazing opportunity to learn us some comedy skills and probably have some laughs! (3-hour epic!)
Looking forward to it, thanks so much Amanda for the reminder!
thank you! Amanda Toney :) COMEDY its my favorite genre ..
I'm sure this webinar will be amazing :) .. cant wait! .. see you all on Monday !
Roseburg, Oregon
Jason from NYC!
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LA, CA :)
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Can't wait I'm here right now listening to the webinar!
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Loony Londoner, saying hi.
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Bloomington, Indiana...
Toronto here!
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Washington DC here
Hello, I'm Ahmad, an Egyptian screenwriter based in Edinburgh
Hello from my bed in east bay, CA! Let's get COMICAL
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Hi everyone! my name is Siman Cohen an I`m from Israel :)
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Love you're doing this! Comedy is my thing. I'm in NYC
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Hey from Halifax, Canada
Shout-out from Baltimore aka Smalltimore USA !!
TORONTO CANADAAAA! Ready to learn :)
I'm Mazen, tuning in from Cairo, Egypt
ba®celona
Hello from Pittsburgh, PA!
Queens, NY! WOOHOO!
New Mexico, USA
Hello from chilly and snowy Toronto. Totally stoked over this webinar!
John Allen Duvall, Bedlam Productions, Rohnert Park, CA, USA
HIya! Loggin in from Toronto today! Looking forward to hearing Vijal Patel's talk!
Tuning in from Studio City, California
I'm tuning in from NYC today! Very exciting.
Hey I'm from Canberra, Australia :)
So excited!!! Watching from Chicago!
Hi
HI! I'm La'Donya, my husband Ken and I are tuning in from The Bahamas!
Hello everyone, Christoph from Berlin here
Hey! I'm in Nashville TN!!!
Hello and thank you from Kent, WA
From the UK . Though on a beach in Mexico
Hailing from Manitoulin Island, Ontario Canada
Marina Del Rey, CA
Greetings to everyone from the East coast of Australia.
I'm logging in from Long Island, home of Alec Baldwin and Amy Fisher
Thanks for this very fun, very unique opportunity!
I'm in Great Yarmouth in the UK, looking to get into comedy and drama script development
Hey y'all. Houston, Texas is in the house.
Hi Everyone - greeting from Belfast, N.Ireland.
Learning comedy here in Galveston, Texas!
Greetings from Prince Albert, Saskatchewan, Canada!
Hello from Kamloops, British Columbia in Canada
Thank you for sharing, from Philippines here!
Hi, it's 3 am here in Seoul, KOREA! Thank you for this great webinar again!
Super excited to be in class with you guys today! I'm tuning in from my ranch in Agua Dulce, CA.
Hi All, watching from LA! Love these workshops- keep them coming! And congrats on the pitches RB!
So excited to be here today. Thanks Amanda from Sheila in San Antonio, TX!!!
Hey! I am from Brazil, I am a comedy writer and I hope to learn and share today with everyone. :)
Tuning in from South Africa, Johannesburg! Thank you for making this awesome resource available!
Hey, I'm from Arizona
Hi,
I am from Ahmedabad, India.
Here from the great US Midwest - Wisconsin.
I'm from Toronto
Burbank, CA
Tuning in from San Francisco :)
Greetings from New Jersey. So excited to be here
Kim here from Los Angeles, CA. SO excited about this! Thank you all!
Evening everyone. Greetings from South Africa.
Tuning in from Hartlepool, UK!
Hi from Brazil!! Thanks for this opportunity.
Hey, Piravina from Malaysia! It's 2.30am here, really trynna stay awake. just had my 2nd cup of coffee haha!
Aaron Braxton - Los Angeles
So excited to watch from Houston!
Hey Amanda, RB -- incense? Didn't know you were into the woo! Cool!
hello, Francesca from Italy - thank you organizing this!
Hi from Madrid, Spain
Here from frickin' cold Minnesota.
Hi Amanda! Thanks for doing this. Coming from the mean streets of Beverly Hills, CA
Paul Zalzal from Toronto Canada
This is my 3rd Netflix seminar!
Joining from Mexico City
Tuning in from Fiji.
Hello All! This is Brandon from Los Angeles.
Winifred from Accra, Ghana
Boston
Ram's House!!!
A warm hello to everyone from Gernsheim, GERMANY. Thank you for this great oportunity to join online! I am up with my next screenplay to write a Comedy Fantasy Feature.
Thanks for the intro Amanda! Looking forward to this!
LA!!!
Thank you Amanda. I am logging in from Cincinnati, OH, USA James Howes
Joining from London!
I'm from London, North London. Londoners are very territorial! Looking forward to the webinar. Thanks
Hi all! Santa Monica, CA You can me find me on IG @hebrewstrawberry Currently working with a producer to shop my comedy horror script I met via Stage 32. Can't wait for the extracurricular learning to come
Thanks Amanda, Mike Goldberg from San Francisco, CA
So excited for the webinar! Greetins from Mexicali, Mexico!
hey y'all watching from Houston-TX ;)
Hi everyone, I'm Gauri - actress, and writer from Toronto, Canada!
Hi I'm tuning in from St. Louis, MO
Hi everyone! - I'm here tuning in from Berkeley, CA. Excited to be here.
Houston, Tx
Yes! It's great to be here! I am currently in Longmont, CO.
Hello I'm calling from London
In LA. I like to laugh.
Hello from Toronto Canada! 28 time finalist in comedy here. www.joshuayoung.com
Hello! I'm listening from Lima, Perú :)
Brooklyn, NY!
Hello from Long Beach CA!
An American girl living in Germany here :)
Port Hope
Ontario Canada
Hi... Originally from Italy and living in LA County now. Thank you so much for this amazing opportunity! :)
Tiuning in from Dorset, UK on the coast!
Hello! I’m tuned in from Clarksville, TN
Thank you for putting this on. I am literally in the middle of writing a half hour pilot. Tuning in from Los Angeles, CA! Netflix credits (Acting), Beats, 2019 and They Cloned Tyrone, 2022. Excited!
hi from Buenos Aires Argentina, happy to be here today
Watching the webinar from Pittsburgh, skipping work in the process :)
Hi from KSA
Tuning in from Boston! Thank you so much for your time!
Looking forward to learning! Thank you! Westport CT
Tuning in from the Berkshires (Western MA)
Greece!
Tuning in from North London, UK... Thanks all - Im very up for this !! - Charlie
Tuning in from Jeddah, SA
Hello from Paris, France !
Hello, on From Maryland
Hi Everybody, Osama Rai, Producer and Director, Algeria.
Tuning in from Düsseldorf, Germany!
Hi all! Tuning in from Brooklyn!
Hello from London UK
Bellingham, Washington
Greetings from Chicago!
tuning in from Vancouver, Canada!
Hi from DC!
Hi. I'm Bahar from Ankara, Turkey. I'm very excited. This is a great opportunity!
Hi! I'm from Zagreb, Croatia!
Welcome, everyone! I'm Kay, the Community Manager here at Stage 32, but I'm also a producer/writer/actor here in Los Angeles, CA, USA. Looking forward to seeing where everyone is tuning in from!
Thanks for this great opportunity for all of us! I'm in LA
hello from Prague, Czech Republic
Hello from Alabama!
LA!
Christine from Ottawa, Canada.
Hello from London!
Hi Amanda! Coming in from South Florida, soon to be LA
Thank you Amanda, I'm from South Africa
Warsaw, Poland!
Los Angeles
Hello from Québec, Canada!
Hello from Buenos Aires, Argentina
Hi! Tuning in from Milan
Originally from NJ but now in London, England
Hi from Belfast, Northern Ireland
Hi everyone! I'm watching from Porto, Portugal -- the port wine place but actually from across the river from Porto in a city called Vila Nova de Gaia is the real place where all the cellars are :-)
Hello from Zagreb, Croatia!
From Calgary, Canada!!
I'm in Houston TX and excited to be here!
Hi! I'm from Santiago, Chile
Hi, I watching from Cornwall, United Knigdom
Hello from Manchester, England
Hello, I'm from Namibia!
D.C. United States
Toledo, Spain :)
Hello from sunny Sarasota Florida :)
Hello from Brasil!
Howdy from Winnipeg Manitoba, the centre of the continent
Hi! Rotterdam, The Netherlands
Hello! I'm from Córdoba, Argentina
Hi there! I'm from L.A but originally from Paris. Thank you for this presentation, excited to learn with you this morning!
Hello from Toronto, Canada. Looking forward to learning.
I'm from Toronto, Canada =D
Hello, tuning in from Antwerp, Belgium. Thanks for the class!
Hello, fellow writers! Tuning in from Santa Clara, California!!
Hello from Kuala Lumpur, Malaysia
Greetings from Bradenton, FL, USA
Pickering, Ontario!
Hello from Toronto
Hello from Vegas!
Emre from Izmir, Turkey
Hey, I'm in Roanoke, VA
Hi all! Joining from NYC!
Tuning in From Nairobi Kenya
Veronica form Mexico City
Hi from Los Angeles, CA
Hello from West Hollywood!
Hi from just outside of Denver, Colorado!
Hello from Canada!
The beautiful LA!
Hi from Padua, Italy!
Here in L.A. (but freshly moved here from Chicago!)
Hello from Cologne, Germany.
Hello everyone from Dallas, TX. Cowboy hats optional. Boots required.
Hi Amanda, from Toronto.
venezuelan in chile
Hello from North Hollywood, CA!
Hi Everyone! I'm Lauren (South African), recently moved to Manchester, the UK from Stockholm, Sweden.
from San Francisco!
Hello from LA - congrats on the pitches RB! love these workshops - thank you!
Hey, Winifred from Accra, Ghana
Hi! Ana from New Jersey here! Listening in between teaching classes!
Hey! Im from Los Angeles.
Los Angeles
Hello from Seattle!
Hello from Montreal!
hello, from NEW YORK
Bula from Fiji.
Brooklyn NY (deadass)
Tuning in from Atlanta, GA! Excited.
Hello from Austin, Texas!
Joining from Denver, Colorado
Greetings from Ecuador! Nice to be here!
Tuning in live from Calgary, Canada!
Hello from NY
Hi Everyone! - from Houston, TX
Comin in from Copenhagen by way of NYC!
Hi from Sri Lanka!
Porta Westfalica, Germany
Hi from London :)
Hello from NYC
Thanks @Amanda! I'm tuning in from LA. Excited to hear more!
Los Angeles! :D
Hello :) from Riyadh - Kingdom of Saudi Arabia (: - مرحبا من الرياض - المملكة العربية السعودية :)
South Florida!
Evening from England
Watching from Ottawa, Canada. Thanks for the webinar!
Hello from Braunschweig in Germany
Las Vegas
Hey! I'm in Cambridge, Ontario, Canada
Hi! I’m Monique and I’m tuning in from Atlanta, Ga.
São Paulo - Brasil
Maura Kelley NYC
Hey from London UK.
Toronto, Ontario, Canada
Hey From Dallas, TX
Hey, it’s Tanner from New Egypt, New Jersey! Great to meet you all!
Hi! In Buenos Aires, Argentina
Hola from Miami :)
Hi! So exicted to watch this webinar. Greetings from Peru.
Hello All! NYC.
Norwich, UK :))
Los Angeles!
Hello from Poland! :-)
Hello from Los Angeles!
Atlanta, GA
Hello from London, England!
North Hollywood, CA
Toronto, Ontario
Hey y'all. Houston, Texas in the house.
Uju, joining from Lagos, Nigeria
Hey everyone! From Baltimore MD!
The Windy City!
Brooklyn!
hello from Antwerp, Belgium
Tuning in from Austin Texas
Calgary, AB
Hey everyone.. Im in Singapore.. its 2am here.. haha..
Hi from North Rhine Westphalia, Germany!
Los Angeles, CA
Hello! Tuning in from Glasgow, Scotland
tuning in from East Hollywood, Los Angeles :)
Los Angeles, CA
Paris here :)
Santiago de Chile
Bristol, UK
This is amazing!
Hi from Rome, Italy
Toronto!
Hello! Tuning in from Wrocław, Poland :)
From São Paulo, Brazil here!
Greetings from Toronto Canada!
Hello from Colombia.
houston texas
Rome, Italy
Hi all! I'm here from Troy, NY
Manalapan, NJ - the height of civilization!
Toronto, Ontario, Canada
Hello from LA, CA!
Mexico City
Sunny Burbank, CA
Hey Wussup? Kory from Trinidad and Tobago here
Istanbul, Turkey
Hello from Alberta!
Hello from Virginia!
South London!
Hey everyone from Mexico City
Atlanta, GA
Philadelphia, PA
In case we have to leave early, where will we be able to find this recording later?
Stafford, UK
Hey everyone, Joining from Oeiras, Portugal.
Hello from the Bronx!
Hi! Daniela from Mexico
Atlanta, Georgia!
Hello from Detroit, Michigan!
Hi from East London, South Africa!
Hi! Mindy - I'm LA & Disneyland adjacent (Anaheim/Anacrime)
Hi everyone, joining from Poland
Hey, I'm new here and tuning in from New Brunswick Canada!
Miami, Florida
Hey, Cara from Kansas!
UAE
Brooklyn, NY
Learning from Calgary, Canada. ^-^
hey!! Abril from Buenos Aires, Argentina!
Hello from Riverside, California
Hi! Tunning in from La Plata, Buenos Aires :)
Hi everyone! I’m from Tampa, FL but currently living in Edinburgh, Scotland!
Hello from TORONTO!
Pretoria, South Africa
Tuning in from the other London (in Canada).
Munich, Germany
Hi All, looking forward to this very much! Watching from Bristol, UK :)
Stacey from Cleveland Ohio
Hello from Spb!
hey ya'll, tuning in from Singapore where it's a sunny 2am
New Jersey
Ponte Vedra Beach, FLorida
Tuning in from France, myself being Latvian. Love these webinars.
I'm (also) logging in from Anaheim, CA.
Hello hello, tuning in from NYC. Ready to learn some structure to help put together my own projects!
Los Angeles,CA
coming to u live from ✨Glasgow✨
Tuning in from Kuala Lumpur, Malaysia
Hello from Beirut, Lebanon
Nairobi, Kenya here
Hi. Listening in from Topeka, KS!
Greetings from Puebla, Mexico.
East Harlem, New York
Los Angeles, California
Mmm I've never seen Blackish but that might be a good model for my series-- some success but difficulty assimilating due to ableism left and right and center in response to invisible disabilities.
Greetings from Argentina! ;)
Helloooo from Belgium
San Jose, CA. Instagram - @mahtyb1965; YouTube - https://www.youtube.com/channel/UCaC1Zw4CQ7SVdjkGQ4wXr0Q , IMDB - https://www.imdb.com/name/nm3357543/?ref_=nv_sr_srsg_4 ; WebSite - http://mjburke.info/...
Expand commentSan Jose, CA. Instagram - @mahtyb1965; YouTube - https://www.youtube.com/channel/UCaC1Zw4CQ7SVdjkGQ4wXr0Q , IMDB - https://www.imdb.com/name/nm3357543/?ref_=nv_sr_srsg_4 ; WebSite - http://mjburke.info/
Hello from Boston!
Frank from Los Angeles. I won't be able to stay for the entire webinar, will it be available on demand?
Hi! POS, Trinidad and Tobago here!!
Another in Austin, TX
Aloha from Aiea, Hawaii
Hi, from La Paz, Bolivia
Hello from the West Coast of Canada!
Hello from Toronto, ON!
Hello from Brooklyn NY
Good Morning! Samira from Los Angeles.
London, UK here!
Greetings from Lake Charles, Louisiana! Happy Mardi Gras!
Hi from Vancouver!
Greetings from Orange County, CA xo
Hi! I'm from Guatemala City
For those of you who love Abbott Elementary, there's a free event with its-co showrunner to break down the pilot tomorrow https://zoom.us/webinar/register/WN_PqOdu2TOTIuDQS6KshmpJA
Hello, I'm tuning in from South Africa!
New York and Stockholm
Hello, I'm from Canada
Hello from Guatemala!
Dublin, Ireland
Hi from Germany!
Donegal, Ireland!
Loving this webinar!! Such good gems already in the first 20 mins
watching from Los Angeles
Istanbul , Turkey
Belfast, Northern Ireland!
Awesome I found the lounge. I'm here from PA
Hi there, from Mexico City!
From Lusaka, Zambia
Manila Philippines, at an ungodly two in the morning! Happy to be listening in!
Hi from Nashville! Thanks for putting this webinar together!
hey! Fidel here in Cape Town, South Africa
Thanks Amanda Toney , listening from paris France !
Producer from Manchester UK
Victoria from London, UK
Abbott Elementary and American Auto are great workplace comedies happening now.
From VA, residing in ATL!
Hi! Brazilian screenwriter from Brazil!
You could argue Barry fits into family with both Fuges and Winkler's character, name is slipping, being father-like figures to Barry.
Ugochukwu from Lagos, Nigeria
Hola desde Cuidad de Mexico...!
Anwar Suleman from Johannesburg South Africa
I'm from Toronto, Ontario. Thanks for putting this together!
Hi from New York City!
Hi from San Francisco Bay Area! I love Barry. What are your thoughts about Succession being a comedy? Because I find that show an absolute Hoot.
How I met your mother (dating + friends)
Fantastic to have you all here. To the new Stage 32 members, welcome to the community! To those who have been with us for the last 10 years+, awesome to see you all.
Hi All! I'm located in Chicago.
"And Just Like That" and "The Sex Lives of College Girls" are also Dating Comedies?
Hi, I'm from Brazil!
I LOVED the I Love Lucy show. Loved loved loved it.
Hello from Warwick, UK!
HI!! I'm from Romania
Chicago!
Kevin Can F Himself is the exception!
Brasil <3
It's not about the cameras
Hi all- writer residing in Los Angeles
Hi, Im from Chicago
Hi, I'm tuning in from Trinidad :)
Tuning in from Tulsa, Oklahoma! This is great.
Brooklyn 99
Hello from Toronto, Canada
Hey there, from kenya
He really shouldn't say it's the number of cameras 'cause it's not - https://screencraft.org/blog/differences-single-camera-multi-camera-tv-pilot-scripts/
Entourage (work + friends + dating)
Hello, form Saudi Arabia
LA here
Tuning in from Jamaica!
Hi! I'm from France! :) Thank you for this webinar!
Single cam seems better.... IMHO.
Hello from NYC
Hi I'm from Philippines
I'm already clearing some questions that I had in my head when writing. Thank you Vijal.
Hi, I’m from Paris, France. Thanks for this webinar
New Hampshire!
Hi, I'm Gilbert Moyo from Malawi, Africa. It is the country where Madonna adopted two of her kids. I'm glad to be here and learn.
Thanks for this webinar.
how does a single cam get all the angles? does it have to be a separate take every time?
Johannesburg, SA
anyone here from Brooklyn NY?
South Africa
Insecure and Sex and The City is the type of show I want to do
So happy to be here. Hi from Caesarea, Israel (but a New Yorker always).
Hi all. Im from Manchester UK.
hello from France
Hi, Joining from Nigeria
Zooming in from Toronto :).
Can we watch this webinar later for free or will there be a fee associated with it?
It says a lot about the quality of writing when the comedy transcends decades. I still laugh at Malcolm in the Middle and Everyone loves Raymond because the characters are so relatable.
Bazinga!
Any writers from Kenya??
Fun Fact: "Lucy, you've got some 'splainin to do" was never said in the show. It was just the way their dynamic was remembered.
GOOD LUCK @SHEILA
I always wondered how those catch phrases come about. Are they planned and written in the beginning of planning the series or do they come out organically in the writing and just stick.
Writer from Brazil here, hello everyone ^^
Hi, i'm from Budapest Hungary
I gravitate towards single camera. I tend to be more dramatic and pathos based in my humor so it lends itself to the format.
Hi, From Namibia!
Hi everyone! Comedy screenwriter from New England. Feel free to connect with me here or on LinkedIn https://www.linkedin.com/in/isabelle-doucette-100660153
Hi from Montreal!
Hi I am from Truro, Cornwall, England
I've been wondering about the difference between single-cam and multi-cam for quite a while, now. Had no idea. Very interesting. Will def look for these factors now.
Tuning in from Trinidad :)
you can find me on instagram and on youtube @spicecdivorcepartyplanner
I gotta log off, hope to find the link to watch the rest tomorrow
All is clear.
I never thought about how scenes in a single-camera show rarely last longer than 5 minutes. Time to go rewatch all my favourite comedies again to verify this.
Hi from Dorset UK
Here From the Bahamas!
Chattanooga, TN, US.
lol
Greetings from Warsaw, Poland
Richmond, VA
Hello from Pittsburgh
Ohhh i love this. been wondering about "premise" and "concept."
never even heard of "slice of life" pilot"
I'm from Toronto, Canada! =D
Great Ray Romano impersonation Vijal!
i've heard of it on anime scripts, like a genre of animation. But i never heard it on tv shows or movies ^^
cheers from Rio ! what about humour travelling to different cultures ?
Hello from Lagos, Nigeria.
Hi all from Madrid, Spain!
I've heard of it in movies cause of stuff like Duplass Bros are very slice of life.
They're currently producing Somebody Somewhere which is great.
i keep receiving email that i need to check Click "Purchase History" but i can't really find this seminar in my profile here that i have log in (probably cause i used my other email for the seminar) can this be fixed?
Hope that burrito wrapper got residuals
Thomas from NYC.
Shows that have more than one camera aren't necessarily multi-cam. Parks and Rec, The Office, Modern Family are all considered single camera show despite the fact that they have multiple cameras filming at the same time. A Multi-cam is a static set mostly, a lot of times with a live audience, but mo...
Expand commentShows that have more than one camera aren't necessarily multi-cam. Parks and Rec, The Office, Modern Family are all considered single camera show despite the fact that they have multiple cameras filming at the same time. A Multi-cam is a static set mostly, a lot of times with a live audience, but mostly an indoor set with three cameras. But it's not really the amount of cameras like he says. I lost points on the blcklist.com by saying my show was a multi-camera but it was actually single. This is where I learned this.
Love the burrito wrapper story. Now I want to go back and see if I can find it. Lol.
"As a writer, all I do is eat" LOL!
Wow I need to go back to see this burrito wrapper
thats more of a Charlotte thing but I get what he means lol
Everytime i heard "The Middle" i can't help but to remember about "Malcolm in the Middle" lol
Abigail - hover over the Education Tab, then click on My Education. You should have also received an email that starts with "Your Zoom Login Link" Either should work for you!
Wonder years <3
love big bang theory, <3
If any of the Calgary people here are looking for filmmaker pals in this janky, sad city, shoot me a message!
GREAT CHARACTERS
Great characters!
Characters Characters Characters
GREAT CHARACTERS :D
Great characters
all right, who didn't say it...?
GREAT CHARACTERS.
Great characters.
GREAT CHARACTERS!
Great Characters!
anyone ever see a show called Flowers. Ended much too soon but was amazing with it's characters.
GREAT CHARACTERS!
GREAT CHARACTERS!
People think Im funny when I'm not trying to be funny all the time. :D
Yay CLEVELAND! All people from Cleveland are funny
HAHAHAHAH George Costanza!!!
It's Always Sunny masters this. The whole cast are masters of their own misery
i love Seinfeld
We all know a George! Can't see the forest for the trees but is so strong in their convictions all you can do is sit back and laugh
Hi there from L.A!
Seinfeld has some of the most iconics characters of all time! The series about "nothing", a great masterpiece!
oh my goodness... had no idea why i loved Seinfeld
now i know
Absolutely .. George Costanza was first person I thought of as the cause of his own suffering, schemer but incompetent, "ladies man" wanna be but a shlub .. on and on ... yup laughing at the deep flaws :( :)
bad things happening to bad people = gold
Seinfeld has some of the most iconics characters ever! The series about "nothing", a classic worth do watch again even today ^^
Watching Seinfeld for the first time I started to think of it as it's all just one person and the 4 characters are like all 4 personalities in one - like multiple personality. I don't know. That was thought that popped in my mind after watching a few episodes...
George lacks self confidence that often puts him in embarrassing moments
lol mean to children lol dont do that
George Costanza = Daffy Duck - Jerry Seinfeld = Bugs Bunny
I still remember the time George shoved his way out that old folks home in the middle of a fire
Moral bankruptcy aside, George is the character who would probably feel most at home in I Love Lucy. (Speaking of, if you want a show where the characters cause their own suffering...a hundred t
times in a row...)
Hi everyone, just took a minute to say hello. I'm from Oak Park, CA
So many incredible George moments: Summer of George!
LOL! I love the "GREAT CHARACTERS" posts to confirm the vocalization.
or reacting to their antics being recorded by an onlooker and put on twitter
FYI, this is a great seminar, so many incredibly useful bits, thank you!
lol snort..
Jerry on stage: "And what's the deal with iPhones? I don't call anybody, I get the calls! All those telemarketers! Why not call it youPhones?"
Gotta log off... it's 330am here.. .will watch the video tomorrow..
Hi, I'm Keji from Lagos, Nigeria
Kramer would probably ruin the iPhone by accident and sell it to Jerry for half the price.. Haha
lololol i love this sit ex on seinfeld
Laughing at such spot-on "Seinfeld" character predictions.
I would watch this episode of Seinfeld!
I enjoy the Twitter that's einfeldToday that just figures out how to put them in modern situations.
Loving this situation exercise bit!!! This is something new that I will definitely adopt moving forward :D
Joey from Blossom is sooooo funny :-)
Wow, this is a great webinar! We're at the Seinfeld Situation Exercise and I've learn SO much so far....
You shouldnt assume people are dumb just because they seem dumb.. sometimes... lolol :D
Patrick Star would surely eat his own iPhone
Listening in from Seattle
Stafford Va
From Mexico city!! Loving it!
this is so interesting...character dynamics. great characters.
I think that writers who share their experience are such great human beings. Sharing knowledge is one of the best things you can do for society. Thanks,
London Calling
George Constanza is hopeless.
This has been a great webinar so far.
I mean.... the answers were right there...
Hi all! Elk Grove, California here!
A little bit of a work comedy because their "job" is getting off the island?
I heard Gilligan's Island was based off of Lost
I love that he picked Gilligan, such an amazing show! I am sorry for the younger audience that won't get it
A virtual hey from Fort Washington, MD!
He was so funny... i saw him on that Jimmy Fallon celebrity singing show. I was in the studio audience.
thank you for having us too <3
great part 1
Thank youuuuuu. Thank you Vijal
That is a spot-on episode of Seinfeld!
haven't watch Gilligan's though.
How long is this break, please? I def need a break.
This is great
Salem, OR
hi Andrea from Mexico
Insightful first session... Weldone Vijal
This is so good!
So good!
Wow - the content is incredible. Thank you!
Hello everyone!
add some thoughts about humour for cross-culture
“Serenity now!” Is a favorite quote of mine
Hi All - Joining from Brooklyn, NY!
hello, I´m from Berlin, Germany
Ive gotten so many jewels
Hello from Portland, OR!
Since we're talking sharing on Instagram, feel free to tag me as well: @K.ossWrites
Insightful first session ... Thanks Vijal
followed instagram as abikiragamermom. just in case haha.
Late to the party but hello from Saint Martin, originally from Curacao
From Chicago. It look me long enough to post here instead of the chat....
I'm in Tijuana & San Diego, living the border life
Hi! I'm in tuning in from Brooklyn, but I'm based in LA
Hi there. Morgan here - belatedly - from Cape Town, South Africa.
In Port Glasgow in Scotland today!
Hey! Richa here. I'm joining from Mumbai, India.
I’m enjoying this from Ghana. Thanks a lot for this initiative, Amanda.
Canadian transplant currently in LA. so interesting!
sadly i don't see it on this profile i'm using though.
Best part was The Single Vs MultiCam
Paul Zalzal, Toronto, Canada
Great webinar
Nathan Ray Clark I hope that was a joke... Gilligan's Island launched in 1964 Lost was 2004! LOL
Awesome webinar! I'm an educator in my spare time for fun, so I really notice when a presentation is nicely done,: clear, informative, pertinent. There's a lot of work that went into this.
This is what I needed!!!! Amazing
Vijal is amazing with his details! I'm learning a lot as I tune in from Toronto, Canada!
hello! Milkiyas from Ethiopia
Wowee, wow wow! This is a FANTASTIC class! Loved the parts about single/multicam, and characters must be architects of their own doom.
hi, i'm from the netherlands!
Hello - Charlie here. Oakland, CA
Hello from Atlanta!
Hi all! I’m in Toronto, ontario, Canada!
Toi Johnson Maryland!
This is very informative and VERY funny!
loving this website/platform for best filmmakers <3
Hi from Athens, Greece! Awesome webinar!
Hello from Bordeaux, France!
St. Louis, MO in the house!!!!
Hi, Sonja from Trinidad and Tobago! The first two hours were amazing!
Hi from Envigado, Colombia. Loving this webinar. Thanks!
Hello from Nigeria. Loving the webinar so far...
Good evening from Warsaw, Poland
Love all of these comments sharing nuggets of wisdom from the webinar! Don't forget to hit your browser's "REFRESH" button to update this thread with incoming comments.
Hello, from Vancouver Canada! Otherwise known as Hollywood North. Excited to be here!
Such an awesome program. Thanks Amanda and RB of Stage32 / Netflix / and Vijal Patel for this generous program. Learning a lot!
Break time! :) " Buzzinga " :)
Hey! I'm Santiago. I'm from Ecuador.
Canada
Yay!
Hello from Ankara, Turkey. Great!
This has been very helpful
Hello from LA; learning so much!
thanks for this webinar!
Rockland county NY!
Marlene, Baltimore MD
Great content - Vijal is fabulous. THANK YOU FOR THIS!
Hello again from NYC!
Great webinar so far, thanks a lot!
This webinar is so great in its thorough explanation. Will we be able to ask Vigil questions?
First time in my life where I am actually paying attention to a lecture! Love this.
Hello from Chapel Hill : ) Informative, encouraging and entertaining, as always. Thank you!
Great presenter, Vijal Patel from NETFLIX, very engaging and he is setting a very good pace!
Asides for Mockumentary too!!!
What's Vijal's IG handle?
I love blackish so much! My favorite character is rainbow
These are not the strategies Jerry Seinfeld and George used when writing their Pilot. XD Just sayin' LOL
“Lets see... What to write? ‘Jerry Enters‘...“
Vijay, you make me wanna write a comedy…
oh dear, almost 4am here in the philippines. XD
Hello everybody!
This is such a great webinar.
I write fiction and drama but this is very educational and interesting
Hello from Nigeria. This is amazing
I keep thinking on "How I Met Your Mother" for examples xD
Calgary peeps, nice seeing you all =)
Loving this
The understanding is always my favorite episodes
This is really informative! I thought this was going to be superficial, but Vijal actually goes into depth and gives specific and meaningful examples that are interesting, creative, timeless, and easy to track.
This is wonderful! Vijal is engaging, informative and dynamic.
not able to see his whole screen
Waving my hand at the laptop like a game show host. Hello from Ireland
This is gold
I also see Brooklyn Nine Nine as examples too. This webinar is simple and to the point, I like it!
Lol!! Makes his son do a dashiki ceremony!
Animal bones!!
The 3 act breakdown of Black-ish made me laugh. Great writing!
Black-ish is amazing!!! In love with this webinar
Great examples, such a good webinar! Learning a lot!
bro-mitzvah... love this breakdown. thank you
This webinar is fantastic. Great content. Amanda Toney how much is left ? I have to jump in 25 mins.
what changes in a 4-act structure?
He makes everything sound so simple! Right?
Great webinar
This is all soooo good!!! The examples are super helpful.
Julie Stern - Yes, there will be a Q&A at the end of the webinar.
He is making this sounds so easy.
He's very relaxed and personable, not surprisingly, really enjoyable yet focused and informative, love it, this is great detail for those of us who write features but have yet to write for episodic TV format.
I "purchased" this webinar a week ago but just now I've register, after already beginning watching the webinar. And it doesn't appear in purchase history!
Every once in a while the universe smiles and we/I can smile back with genuine appreciation. This is just what I needed. VijaI is amazing! I could listen to him all day. Amanda, thank you, thank you!
Hahaha!!! Great examp.
They did this running past the speed meter gag in The Office (US) too - as a cold open!
Daniel Stuelpnagel I agree. Very much helped clear up a lot of things.
Hi everyone - Most FAQ:
Can I watch this on demand?
Yes, you can watch this on demand on Stage 32. You must have a Stage 32 profile in order to watch the video. Go to www.stage32.com to create a free profile, it takes 30 seconds and you’ll be instantly connected to nearly 1 million creatives and prof...
Expand commentHi everyone - Most FAQ:
Can I watch this on demand?
Yes, you can watch this on demand on Stage 32. You must have a Stage 32 profile in order to watch the video. Go to www.stage32.com to create a free profile, it takes 30 seconds and you’ll be instantly connected to nearly 1 million creatives and professionals in entertainment worldwide.
The genesis of that writing example is hilarious
Amanda Toney I am registered with the same email I joined this webinar, yet it doesn't appear in my purchase history. Why is that? I want to be able to go back and watch the recording.
I think I am finally in the lounge.
YES!!! Love Community!!!
Awesome Stuff
Two weeks ago I pitched to an amazing writer/executive producer, wrote three episodes of GOT and an Oscar nominated movie. She told me my story tonally ... not funny... used MOONLIGHT as a comp so I was thinking this topic--comedy--not so relevant for me right now but I think this is extremely helpful in some essential understandings that are relevant across all genres.
I think the slides are not passing with the speaker :O
British comedies do fly by jokes really well
@artwasem lol i had a lot of trouble figuring out how to get into live lounges during initial broadcast until today.
Interesting note, @staceymalone
For all of those asking, yes, all our education is available on demand and you can watch it at any time at your convenience. You can learn from some of the best, like Vijal, any time. We have over 2,000 hours of entertainment industry education:
Here is a link to all our education: https://www.stage3...
Expand commentFor all of those asking, yes, all our education is available on demand and you can watch it at any time at your convenience. You can learn from some of the best, like Vijal, any time. We have over 2,000 hours of entertainment industry education:
Here is a link to all our education: https://www.stage32.com/education
Here is a link to all our screenwriting education: https://www.stage32.com/education/tag/screenwriting
This guy is truly funny
@Paola - If you hover over the Education Tab, and click on My Education. It should be available there.
You can download the Black-Ish pilot from this site: https://sites.google.com/site/tvwriting/us-comedy/pilot-scripts/14-15-se...
Samantha!
Blanche from Golden Girls
Lords of my labia lol
The Laugh Point
Love the "laugh point" idea. So many shows could benefit from this!
Lucinda Newcomb
Well that didn’t work
Lawrence (as in "of Arabia")
Hearing you talking about Laugh Point: Theres stopping after a Laugh Point... will you be addressing theres the essential Follow Up joke. Its like a chaser, but, again, timing is everything. People need time to absorb the original joke, in-out... wait... follow up. <br>EG: Im making this Peanut Butt...
Expand commentHearing you talking about Laugh Point: Theres stopping after a Laugh Point... will you be addressing theres the essential Follow Up joke. Its like a chaser, but, again, timing is everything. People need time to absorb the original joke, in-out... wait... follow up. <br>EG: Im making this Peanut Butter Sandwich for my Mom
Thats so nice of you.<br>Not really. Shes allergic to peanuts.
...
(Plopping Skippy down next to her Kraft Peanut Butter) Then make sure you use Skippy...
OK not a great joke, but you get the idea.
The Red Carpet walk on the ice rink AKA "Get on Your Feet" bit from Parks and Rec is one of the funniest things I have ever seen
Thanks Dan
"I want to get this at the end," says the guy lecturing about "that's what she said" jokes...
@mosesakempta - I absolutely agree. I couldn't breathe I was laughing so hard at that. And, when the carpet just ended. Hysterical.
what about "and she hates sandwiches". it's a hat on a hat but kinda funny :-)
This is all gems! Love it
Nils Underdem`s comment: what about "and she hates sandwiches". it's a hat on a hat but kinda funny :-) Yah! A chaser joke. Its like a dessert on a meal of a main joke. Makes it more satisfying.
from Nigeria here.. our flatbreads are up to standard Vijal! Lmao..
For further examples of "Reactions can be the punchline," check out almost any episode of Archer.
Orange you glad I didn't say banana?! This is a classic.
Rule of 3 is SO important! Do y'all pick up on it when you watch it, too?
why is it "K"? I went to the bathroom
clown in the windshield
Normal. Normal. Crazy. RULE of 3.
OK I get it now
"K" is funnier = my mind is blown!! Very nice
Canadian?
Touche on the Canadians
K - anadian...
Yah - that works. XD
ahhh can tell is funnier w k sounds
Great discussion on sitcoms and comedy -- will Vijal be going over anything specific to streaming (the title of the event)?
Personally hoping showrunners believe in "K is funnier" during staffing season.
Interesting
Interesting..
That was funny @KimoKoshi
Yes! The rule of 3 pertains on every structural level, top overview on down to the most granular of story beats and punchlines, essential nuggets !
Jerry Ashinyo from Accra, Ghana
Damn... who else wants a burger now?! LOL
Krusty the Clown is the king of comedy K's.
Where do I sign the contract with McDonalds?
Vijal is dropping so much knowledge and doing it all with humor. Great session!!
Big vegan macs…
Hollie Michelle Harper - the "K" sound makes the statement funnier in dialogue. If you are torn between two synonyms, chose the one with the "K" sound. Not stone, but blocK. Not head, but Cabeza. Not hit, but knocK.
This is one of the best screenwriting webinars I've attended, and it's not ended yet. So much invaluable knowledge is being shared and Vijal is such a great presenter.
My favorite "episodic show" joke -- The Simpsons' "real Principal Skinner" episode, where at the end (after Springfield collectively renounces the Earth-shattering revelation that "Principal Skinner" isn't who he says he is), someone notes that they will never speak of this again.
This has been so informative!
A good example of a character evolving and then devolving is Nate on TED LASSO - SPOILERS getting built up to become a coach in Season 1 and then betraying (and graying) the team in Season 2
@Jennie that's a great example...I loved how that arc played out.
Agreed, @Jennie - and I love how that is SPOILER opposite from Jamie's arc, where he leaves and comes back.
Ahhh that's how the "fish-out-of-water" inherently has dramatic tension
Los Angeles too
But what about Judy Winslow...?
loved Urkel
Say that about Stewie the baby in Family Guy!
Urkel had catchphrases FOR DAYS...
Do Character arcs work in Episodic shows? I feel like its the beginning of the end of an Episodic series, because that eventually drops the original dynamics that made it work. Like in Frasier with the story of Niles and Daphne,, when they started being a couple, it killed that hilarious push-pull d...
Expand commentDo Character arcs work in Episodic shows? I feel like its the beginning of the end of an Episodic series, because that eventually drops the original dynamics that made it work. Like in Frasier with the story of Niles and Daphne,, when they started being a couple, it killed that hilarious push-pull dynamic of NIles unrequited, secret love for her. In Seinfeld, they didnt do story arcs much, and the show kept being fresh (most of the time). Even when George and Susan were going to get married, that didnt really change the dynamic or the essential, comedic nature of George, and eventually they resolved the arc by killing Susan off and restoring status quo. So should a show have character arcs over a season or seasons?
Urkel had catchphrases for days. Amazing
Yeah thats when I stopped watching Blackish, it was to much for me to handle.
I'm thinking of the success of shows like "The Golden Girls". The characters were so specific and rich.
Lol repeat jokes
But actors get tired of playing the dumb character and demand their characters get college degrees and now be more smarter.
A running gag
Pretty pretty pretty good
If I'm understanding this, you should've stopped saying "repeat jokes" after 3 times, yes? lol
JOEY DOESN'T SHARE FOOD!!
Al & Peggy Bundy's marriage dynamics. Classic!
Nate actually becomes a hateful character in T.L
@Corinne, arcs work in episodic shows for the episode they arc in. Going back to The Simpsons and its 30+ year run, Bart and Lisa learn to love each other all the time...and then go back to getting on each others' last nerve. (Ditto for Homer and Ned, even.)
^ yes! Loved that show and the fact that they didn't really change too much for the better or worse
So much great info and great teacher too
We look forward to their personalities clashing as they confront their challenges. They were so consistent in their quirks; we knew who was the strategist, the naive one, the sexpot, the manipulator.
Hi, Greg from Greece. Thank you. I love the comedy break down
Really great webinar! Thank you Vijal, Netflix and Stage 32!
This is such a great workshop, amazing work Vijal, Stage 32 & Netflix :)
Really enjoyed hearing the difference between constructing multi vs single cam comedies
I'll have to start putting together a presence on Stage 32... If you'd like to link up with a Director/Writer/Camera Op/Editor in NYC, hit me up; Genuinely!
My portfolio: https://mosesakempta.myportfolio.com/ and I'm @mosesakempta4reel on Instagram
My portfolio is https://mosesakempta.myportfolio.com/ and I'm @mosesakempta4reel on Instagram!
This was phenomenal. Thank you Stage 32 and Thank you Vijal!
the upsell is real
As Amanda mentioned about Stage 32 Education: Webinars are 90 minutes; Classes are held over 2-4 classes; Labs are 8 class sessions which usually include feedback on what you're working on. They are presented live, but also available on-demand under your My Education section.
If you have any further...
Expand commentAs Amanda mentioned about Stage 32 Education: Webinars are 90 minutes; Classes are held over 2-4 classes; Labs are 8 class sessions which usually include feedback on what you're working on. They are presented live, but also available on-demand under your My Education section.
If you have any further questions, you can email Amanda at edu@stage32.com
If you have any questions about Stage 32 Script Services, you can email Jason Mirch, our DIrector of Script Services, at J.Mirch@stage32.com
what about intellectual property?.. I guess there is always risk..huh
Props to Vijal for endurance. Still going strong 3.5 hours in. Incredible.
This is great stuff! Thank you#Stage 32. S32 programmes is money well spent
This chat box or Zoom chat box?
Thank you for this! I am a cartoonist and I am interested in adapting my comic series for television--this has been really helpful!
As a Stage 32 member since last August, I started off this new year with several Pitches and also Script Development talks with Executive, it has been so worth it and absolutely no way I could connect with these industry specialists except through the power of network available through Stage 32, I am an independent writer in Baltimore and I value these opportunities very much, THANK YOU !!
Work comedy
workplace
"work"
family
workplace
Or both
Family comedy
work place comedy
Workplace comedy. Because nobody gets into space without coworkers!
Family comedy with the work place testing their family dynamics.
Workplace comedy
workplace I think
family
workplace
workplace with a touch of family
workplace
Single camera
Single Cam
Workplace comedy
Single cam
Single
Single cam
Single-cam
Single cam!
single
Multi-cam
single
single
single cam
Single cam.
Single Cam
Multi cam
single cam
single cam
comedy-sci fi
This was such a great webinar. My first webinar I’ve attended with Stage 32 and the information was revelatory and insightful. Feel compelled to do some writing after this. Thank you so much, Vijal, Stage 32, and Netflix!
family comedy from pic... still no sound
there's the sound
STUBBORN
sounds gone again
Edgy
Family comedy
Amy is an overthinker
Naive
bubbly
Zany Zelda!
Aimless Amy!
shes alergic to almost everything
Smart
Amy's anal.
neurotic
Amy freckled red hair
she's a perfectionist
Amy is detail oriented. Earns the handle of Anal Amy.
She has OCD
hypochondriac
not very intelligent
conspiracy theorist
nerdy
zelda goofy Amy - ocd
afraid of heights
Perfectionist
Amy = Alpha
forgetful
If Amy is an overthinker, then Zelda could be impulsive with her talent for the work getting her out of trouble her impulses lead her too.
Control-obsessed
know-it-all
scared of flying
nebbish
Zelda's zany.
oh no.. suddenly weird sound problem. in-and-out. mostly out.
Impulsive
zelda: Forgetful / ADHD
afraid of heights
Zelda is Agoraphobic!
shy introvert
scared of flying
Zelda = Imaginative
She is clumsy
Airhead
Laid back
Zelda afraid of heights
forgetful
Sex positive
wild
Playful, adventurous
Creative
wild dreamer
Aelda : sexual
comical
Zelda is creative to a fault. Amy taunts her with the handle of "Zany Zelda" (which Zelda hates).
Forgetful - ADHD - needs to be told same thing again and again
impulsive
she has vertigo
Sloppy
sarcastic
irresponsible and trash talker
she is always late and childish
Zelda - a shy introvert
A horder going to outer space - so problematic. Yes!
party girl!
used condom left on floor
Zelda: They`re trying to break the glass ceiling, on a male dominated industry, but Zelda has it bad for other astronauts, cause, you know, the other astronauts are the fittest of the fittest.
Fantastic lecture, thanks so much. I'll catch the end on the upload. Thanks again!
we're giving vijal his next pitch, aren't we?
astronaut training
quit school
flying high baby
I need some space
need some tape?
up up and away
Fly or Die
Let's fly
From A to Z it's easy
"Let's rock-it"
Better you than me
give me some space already!
dont put that there
Pluto
Just Wing It
I need space
Twin and win
Mom Liked me better
“I’m telling mom.”
"Amazing Amy"
Be unique!
Zelds sexualty allows for her stealingTo Infinity and beyond!`
Still sucking up all the oxygen.
Give me some Space
"The stars have aligned today!"
Stop pulling my tit!
Holy swibble.
Jeez-burgers!
holy baked beans
"schmoozer slay"
"I'd like him to explore my space..." Said by Zelda obvi
You're Cosmic Crazy!
"we need some space"
"I thought that was you"
I'll go dig it out of the trash
"Blast off," said aggressively (to the tone of "Eff Off")
better than last Friday!
But...why?
It's trash!
Abort!
Houston, we have a problem
Nasa nasa
This planet's too small for all our stuff.
Space-farts
“I told you so” - both of them always say it together at the same time, usually to each other when the other messes up
give me air
For Fuck's space!!
Let's not and say we did
you're just like mom (or dad)
that space rocks
Twinning!
Can you stay down to Earth?
Out of this world
"hmmm you dont say"
Other worldly!
booyah
Twinning.
"That part"
Why would you throw that away
peas in a pod
"You've got a big mouth"
Well, YOU'VE got a big ass!
All this space for the taking!
Twin & win wins...
Double bubble
Can I keep that?
To Twinfinity and Beyond
who the fuck are you? (Amy to new people Zelda brings home)
I'd like to save him
...but do you
know?
This is the last time I tell you to clean your shit up.
We're in space for God's sake Amy
we need some atmosphere people.
boomy zoomy
UFO-ria
can you smell something?
"NO!!! SIS""
LOL! That's their twin way of teasing each other! Stop pulling my tit!
Trying to use a K
Twin power, better than none
"In space, noone can hear me scream"
amy was born first she is 2 mins older than zelda
Shut-up weeb! By amy to zelda
"I need some air."
Scotch tape would be the joke that gets repeated over and over
To the zodiac and back
Me too fab idea!!!
Congratulations on the winning catch phrase y'all.
premise
Premise
Slice of life
premise
PRemise
premise
pilot is scared of flying
Primise
premise
premise
Premise pilot
Premis
Premise
premise
Premise
Pilot Premise
Premise
Premise
Premise
premise
premise
Premise
Premise
premise
Premise ( they cross a wormhole)
Premise
Premise
premise
Premise :)
Primos
slice of life but we see flashbacks from their childhood
This interactive example is so helpful and really brings the process to life !!
pilot only has one arm
pilot is having an affair with both twins and neither of them know
It's a Charlie and the Chocolate Factory "win the lottery" sort of selection process.
Premise
Zelda is joining for the guys
lol
Zelda wants in for the sexual innuendo, while amy wants clout
She's a nerd we're in this together like solo and skywalker
This is a little bit like STripeswith Billy Murray being more like Zelda, a little more casual and he just shows up and follows along with the other one. Where his buddy is the one who reads the manual for the weaponry.
She says
I definitely will watch this show.
Elmer - crush on Zelda
They find an alien named cubo
Their parents
Their mom, who is very dumb
Protective grandmother
two men twins
Justin the nerdy friend
Brianna - geeky cosplayer
Co-worker who has a crush on both but prefers Zelda
Mum
The general keps getting them confused thinking theyr'e the same person
Rival twins who want to be first
A talking Chimp
Their boss Claire is scared of heights
Another Sibling
The Kelly twins already are the first at NASA. The brothers both were in the Intl. Space Station.
The captain
Dr. Locke - their NASA supervisor.
Jefferson the janitor who gets the scoop on everything
Cat snuck on board with Zelda
NASA people scientist A & manager B tell them they have to choose the foods they want to bring on the space launch
elon musk is a customer on the flight
A technician
dorky test pilot - chad - is attracted to amy, not zelda, and zelda cant take it
Ryan - the boss. Leanne - wants a promotion over the twins
The chief physical trainier
Trainer is biased with one sister.
Amy has a crush on their boss who has eyes for Zelda
The needy boss
The A.I. on the space ship "Chip"
Their doctor
Zelda's competitive ex bf who is also at NASA, she wants to do better than him
The space director
Bjorg is a janitor at the space center who has a crush on Amy, but has sex with Zelda thinking it's Amy
Cubo's head like a cube
The Doctor and his drugs
affair with team leads partner - zelda
A goofy male co worker who like Amy but annoys her
The cleaning guys are twins too
Jeff, the homeless trash man at Nasa.
Scuba Instructor
Robot computer
Mean boss
A boss who finds it difficult identifying the twins
zelda has a thing for a trainer but a nerdy back office guy loves her
Max, from Mission Control. Who, by the by, is controlling in bed. Likes to blast off in a timely manner and all.
The nemesis
two men twins fall in love with the women but don't recognize them
the janitor
Genius janitor
The Ass-teroid boss
male andriod
the food truck guy in the parking lot
Peter the roommate
Tin man chef who cooks the cans
The intern who falls in love with Zelda
international spy, estranged father
A cleaner
a conspirationist nerd who thinks the twins are robot
misogynistic rival twin boys
female rival
a genius refugee with no papers
Mick the Brick, the bad boss
The male astronaut superior HAS to be entitled and thinks that he's got this
An undercover alien (or thinks it's an alien)
rival twins
Dopey Musk
The General, the jealous know-it all trainee same as thw twins
Space monkey and flat-earth janitor for the win!
robot that always make mistakes
The flat earth janitor is brilliant lol
Name the monkey Jimmy after the money that Black aviator Eugene Bullard flew with during WWI.
Flat Earth janitor gets stuck on the ship when it goes up
SPACE MONKEY! LOL!
so many great ideas... mhm...k in monkey
monkey gets out
He was a scientist that fell from grace
He’s a experiment
The janitor unplugs crucial equipment
Janitor trying to train monkey to hack mainframe
Janitor sneaks on the space ship to confirm his believes
clean the monkeys cage
Janitor wants to save the monkey and set it free
monkey steals usb, they gotta get from janitor
theyre gonna prove the world is flat
they have the same name
Janitor hates the poop-throwing space monkey.
Janitor (Hispanic)
Space Monkey is a conspiracy theorists
The janitor and space monkey accidentally launch themselves into orbit and the twins have to bring them back down.
Janitor asking for pictures that proves that the earth is flat
janitor is their real father
Space monkey wants a promotion
lol
He thinks the twins are actually robots
Janitor gets into NASA on a bet to prove to the scientist that the world is flat
the janitor has to clean the monkey's cage
The janitor has to take the monkey to the bathroom everyday
janitor and zelda fight over trash she wants to keep
The janitor has The Flat Stuff
janitor can communicate with chimp
he's sabotaging the mission to prove his point and gets the monkey high
Janitor has bet with the head of nasa that the world is flat
The monkey tries to convince the janitor the world is round. Its a monkey thats the result of scientific experiments and is smart.
janitor doesn't respect monkey's rank
The monkey has a crush on the boss
One sister is the cleaning lady and the other is a manager, the people are confused
the janitor slips on the banana peel and gets a concussion
The janitor discovers that he shares ADN with the monkey
omg fight over the banana peel...lololol
The monkey ends up saving the day
I love that the monkey is on the payroll
The janitor is in love with Amy and the monkey is in love with the janitor
janitor can communication with chimp
sooo many great ideas!!
Elon Musk hits on one of the twins
get monkey fired!!
he is believing in .. Aliens :) ...
... mayhem that gets in the way of the A
Noce
Nice
This is ridiculous and hilarious LOL Well done, all!
They use the scotch tape to fix the problem that caused the electric zap.
When does this thing air? for real.
The ship has to get hyperspaced to the other side of the galaxy and now they have to get back.
Okay Vijal is going to pitch this. this is fantastic.
They discover aliens
the selection
astronaut training
ELON MUSK IS HAVING AN AFFAIR WITH ONE OF THE TWINS
Monkey is in love with Zelda
They go to space and Monkey gets lost in space.
But no one is convincef
not as good sister starts to be taken more seriously
New space telescope discovers monkeys live on Mars so get ready for launch >>>
There is a slot for JUST ONE new astronaut.
not as good sister does better
the selection
Amy has a crush on a jock astronaught, zelda sleeps with him while posing as Amy to try to help her.
Amy falls in love with the Janitor but she is ashamed because he is a flat earth theroists
Zelda gets in first.... and has to help her sister.
One of the twins will be selected as recipient of specil international role maybe the European Space Agency.
One sister might have a health issue that may prevent her from going to space!
Zelda gets pregnant
Amy and Zelda's parents don't support their career choice.
They don't have enough funding for female space suits
A Suicidal Mission
Amy is a virgin and will be....
Amy tries to get monkey fired
Funding for their mission being withdrawn?
Janitor can never tell twins apart
the selection of the astronauts
One of the trainees sabotages the twins and they almost get kicked out
No one can tell Amy and Zelda a part so Zelda's promiscuity gets Amy in trouble with the boss
First twin astronauts go to moon, but there is also twin brother from russia that are also trying to be the first twins on the moon. So it becomes sort of a space race lol
Space station loses its funding.
The twins have to take a practice test to be apart of the crew but both of the fail it
I love this. This is a fantastic children's animation. Except for the promiscuous part.
One of their parents has a medical emergency before they go on their first mission
the monkey gets a place in next mission and none of the twins get it
There's a triplet they didn't know about
Only one of them can go into space - they have to compete
Amy has a secret affair with the janitor
Twins use psychic connection to outwit male competition
Monkey falls in love with both twins
Nerd pines for one of the twins
Janitor gets shot into space by mistake and still thinks earth is flat.
Existential crisis of our insignificant size in the universe
janitor and zelda are caught in a will they won't they fuelled by trash hoarding
monkey gets job at rival space station
Janitor sends monkey into space
The sisters are secretary witches who rule the zodiac
Zelda becomes more successful than Amy by leading tape research.
Director threatens to send only ONE sister into space, fostering intense competition.
only one of them is chosen
Janitor gets stuck in a shuttle and gets shot to space
A newly launched rocket explodes becomes a paranoia for them from then on
A mission goes awry and it ends up that Zelda's hoarding saves the day
We learn that their father took part in a space mission and is missing. He left them and their mother. Now there is a chance that the father is alive - the daughters are going to get him. We have "Why" they want it so bad.
The Monkey learns to talk in spanish only
They find an allien and he/she falls in love with the twins
Zelda needing to declutter the amount of things she wants to bring to space.
Zelda wants to join another mission, one opportunity only so will have to no longer work with sister. She'll miss her
monkey outranks amy
steels the what??
External: Their project gets shuts down due to budget cuts
Janitor makes a scientific breakthrough in trying to prove the world is flat
one of them gets pregnant
They loose project funding
Zelda breeds a giant tardigrade in space to keep as a pet
they discover they have a third sister
Zelda goes missing, and we realize she fell into the center of scotch tape and falls into an alternate universe where everyone has a twin
they discover a comet coming towards earth
They discover they are not really exploring space, it's just a fake propaganda movie about landing in Venus
Zelda gets pregnant by a colleague and Amy comes out
Both compete to do a spacewalk, but only one can do it
They find out that their mum is sleeping with the NASA director to be able to join them
Monkey steals the show! Hahaha!!
The janitor´s broom get broken and he threats to quit his job
Amy and Zelda are orphans, and both believe they are aliens and want to go out there and find their parents.
Amy discovers she's narcoleptic and she has to hide it or else she will get fired
Brooding Russian space twin arch enemies
Ppl keep confusing Zelda for amy and it pisses amy who feels she worked for nothing
space monkey needs to be a space snob
The Russians have their own cute animal equivalent, a Space Corgi
which makes Space Monkey jealous
Amy should be fire for Zelda's mistake
lol monkey out-tests Amy
:DDD
Space twins for the win! Freeze frame in the air high five
Vijal is brilliant. STAGE 32's virtual writer's room rocks.
Their mother comes to live with them
Two other awesome twins
Russian spy
The Monkey's uncle
Amy and Zelda’s long lost father
High school or college rival
the crazy frog trying to abduct plane
They meet Neo..
old space twins who never made it
Amy falls in love with the producer who she finds out is married
Space fish
An astronaut who defected from Russia
A woman space monkey
Space Cat
Camera man dan
bork the secret alien
their mum
A freespritited astronaut for Amy
A Space Big Mac
The Olsen Twins
The new astronaut
the pilot
Spoilt intern kid
Parent
Love interest for Amy who's secretly a mole to personal interest
crazy scientist = estranged father
Robot
space pirate
An astrologer that gets them hooked with Astrology!
TV producer they both fall for
The Reality Show Host who falls in love with one of the sisters
Space Monkey's nemesis Space Cat who may or may not be an alien in disguise
The real life male version of Ken Barbir Doll - a washed up male model who is an undercover alien
A clone of Zelda
A Russian Cosmonaut
old space twins who never made it
men twins
S2, the new good looking astronaut who wants to date one sister but she is not interested in him
an automatic pilot
New Head of space that is actually a alien
Estranged triplet sister lost at birth
A politician that wants to defund the program.
Zorro
A neuroitc alien that's been kicked off their planet
An alien who is also space Astronaut
William Shatner
Space Monkey's nemesis Space Cat who may or not be an alien and whom only Space Monkey seems to notice.
The twins' mother after their father dies of after slipping on a banana peel
nagging mom
Dojo Douglass. THE ships old wise zen master
A third sister, the black sheep, joins them
They discover they are not really exploring space, it's just a fake propaganda movie about landing in Venus
A new boss that is an alien
One has a big employee, the other wants to have her big oppotunity
Richard Branson
An alien doppelganger posing as a triplet.
Space dragon
Woman astronaut who is a spy
Alien that looks like them
William Shatner guest stars as their long lost uncle..
elvis presley impersonator.
A 12 year old prodigy
a zanny astronaut transfer from Space X
They discover they are triplets and meet their sister
Keanu reeves
robot
A Humanoid
Amy falls in love with the producer and finds out he’s married
A Russian astronaut who was stuck in the space station
old space twins who never made it
ahhhh yeah lots of stakes w "President"
A Russian Humanoid with Asian features
mmm emotional stakes because there's lots of old baggage with fam members
Amazing
Aliens :) I like it ..
Thishas been brill. Thank you.
Thanks V so much, thanks S32 & NF
Vijal is a fantastic screenwriting instructor. Great instructional format, too.
Thanks. Great brainstorming :D
Vijal this was amazing!!! Thank you soooooo much for your time and genius and ideas! Learned so much!!
What would be the difference in your approach to a standard tv show vs a limited series?
This was great. Thanks
Thanks so much!
Thank you so much for your time Vijal.
Thank you soooooooooo much for this.
Thanks so much Vijal!
This has been fantastic.
Thanks Vijal - great webinar!
thank you so much for sharing <3
Thank you so much Vijal what a lovely heartfelt wrap-up, and thank you so much to Stage 32 for an amazing session today !! Love it
How do you adjust your story structure for a 4-act structure?
This was Awesome!
Thank you very much! This has been GREAT!
Can you talk about the difference between muti-cam and single-cam as pertains to 2 acts vs. 3 acts? Thanks!
Can a pilot be strictly driven by voiceovers?
Excelente enjoyed this very much.
Who is the best person to email at Netflix if you wanted to submit a script? What is the process like?
I loved the bit about using similes and metaphors to make a joke relatable. How do you incorporate a pun joke that's funny in another language or a joke that's funny in another culture to an English script?
Thank you Vijal. Any tips on writing a logline for the pilot or episodes?
Thanks to Amanda and Vijal for this. It's great to have my country mentioned as an example, too :-D
This was one of the best webinars ever joined!! Awesome, took a lot great inspiration! Thank you so much!
The Writer's Room is sooooo worth it!!!
Thank you so much,Vijal. That was so helpful!
Loved this class
Thank you Amanda and all at Stage 32. Vijal is amazingly great. Very good presentation. I'll be in touch. Have to leave now, sorry. THANK YOU SO MUCH>
Yaay Thank you!
thank you, it was amazing, thank you Vijal !
Questions: How many characters is too many or too few and should you always try to pair them off?
Wow thank you great gift
Thank you so much
I can't click on the link
1)Does the cultivation of a plot come before fleshing out characters? 2) For a pilot, do you write smaller B and C stories if you’re using the pilot to introduce characters. 3)Any advice for turning a one character comedy play into a comedy TV show? I presume it’ll be single cam
I HIGHLY recommend the Writer's Room, y'all!
Absolutely, the Writers' Room has been amazing and well worth it,
The Vault videos, Executive Hour and numerous programs,
I've been a Member since August of last year, this program has boosted my confidence and craft so much, I feel that it has saved me years of solitary study time by being able to connect with this special cohort of artists, love it !
Question: Does a multi-cam always need to have a laugh track? Are there multi cam examples that don’t have a laugh track?
Very engaging
Can someone reshare the link for the free month?
Hi from Boston, MA Vijal this was so awesome because I can't tell a joke if my life depended on it!!...OK may be if my life depended on it...
Thanks so much for this great learning session, Vijal! Thanks for moderating, Amanda! Great stuff!
I asked this earlier, but was wondering if catch phrases are written and incorporated in planning the series or do they come out of the writing organically with each script/show?
How do you navigate a major character/actor leaving a show? ie: Two and a Half men
Question: Awesome work all :)
http://www.stage32.com/plan-vip
Am In the wright place for the free month? In the writers room?
Can you talk about Cold Open And Tags?
right..
totally understood the answer but forgot the q :D
Is there any pilot show written for both single n multi cam and how
QUESTION: For those shows that are nor entirely Comedy, nor Drama (such as After Life, Shameless, 90210); Do you think we could apply many of the Comedy concepts or do they take more Drama arch, structure, and situations?
Could it make sense to write a multi-part pilot, like a three episode pilotÉ
im in for Space Twins
With half-hour dramedies becoming more popular like "Harlem" and "Insecure" that is surrounded by four friends, is it important to build B & C stories around each friend and what is an effective way to do that?
Thanks - gotta run. But I learnt so much. Peace!
Thank you Amanda and Vijal! A lovely learning session!
Question: do you have any tips for the logline of the pilot? Thank you!
Are cold opens still necessary for comedies?
id def watch Space Twins. and im actually not a big showwatcher. have missed more shows than anyone ever trying to write scripts ever
Logline is how long for comedy shows
thanks Juan
Are cold opens still necessary for half hour dramedies? Also, when there's a show like "Harlem" or "Insecure" that have four friends but are written as half hour dramedies, is it important to build B & C stories about all of the friends in the the pilot. What is an effective way to do so?
mmm very helpful Q regarding B and C in pilot
That was Carl Reiner? I use that quote all the time.
Chris Mack addressed same Q in his pitch webinar. International shows translate well even when specific to region.
Su Sol - In the webinar, click on the CHAT icon at the bottom of the screen, and that chat box will have the link to the free month of the Writer's Room.
Felt like i should watch Squid Games but did not want to watch it until hearing amanda say that.
Are shows with short episodes easier to sell? Are nowadays Multicam shows meant to be shorter?
When you are writing a comedy for younger audiences, how can you work the character’s trait that is not entirely negative but still funny? When you are writing a comedy for younger audiences, how can you work the character’s traits that are not entirely negative but still funny?
Can you walk us through a day in the writer's room of one of your shows?
I LOVE Kim's Convenience, and I'm a black female. Write and it will find an audience globally.
This webinar has been the best webinar on TV writing I have ever experienced! Kudos to Vijal Patel! Thank you Netflix and Stage 32!
Can you walk us through a day in the writer's room of one of your shows?
Question for Vijal - Going back to your comments around relatability: How do I overcome the idea of people believing I can't write relatable content because the general rule is write what you know. I am a person who lives with a physical disability, so the assumption is I only know about that, but m...
Expand commentQuestion for Vijal - Going back to your comments around relatability: How do I overcome the idea of people believing I can't write relatable content because the general rule is write what you know. I am a person who lives with a physical disability, so the assumption is I only know about that, but my disability is not the entirety of who I am. I'm a person with interests and desires and problems that a lot of people can relate to - through a different lens.
Thanks - if Vijal could look at this question after zoom: Any advice for turning a one character comedy play into a comedy TV show? I presume it’ll be single cam. Also best way / advice to learn how to write full pilot script if your used to writing smaller scenes
Can you please provide certificate for these webinars or workshops
Your discussion about writing cross-nationally, like from Bohemia, there is the universal, human experience, but I often wonder how much international cultural differences in approach affect a story getting picked up. For example, how I would write to Canadians is different from how I would write to...
Expand commentYour discussion about writing cross-nationally, like from Bohemia, there is the universal, human experience, but I often wonder how much international cultural differences in approach affect a story getting picked up. For example, how I would write to Canadians is different from how I would write to Hollywood. For example, in Canada, we can find low-key very funny. From here in Canada, US humour as much balder. So if Im going to write true to strictly Canadian culture, I can be more subtle. I keep getting the feeling that this wouldnt grab the balder market of the US. I think that become a significant question about writing cross culturally.
Yes, I know Schitz Creek was a hit, but thats balder writing from a Canadian standpoint. So these cultural differences doesnt mean it wont take off, but there is so much more that other cultures have to offer and Im not sure that gets picked up.
Does Vijal have a writing mentorship/fellowship program?
Thanks to all involved!
Amazing! Thank you for your time and expertise!
This was really great, worth staying at till 10:30 pm here in the UK!
Very Good. Thanks
Thank you so much, Vijal. You're a wonderful instructor.
Outstanding, I can tell you truly care about sharing and helping others. Thank you so much
thank you so much Vijal.
This was incredible Vijal--thank you!
Thank you, the absolute best first experience here :)
this was awesome
Thank you so, so, so much for this, it was truly fantastic!
I write features, and your principles helped. Thank you so much.
Thank you so much for this special opportunity to learn from the best! :)
Thanks so much!
Thank you so much!
This was very helpful! Thanks!!!
this is excellent - thank you so much!!!!! Brilliant workshop
thank you kind sir
So fantastic!! Thank you
ericajames505@gmail.com for the response
Great webinar!! I cant wait to get writing
Thank you so much for all of this! It's been an enlightening webinar.
A million thanks to you all!!
This was super informational and inspiring! Thank you!
You're a saint Vijal. Thank you so much!
Thank you for the great seminar, Vijal. I appreciate ALL the time you put into this for us.
Thank you Stage 32 for offering such an an awesome webinar.
this was dope
Pretty Epic times.. Vijal was extremely simple and gave me hope that I can do this too. What passion. Thank you.
Many thanks Vijal and Amanda. That was great.
What specifics can you share about writing for a streaming platform vs. an episodic network sitcom? For example, what main points should I hit for a serial 30-min dramedy pilot that would improve my opportunity to be picked up?
Also - the best places to send and sell your script
Thank you for your time! 7am over here. good night all <3
Thank you for your generosity, Vijal &. Stage 32! Great class.
Thank you so much, Vijal - what a privilege this has been! Thank you, too, Amanda and everyone involved at Stage32.
Thanks so much, Amanda and Vigil. This is the most helpful and enjoyable webinar I have attended. You have inspired me to push through.
Ahhhh ...and your soul. Put your soul in it.
Thanks for everything
This was a blast, Thanks Vijal!! Thanks Stage32!!
Thank you, Vijay for putting so much time and energy into preparing this magnum opus on comedy writing! It was really very well done. Thanks to Stage 32 for putting this on and Christopher Mack for participating as well!
Thank you so much ! Best class ever
Thank you so much Vijal and Amanda! This was absolutely amazing.
Great Masterclass, thanks to all you guys...
Yes put your SOUL into it <3 Thanks again Vijal! So much great info and thanks to Stage 32
Almost 11pm here in England, thank you so much for a great evening. Loved it.
THank you Amanda-Vijal, Christopher, Richard (Stage 32-Netflix)
Such a great webinar. I've done these before. Easily one of the best. Thank you!
Thanks you so much! Never joined a webinar that long that was interesting from beginning to end
That was just an informative and fun webinar, Vijal! Thank you so much for your time! I truly appreciate it. :D
Everyone, thank you for all of your amazing insight! What funny ideas for SPACE TWINS!
Thank u so much, i've learned a lot today
Thank you Amanda, Stage 32 and Vijal. Great information
I am a TV researcher, producer and podcast in London, England. Check out my short-films and podcast via the link below. Follow, subscribe: https://linktr.ee/prophetsofrock
I'm looking forward to the replay -- I got called into 2 lengthy production calls and had to keep muting. I love how thorough these Netflix webinars are; simply amazing.
Where is the link to sign up for a free month of writing class?
" Outstanding"! this is better than I expected :)
Laughter has a lot of positive impacts on our body.. that's why I love comedy!
Thank you Vijal! You were amazing & funny :)
Thank you Amanda Toney ! Thank you Stage 32 ..
"Fahd has left the building!" See you next time :)
Thank you, Amanda and Vijal. It was such a treat. I am sure I will revisit my notes frequently. I truly appreciate it.
Ces mb from the Philippines
Thank you so much for the webinar, I do appreciate all the speakers today. and soon I've been doing my Romantic-Comedy series for Netflix. It's been an honor to be a part of this webinar, again, Thank you so much.
So far, the Netflix + Stage 32 Present webinars are some of the most useful I have ever watched. Great stuff!
Thank you so much, Vijal and Amanda! Really great information :)
Nice
My favorite parts of Vijal Patel's workshop were the importance of clear characters and characters' dynamics, the fact that characters are always funny when they themselves are the cause of their own suffering, the exercise of wondering how characters would react in any situations, pairing opposites, the formula examples of Gilligan Island and Blackish, and the rule of three.
I'm really late watching but just to say this was awesome!! I learned so much, thank you so much Amanda Toney and Vijal. It was so informative!
Thanks again for putting together this fantastic webinar Amanda Toney and Vijal! I love writing comedic moments, and I think this whole webinar series has been some of Stage 32's most inspiring and enlightening pieces yet. With that in mind, would it be alright if I asked you some follow up question...
Expand commentThanks again for putting together this fantastic webinar Amanda Toney and Vijal! I love writing comedic moments, and I think this whole webinar series has been some of Stage 32's most inspiring and enlightening pieces yet. With that in mind, would it be alright if I asked you some follow up questions?
1. What do you think are some of the most common mistakes that new comedy writers make?
2. How common are writers' blocks for comedy scripts, and what are some of your go-to techniques for overcoming them?
3. I struggle a lot with writing dialogue for ensemble casts because of how difficult it can be to give each character their own unique POV and speaking style - especially when I cannot bounce ideas off another writer. Are there any tips and pointers that you could share to help writers that are in my position to tackle writing for ensemble casts effectively even when the writers are working alone?
4. What about when you are creating characters who are supposed to be either quite smart, witty, and unpredictable? Does it make it more difficult for you to predict what your character is going to do very easily for those reasons, and what are your methods for overcoming this kind of writing struggle?
5. & are there any tools/techniques/checks-and-balances writers can use to check to see if the endings for their conflict are ending in a natural and/or entertaining way? Even if they don't have easy access to another writer or a test audience to bounce their ideas off of?
Fantastic webinar, thank you for hosting this.
Hello Stage32 Family, joining in from Harlem, New York